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Here’s a book as big and beautiful as the West itself, dedicated to the larger-than-life figure who symbolizes the American spirit. Whether the straight-shooting hero from a John Wayne movie or the lawless gunslinger spreading mayhem, the cowboy lassos the imagination and just won’t let go. On these magnificently illustrated pages unfold cowboy life and legend, cowboys around the world, the cowboy’s ranching roots, modern-day cowboys, cowboy food and fun, and the cowboy in film and popular culture. Quotations from Western poems, songs, and novels offer contemporary perspectives, as do the old-time posters and nostalgic advertisements. An astounding variety of photos show it all. There’s also absorbing background on black cowboys, vaqueros, women who rode the range, and rodeos. Known as the "Cowboy Professor,” Richard W. Slatta, Ph.D, has earned numerous honors and awards. The International Who’s Who of Intellectuals lists him as one of the Outstanding Writers of the 20th Century as well as one of the Outstanding Intellectuals of the Twentieth Century. The American Library Association gave an "Outstanding Reference" award to his book, The Cowboy Encyclopedia. Slatta’s Cowboys of the Americas received the Western Heritage Award for Nonfiction Literature, National Cowboy Hall of Fame. His many books include Sim�n Bol�var's Quest for Glory, co-authored with Jane Lucas De Grummond; The Mythical West: An Encyclopedia of Legend, Lore and Popular Culture; and Comparing Cowboys and Frontiers.
Think gunfighter, and Wyatt Earp or Billy the Kid may come to mind, but what of Jim Moon? Joel Fowler? Zack Light? A host of other figures helped forge the gunfighter persona, but their stories have been lost to time. In a sequel to his Deadly Dozen, celebrated western historian Robert K. DeArment now offers more biographical portraits of lesser-known gunfighters—men who perhaps weren’t glorified in legend or song, but who were rightfully notorious in their day. DeArment has tracked down stories of gunmen from throughout the West—characters you won’t find in any of today’s western history encyclopedias but whose careers are colorfully described here. Photos of the men and telling quotations from primary sources make these characters come alive. In giving these men their due, DeArment takes readers back to the gunfighter culture spawned in part by the upheavals of the Civil War, to a time when deadly duels were part of the social fabric of frontier towns and the Code of the West was real. His vignettes offer telling insights into conditions on the frontier that created the gunfighters of legend. These overlooked shooters never won national headlines but made their own contributions to the blood and thunder of the Old West: people less than legends, but all the more fascinating because they were real. Readers who enjoyed DeArment’s Deadly Dozen will find this book equally captivating—as gripping as a showdown, twelve times over.
As the year 1890 wound to a close, a band of more than three hundred Lakota Sioux Indians led by Chief Big Foot made their way toward South Dakota’s Pine Ridge Reservation to join other Lakotas seeking peace. Fearing that Big Foot’s band was headed instead to join “hostile” Lakotas, U.S. troops surrounded the group on Wounded Knee Creek. Tensions mounted, and on the morning of December 29, as the Lakotas prepared to give up their arms, disaster struck. Accounts vary on what triggered the violence as Indians and soldiers unleashed thunderous gunfire at each other, but the consequences were horrific: some 200 innocent Lakota men, women, and children were slaughtered. American Carnage—the first comprehensive account of Wounded Knee to appear in more than fifty years—explores the complex events preceding the tragedy, the killings, and their troubled legacy. In this gripping tale, Jerome A. Greene—renowned specialist on the Indian wars—explores why the bloody engagement happened and demonstrates how it became a brutal massacre. Drawing on a wealth of sources, including previously unknown testimonies, Greene examines the events from both Native and non-Native perspectives, explaining the significance of treaties, white settlement, political disputes, and the Ghost Dance as influential factors in what eventually took place. He addresses controversial questions: Was the action premeditated? Was the Seventh Cavalry motivated by revenge after its humiliating defeat at the Battle of the Little Bighorn? Should soldiers have received Medals of Honor? He also recounts the futile efforts of Lakota survivors and their descendants to gain recognition for their terrible losses. Epic in scope and poignant in its recounting of human suffering, American Carnage presents the reality—and denial—of our nation’s last frontier massacre. It will leave an indelible mark on our understanding of American history.
