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In 1958, under the founding music director, Prof. Marvin Rabin, the Boston University College of Fine Arts established a youth orchestra for junior and senior high school students from the Greater Boston area. The Boston Youth Symphony Orchestras (BYSO), formerly known as the Greater Boston Youth Symphony Orchestras, has flourished over the past 60 years, impacting the lives of thousands of young musicians. BYSO members have experienced countless unforgettable moments, including performances at the White House, Carnegie Hall, and renowned concert venues across the world. Today, under the musical leadership of Federico Cortese, BYSO serves 500 students from over 120 communities throughout New England. BYSO is one of Boston's most prestigious arts organizations, with a programmatic scope that includes three full symphonic orchestras, two young string training orchestras, six chamber orchestras, a preparatory wind ensemble, a chamber music program, and a nationally recognized outreach program that provides rigorous instrument instruction to students from underrepresented communities. In 2008, BYSO established an opera program that has become an integral part of the season repertoire. BYSO has selected images from its extensive archives to exhibit its rich history.
In 1958, under the founding music director, Prof. Marvin Rabin, the Boston University College of Fine Arts established a youth orchestra for junior and senior high school students from the Greater Boston area. The Boston Youth Symphony Orchestras (BYSO), formerly known as the Greater Boston Youth Symphony Orchestras, has flourished over the past 60 years, impacting the lives of thousands of young musicians. BYSO members have experienced countless unforgettable moments, including performances at the White House, Carnegie Hall, and renowned concert venues across the world. Today, under the musical leadership of Federico Cortese, BYSO serves 500 students from over 120 communities throughout New England. BYSO is one of Boston's most prestigious arts organizations, with a programmatic scope that includes three full symphonic orchestras, two young string training orchestras, six chamber orchestras, a preparatory wind ensemble, a chamber music program, and a nationally recognized outreach program that provides rigorous instrument instruction to students from underrepresented communities. In 2008, BYSO established an opera program that has become an integral part of the season repertoire. BYSO has selected images from its extensive archives to exhibit its rich history.
This discography addresses all the recordings made by The Boston Symphony Orchestra and by the Boston Symphony Chamber Players. Each entry contains complete details of the recording session and work, including all the soloists and choruses, as well as issued discs and tapes in many formats. The material is cross-referenced in indexes organized by composer, conductor, and soloist. In addition to commercial recordings, this volume has separate sections on recordings issued by the U.S. government, recordings made by BSO musicians under other ensemble names, and 'pirate' recordings of BSO concerts and broadcasts.
In 1958, under the direction of Prof. Marvin Rabin, the Boston University College of Fine Arts established a youth orchestra for junior and senior high school students from the Greater Boston area. The Boston Youth Symphony Orchestras (BYSO), formerly known as the Greater Boston Youth Symphony Orchestras, has flourished over the past 50 years, expanding beyond the original single orchestra and launching many new artistic initiatives. BYSO members have experienced countless unforgettable moments, including performances at the White House, Carnegie Hall, and renowned concert venues across the world. Today, under the musical leadership of Federico Cortese, the BYSO serves over 400 young musicians from 126 communities throughout New England. The BYSO is one of Boston's most prestigious arts organizations, with a programmatic scope that includes three full symphonic orchestras, a string orchestra, a preparatory wind ensemble, four chamber orchestras, 50 chamber music ensembles, and a nationally recognized string training program for underrepresented youth from inner-city communities. The BYSO has selected images from its extensive archives to exhibit the rich history of this organization.
Modern low brass instruments—trombone, tuba, and euphonium—have legions of ancestors, cousins, and descendants in over five-hundred years of history. Prominent scholar and performer Douglas Yeo provides a unique, accessible reference guide that addresses a broad range of relevant topics and brings these instruments to life with clear explanations and the most up-to-date research. Brief biographies of many path-changing individuals highlight their influence on instrument development and use. The book’s inclusive scope also recognizes the work of diverse, influential artists whose important contributions to trombone and tuba history and development have not previously been acknowledged in other literature. Extensive illustrations by Lennie Peterson provide insight into many of the entries.
Destined both for cello students and young musicians at the outset of their professional careers, this book gives you insight into the ways you can prepare for an orchestral cello audition. From how to plan your practicing to how to prepare mentally for the event, no stone is left unturned. You will also get detailed instructions, bowings and fingerings for 38 excerpts of the standard orchestral repertoire from the author, principal cellist of the Boston Symphony Orchestra.
In their playing you hear not only precision, color and balance, but thunder, lightning and the language of the heart. This is what the Boston Globe said about a performance by conductor Benjamin Zander with the Boston Philharmonic Orchestra, but it could apply equally to the Zanders' inspirational book, the product of a synthesis of the diverse worlds of the symphony orchestra and cutting-edge psychology. The Art of Possibility offers a set of breakthrough practices for creativity in all human enterprises. Infused with the energy of their dynamic partnership, the book joins together Ben's extraordinary talent as a mover and shaker, teacher, and communicator, with Rosamund Stone Zander's genius for creating innovative paradigms for personal and professional fulfillment. In lively counterpoint, the authors provide us with a deep sense of the powerful role that the notion of possibility can play in every aspect of our lives. The Zanders' deceptively simple practices are based on two premises: that life is composed as a story ("it's all invented") and that, with new definitions, much more is possible than people ordinarily think. The book shifts our perspective with uplifting stories, parables, and anecdotes from the authors' personal experiences as well as from famous and everyday heroes. From "Giving an A," to the mysterious "Rule Number 6," to "Leading from Any Chair"-the account of Ben's stunning realization that the conductor/leader's power is directly linked to how much greatness he is willing to grant to others-each practice offers an opportunity for personal and organizational transformation. The Art of Possibility provides a life-altering approach to fulfilling dreams large and small. The Zanders invite us all to become passionate communicators, leaders, and performers whose lives radiate possibility into the world. Rosamund Stone Zander is a family therapist and a landscape painter. Benjamin Zander is the conductor of the Boston Philharmonic Orchestra and a professor at the New England Conservatory of Music. Based on the principles developed through the authors' unique partnership, Mr. Zander gives presentations to managers and executives around the world and Ms. Zander conducts workshops for organizations on practicing the art of possibility.