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William Poole recounts Milton's life as England’s self-elected national poet and explains how the greatest poem of the English language came to be written. How did a blind man compose this staggeringly complex, intensely visual work? Poole explores how Milton’s life and preoccupations inform the poem itself—its structure, content, and meaning.
Pigeonholed in popular memory as a Jazz Age epicurean, a playboy, and an emblem of the Lost Generation, F. Scott Fitzgerald was at heart a moralist struck by the nation’s shifting mood and manners after World War I. In Paradise Lost, David Brown contends that Fitzgerald’s deepest allegiances were to a fading antebellum world he associated with his father’s Chesapeake Bay roots. Yet as a midwesterner, an Irish Catholic, and a perpetually in-debt author, he felt like an outsider in the haute bourgeoisie haunts of Lake Forest, Princeton, and Hollywood—places that left an indelible mark on his worldview. In this comprehensive biography, Brown reexamines Fitzgerald’s childhood, first loves, and difficult marriage to Zelda Sayre. He looks at Fitzgerald’s friendship with Hemingway, the golden years that culminated with Gatsby, and his increasing alcohol abuse and declining fortunes which coincided with Zelda’s institutionalization and the nation’s economic collapse. Placing Fitzgerald in the company of Progressive intellectuals such as Charles Beard, Randolph Bourne, and Thorstein Veblen, Brown reveals Fitzgerald as a writer with an encompassing historical imagination not suggested by his reputation as “the chronicler of the Jazz Age.” His best novels, stories, and essays take the measure of both the immediate moment and the more distant rhythms of capital accumulation, immigration, and sexual politics that were moving America further away from its Protestant agrarian moorings. Fitzgerald wrote powerfully about change in America, Brown shows, because he saw it as the dominant theme in his own family history and life.
A Newbery Award-winning author tackles Milton's astonishing poem in this beautifully illustrated prose adaptation that faithfully captures his vivid imagery and cinematic flourish of his magnificent epic of the war between Heaven and Hell. Full color.
She almost caught him once. Now, he’s back. For three years, Investigator Cassie Dewell has been on a hunt for a serial killer known as the Lizard King whose hunting grounds are the highways and truck stops where runaways and prostitutes are most likely to vanish. Cassie almost caught him...once. Working for the Bakken County, North Dakota sheriff's department, Cassie has set what she believes is the perfect trap and she has lured him and his truck to a depot. But the plan goes horribly wrong, and the blame falls on Cassie. Disgraced, she loses her job and investigation into her role is put into motion. At the same time, Kyle Westergaard, a troubled kid whom Cassie has taken under her wing, has disappeared after telling people that he’s going off on a long-planned adventure. Kyle's grandmother begs Cassie to find him and, with nothing else to do, Cassie agrees—all the while hunting the truck driver. Now Cassie is a lone wolf. And in the same way that two streams converge into a river, Kyle's disappearance may have a more sinister meaning than anyone realizes. With no allies, no support, and only her own wits to rely on, Cassie must take down a killer who is as ruthless as he is cunning. But can she do it alone, without losing her own humanity or her own life? Paradise Valley continues the Highway Quartet series from bestselling author C. J. Box.
In 1967 Milton studies was divided into two camps: one claiming (per Blake and Shelley) that Milton was of the devil's party, the other claiming (per Addison and C. S. Lewis) that the poet's sympathies were obviously with God and his loyal angels. Fish has reconciled the two camps by subsuming their claims in a single overarching thesis.
First published by Odyssey Press in 1957, this classic edition provides Milton's poetry and major prose works, richly annotated, in a sturdy and affordable clothbound volume.
Paradise awaits.... Now that Cheyenne's murderer has been revealed and Reed knows the truth about who's been stalking her, she's ready to leave the heartache and turmoil of last semester behind. And what better way to recover than a five-star Caribbean vacation? Reed is reunited with former Billings Girls Kiran and Taylor, and she and her friends take over the exclusive island. They spend their days tanning on white-sand beaches and their nights partying on sixty-foot yachts. It's heaven on earth. But as they raise their champagne flutes to toast their friendship, Reed worries that it's all too good to be true. Because even in paradise, the Billings Girls are never far from trouble -- and nothing's more dangerous than the calm before the storm....
In 1997, game studio Running With Scissors released its debut title, Postal, an isometric shooter aimed at shocking an imagined pearl-clutching public. The game was crass, gory, and dumb—all of which might have been forgivable if the game had been any fun to play. Postal gained enough notoriety from riding the wave of public outrage to warrant a sequel. And DLC. And a remake. And, perhaps most surprising of all, a Golden-Raspberry-winning feature film adaptation directed by the infamous Uwe Boll. In this thoughtful and hilarious tag-team performance, Brock Wilbur & Nathan Rabin probe the fascinatingly troubled game and film for what each can tell us about shock culture & mass shootings, interviewing the RWS team and even Boll himself for answers. Like it or not, Postal is the franchise that won't die—no matter how many molotov cocktails you throw at it.