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A Thug can't be a Thug without a Boss Lady to ride shotgun with him in the streets. For years Boss Lady Inc. held down Thug Inc. and took no shorts or losses from anyone. With them all being retired it's a new crew with new issues and of course the relationship drama that goes with it. Cut from a different cloth the new breed of Boss Ladies will have to Boss Up and show that with Legacy Inc. is where they belong but are they worthy of the title. Being a Boss Lady sounds good but it's a title earned and not given. As much as Tahari wants to train them she knows that you have to have the heart for it. The ladies have to find their place in a Thug's Heart. In this installment of the Thug Saga the ladies will learn that being a Boss Lady isn't just about standing next to your man in battle. It's also about being able to get over hurt, pain, and betrayal that he causes. They will learn that even when it hurts the most women have to Boss up and roll with the punches no matter what and thats the definition of a real Boss Lady.
Good Girls Love Thugs is about four young best friends, whose lives change dramatically after getting caught up with the extremely sought after “King brothers” Kendrick, Kendreeis, and Kendon. The King brothers run the biggest drug operation in Baltimore, MD where money and women are the least of their worries. Follow innocent Nic, crazy Christy, sensitive Morgan, and feisty Jessica as they deal with thirsty jump offs, vengeful exes, infidelity, and even some shady family members, in hopes of proving good girls can too be with thugs.
At head of title on cover: Shan presents.
At head of title on cover: Shan presents.
Tahari Monroe is in a loveless, sexless, and abusive relationship with her boyfriend Nico of four years. The love they once shared has been replaced with his love for another woman and the feeling of his fists. Tahari sees no way out that is until she meets Ka'Jaire "Thug" Kenneth. He is every woman's dream come true and every nigga's worst nightmare. The relationship between them develops instantaneously. Tahari has fallen victim to Thug's Passion, but can she handle the pitfalls of being the ride or die chick he needs by his side. Past loves and enemies' vengeance and murder in mind threaten to tear down what they have built. Follow Tahari and Thug on a rollercoaster ride as they fight to save their lives, freedom, and their relationship.
Torn between steamy, passionate nights between the sheets and the truths she doesn't want to face, Margo Harris unravels mysteries from her past as she forms ties with a dangerous group of people. Determined to rebuild the fragments of her previous life, she clings to the sexy and magnetic Salvatore Mazzillo for comfort he can't truly provide, finding herself deeper and deeper in a world she can't escape. A breathtakingly sensual and suspenseful ride that will have you questioning what real love means and have you wondering if those around you are who they say they are.
Emphasizing an appreciation for street lit as a way to promote reading and library use, Morris’s book helps library staff establish their “street cred” by giving them the information they need to provide knowledgeable guidance.
With essays ranging in topic from the films of Neil LaBute to the sexual politics of Major League Baseball, this diverse collection of essays examines the multi-faceted media images of contemporary masculinity from a variety of perspectives and academic disciplines. The book's first half focuses on the issue of racialized masculinity and its various manifestations, with essays covering, among other topics, the re-imagining of Asian American masculinity in Justin Lin's Better Luck Tomorrow and the ever-present image of black male buffoonery in the neo-minstrel performances of VH1's Flavor of Love. The book's second half explores the issue of contemporary mediated performance and the cultural politics of masculinity, with essays focusing on popular media representations of men in a variety of gendered roles, from homemakers and househusbands to valorous war heroes and athletic demigods.
Soap opera speaks a universal language, presenting characters and plots that resonate far beyond the culture that creates them. Latin American soap operas—telenovelas—have found enthusiastic audiences throughout the Americas and Europe, as well as in Egypt, Russia, and China, while Mexican narco-dramas have become highly popular among Latinos in the United States. In this first comprehensive analysis of telenovelas and narco-dramas, Hugo Benavides assesses the dynamic role of melodrama in creating meaningful cultural images to explain why these genres have become so successful while more elite cultural productions are declining in popularity. Benavides offers close readings of the Colombian telenovelas Betty la fea (along with its Mexican and U.S. reincarnations La fea más bella and Ugly Betty), Adrián está de visita, and Pasión de gavilanes; the Brazilian historical telenovela Xica; and a variety of Mexican narco-drama films. Situating these melodramas within concrete historical developments in Latin America, he shows how telenovelas and narco-dramas serve to unite peoples of various countries and provide a voice of rebellion against often-oppressive governmental systems. Indeed, Benavides concludes that as one of the most effective and lucrative industries in Latin America, telenovelas and narco-dramas play a key role in the ongoing reconfiguration of social identities and popular culture.