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Downtown Boston once thrived as a dazzling bohemia of burlesque halls, movie palaces, dime museums, and regal stages. By 1915, more than 20 theaters crowded along a quarter-mile stretch of lower Washington Street. The theater district gave birth to vaudeville and incubated some of America's most darling musicals and daring new dramas en route to Broadway. Theatergoers flocked to Tremont and Boylston Streets to watch the latest tryouts. Some productions flopped; others, like Oklahoma! and Paul Robeson's Othello, were runaway hits. Still others earned the coveted seal of disapproval, "Banned in Boston," from zealous city censors. Overrun by seedy venues in the 1970s, the Combat Zone, as it came to be known, seemed to justify old Puritan fears that the stage would corrupt public morals. Only in recent years has the district rebounded through careful restoration of storied playhouses like the Boston Opera House, the Majestic, and the Colonial--grand vestiges of a booming cultural corridor still vibrant today.
The theatre had a difficult time establishing itself in Massachusetts. Colonial authorities in Boston were adamantly opposed to theatrical amusements of any kind. In the mid-eighteenth century, even theatricals performed in the homes of private citizens aroused the indignant ire of puritanically minded authorities. In 1750 the General Court of Massachusetts passed an act prohibiting stage plays or any other theatrical entertainment. In 1762, the New Hampshire House of Representatives refused a theatre troupe admission to the town of Portsmouth on the ground that plays had a "peculiar influence on the minds of young people and greatly endangered their morals by giving them a taste for intriguing amusement and pleasure." The first public dramatic performance in Boston was produced at a coffeehouse on State Street by two English actors and some local volunteers. In 1775 General John Burgoyne, himself an actor and playwright, converted Boston's Faneuil Hall into a theatre, where he presented, among other pieces, The Blockade of Boston. After the Revolutionary War, in February 1794, the dramatic history of Boston may be said to have begun with the opening of the Boston Theatre. The history of Boston theatres from the eighteenth century through the present is covered in this well illustrated work. Although the theatre had a somewhat rocky beginning, by 1841 more than 15 theatre houses--including the Boston Theatre, Concert Hall, Merchants Hall, Boylston Hall, the Washington Gardens Amphitheatre, the Tremont Theatre, the Washington Theatre, the American Amphitheatre, the Federal Street Theatre, Mr. Saubert's Theatre, the Lion Theatre, the National Theatre (which boasted gas lighting), and the Howard Athenaeum--were all established. After these first theatres paved the way and puritanical restraint had been overcome, the public's enthusiasm for varied entertainment prevailed and theatres proliferated in the city. This book details the long and storied history of Boston theatre construction, alteration, restoration, and, in many cases, destruction. Information is also provided about building architecture, types of performances, ticket prices and other interesting data about each theatre's history.
"Robert McCloskey's unusual and stunning pictures have long been a delight for their fun as well as their spirit of place."—The Horn Book Mrs. Mallard was sure that the pond in the Boston Public Gardens would be a perfect place for her and her eight ducklings to live. The problem was how to get them there through the busy streets of Boston. But with a little help from the Boston police, Mrs. Mallard and Jack, Kack, Lack, Nack, Ouack, Pack, and Quack arive safely at their new home. This brilliantly illustrated, amusingly observed tale of Mallards on the move has won the hearts of generations of readers. Awarded the Caldecott Medal for the most distinguished American picture book for children in 1941, it has since become a favorite of millions. This classic tale of the famous Mallard ducks of Boston is available for the first time in a full-sized paperback edition. Make Way for Ducklings has been described as "one of the merriest picture books ever" (The New York Times). Ideal for reading aloud, this book deserves a place of honor on every child's bookshelf. "This delightful picture book captures the humor and beauty of one special duckling family. ... McClosky's illustrations are brilliant and filled with humor. The details of the ducklings, along with the popular sights of Boston, come across wonderfully. The image of the entire family proudly walking in line is a classic."—The Barnes & Noble Review "The quaint story of the mallard family's search for the perfect place to hatch ducklings. ... For more than fifty years kids have been entertained by this warm and wonderful story."—Children's Literature
A look at the notorious place that was demolished in 1961 to clear the way for the Government Center urban renewal project.
Winner of five 1969 Tony Awards, including Best Book and Best Musical, this oft-produced musical play is an imaginative re-creation of the events from May 8 to July 4, 1776 in Philadelphia, when the second Continental Congress argued about, voted on, and signed the Declaration of Independence.
Each title in The Applause Libretto Library Series presents a Broadway musical with fresh packaging in a 6 x 9 trade paperback format. Each Complete Book and Lyrics is approved by the writers and attractively designed with color photo inserts from the Broadway production. All titles include introduction and foreword by renowned Broadway musical experts. Long before Dorothy dropped in, two other girls meet in the Land of Oz. One, born with emerald green skin, is smart, fiery, and misunderstood. The other is beautiful, ambitious, and very popular. The story of how these two unlikely friends end up as the Wicked Witch of the West and Glinda the Good Witch makes for the most spellbinding new musical in years.
Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.
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