"Montana Territory, 1886" ""The last thing this territory needs is Indian trouble, or a bunch of nervous settlers demanding protection by the Army. As United States Marshal for the territory, I figure to send Jeff a little help...I figure to send him you," he said." U.S. Deputy Marshal Merlin Fanshaw arrives at the Crow Indian Reservation with orders to restore law and order. But a powerful rancher and his son block the deputy's efforts in order to retain their rigid control over the nearby settlement of Medicine Lodge. When a shocking murder rocks the town, tension and violence escalates between the Crow Indians and the settlers. Fanshaw must bring in the killer before an innocent man loses his life-or he forfeits his own. "A particularly rewarding novel written by one of the finest Western novelists of our times. Stan Lynde's novels are laced with wry humor, thoughts on the art of living and growing, toughness and tenderness, and the keenest understanding of human nature I've ever seen in fiction." -Richard S. Wheeler, Winner of the 2001 Owen Wister Award "Lynde's pleasant, genuine narration, tinged with both wit and grit, carries the narrative; the authenticity, country humor, and vibrant characters all make for a warmly entertaining read. Satisfying western fare, in the vein of Louis L'Amour." "-Kirkus Discovery Reviews" "2006 Spur Award Finalist in Western Novel Category 2006 Independent Publisher Book Award Winner, West Mountain-Best Regional Fiction"
"An engrossing and tautly written account of a critical chapter in American history." --Los Angeles Times Nathaniel Philbrick, author of In the Hurricane's Eye, Pulitzer Prize finalist Mayflower, and Valiant Ambition, is a historian with a unique ability to bring history to life. The Last Stand is Philbrick's monumental reappraisal of the epochal clash at the Little Bighorn in 1876 that gave birth to the legend of Custer's Last Stand. Bringing a wealth of new information to his subject, as well as his characteristic literary flair, Philbrick details the collision between two American icons- George Armstrong Custer and Sitting Bull-that both parties wished to avoid, and brilliantly explains how the battle that ensued has been shaped and reshaped by national myth.
Traditionally historians of the Little Big Horn fight have focused on Custer and his troops?on what they were doing and where they died. But as one Miniconjou warrior told a gathering at a 1926 commemoration of the battle, the Lakotas and Cheyennes also lost brave men. These men had died defending their homes and families, and they too deserved recognition.øHokahey! A Good Day to Die! details the final moments of each of the fallen Cheyenne and Lakota heroes. Richard G. Hardorff sifted through the many interviews with Indian survivors of the battle, cross-checking every story of a wounded or dead individual to ascertain who was killed, in which action, and by whom. He concludes that the Indian dead comprised thirty-one men, six women, and four children?astonishingly light losses when compared with the number of cavalry dead. Concise, well-written, and respectful of Cheyenne and Lakota cultural practices, this book is an essential contribution to our understanding of how the Cheyennes and Lakotas waged the Battle of the Little Big Horn.
Rattlesnakes and ornery horses, the dreaded Texas Itch, midnight rambles in graveyards, trips to Mexico, and hard riding on the last open range: George Philip recounts all these adventures and more with wit and humour. George Phillip arrived in South Dakota from Scotland in 1899. For the next four years, he rode as a cowboy for his uncle's L-7 cattle outfit during the heyday of the last open range. But the cowboy era was a brief one, and in 1903 Philip turned in his string of horses and hung up his saddle to enter law school in Michigan. In these candid letters, Philip provides fascinating insights into the development of the West and of South Dakota. His writing details the cowboy's day-to-day work, from branding and roping to navigating across the palins by stars and buttes, as the great open ranges slowly closed up.
In the 1870s, Deadwood was a thriving—and largely lawless—boomtown. And as any fan of western history and films knows, stagecoach robberies were a regular feature of life in this fabled region of Dakota Territory. Now, for the first time, Robert K. DeArment tells the story of the "good guys and bad guys" behind these violent crimes: the road agents who wreaked havoc on Deadwood's roadways and the shotgun messengers who battled to protect stagecoach passengers and their valuable cargo. DeArment shows in dramatic detail how for two years gangs of robbers ruled the road, perpetrating holdups and killings, until lawmen and stage-company and railroad agents finally brought an end to the mayhem. The characters populating this violent tale include such legendary figures as Wild Bill Hickok and the famous railroad detective James L. "Whispering" Smith, a formidable opponent of bandits. We also get to know the men who operated the stages, the lawmen and company men who ran and defended the coaches, and the outlaws who fought against them. DeArment tells where these men came from and what became of them after the outlawry ended. He ends his account in the 1880s with Buffalo Bill's Wild West show and its spectacular rendition of a shotgun robbery, featuring an actual Deadwood stagecoach. After nearly a century and a half, the Deadwood stage continues to command our attention.
From an award-winning author whose ancestors lived the adventures in this novel comes a spectacular new epic about the American West. Part history, part romance, and part action-adventure novel, Sun Going Down follows the fortunes of Ebenezer Paint and his descendants—rough and tough individuals who are caught up in Civil War river battles, epic cattle drives through drought and blizzards, the horrors of Wounded Knee, the desperation of the dust bowl, and the prosperity of the roaring 1920s.
Surveying both recent and historical events, Gonzalez and Cook-Lynn address critical issues of cultural bias and collective memory. Their observations expose not only the seemingly unbridgeable gap between white and Native cultures but also impassioned dialogue among various tribes affected by the Wounded Knee Massacre.