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A spooky stand-alone middle-grade novel from Dan Poblocki, perfect for fans of John Bellairs and Mary Downing Hahn. "They say if you see him, it's already too late."Claire doesn't believe in ghosts, even though her dad is a ghost hunter on TV. But then her dad disappears. And a strange boy in her class, Lucas, knows something about ghosts. One of them has a message for her: Her dad has been taken, and he's in grave danger.Together, Claire and Lucas set out for the town of Hush Falls, where her dad was last seen. Legend says that a tall man in a dark tattered coat lurks near the local reservoir, and anyone who gets too close to old Lemuel Hush is never heard from again.Claire and Lucas are determined to rescue her father. But how can they save him from the ghost of Hush when everyone knows that seeing the ghost means that you're destined to die...
Ghost Hunt 2 has more ghosts, more cases, and more chills! Is Alcatraz prison really haunted by ghostly inmates--or is something in the air causing hallucinations? Can the ocean be haunted? Are glowing red eyes in the woods just an animal--or something more sinister? Unlock these mysteries and many more in this chilling collection of terrifying tales based on real cases from The Atlantic Paranormal Society. Find more details and tips on ghost hunting than ever before!
National Bestseller "The Seas took me back to how I felt as a kid, when you’re newly falling in love with literature, newly shocked by its capacity to cast a spell..." ?Maggie Nelson (from the Introduction) A Most Anticipated Book of Summer at BuzzFeed, NYLON, and more. Moored in a coastal fishing town so far north that the highways only run south, the unnamed narrator of The Seas is a misfit. She’s often the subject of cruel local gossip. Her father, a sailor, walked into the ocean eleven years earlier and never returned, leaving his wife and daughter to keep a forlorn vigil. Surrounded by water and beckoned by the sea, she clings to what her father once told her: that she is a mermaid. True to myth, she finds herself in hard love with a land-bound man, an Iraq War veteran thirteen years her senior.The mesmerizing, fevered coming-of-age tale that follows will land her in jail. Her otherworldly escape will become the stuff of legend. With the inventive brilliance and psychological insight that have earned her international acclaim, Samantha Hunt pulls readers into an undertow of impossible love and intoxication, blurring the lines between reality and fairy tale, hope and delusion, sanity and madness.
Edited and with an introduction by T. Lindsay Baker; foreword by Larry Gatlin.
Fifty years before The Conjuring, Paranormal State, Ghost Hunters, Insidious and Most Haunted, there was Hans Holzer—a man known as the “Father of the Paranormal.” Holzer pioneered ghost-hunting methods still used today, and brought ghosts and ghost hunting into popular culture in the second half of the twentieth century. Ghost Hunter presented some of the first-ever case studies of haunting investigations, taken from Holzer’s own practice in the New York City area—ranging from Civil War-era spirits to the tormented ghosts of murder victims. For devoted ghost-hunting aficionados curious about the practice’s history, there is no better place to start than the first book Hans Holzer wrote, Ghost Hunter. This is the classic 1963 book that launched his publishing career and gained him international fame. The prestige edition of the classic, trail-blazing work on ghost hunting will intrigue new fans and longtime devotees alike—part of the new Tarcher Supernatural Library. The first three titles released in Tarcher's Supernatural Library are Ghost Hunter (by Hans Holzer), Romance of Sorcery (by Sax Rohmer) and Isis in America (by Henry Steel Olcott).
Ghosts, Holzer says, are people, or parts of people, and are thus governed by emotional stimuli. Ghosts are people haunted by unhappy memories and incapable of escaping from a net of emotional entanglements attendant to the memories. One should remember that an apparition is really a reenactment of an earlier emotional experience. In The Ghost Hunter, famed ghost hunter Dr. Hans Holzer recounts more than 40 real-life ghost stories, including several of his most intriguing cases. This ever-inquisitive researcher probes the history of each of these restless spirits and sometimes even coaxes them out of seclusion. His pursuit of things that go bump in the night takes Holzer to strange haunts. These are just a few of the spirits that you will encounter in The Ghost Hunter: A Revolutionary War soldier who continues to inhabit a house in the hills of New Jersey A Central Park West social-climbing spirit staging a postmortem sit-in because she felt that her neighbors had snubbed her The Bayberry Perfume ghost whose distinctive scent continues to permeate the Philadelphia house that she haunts A lunatic uncle whose demise hasn’t stopped him from making unwelcome visits The tragic Fifth Avenue Ghost who, killed by a romantic rival, remains pinned in a love triangle of 1871 An old manor ghost who drives an entire carriage team of phantom horses
Indigenous peoples throughout the globe are custodians of a unique, priceless, and increasingly imperiled legacy of oral lore. Among them the Ainu, a people native to northeastern Asia, stand out for the exceptional scope and richness of their oral performance traditions. Yet despite this cultural wealth, nothing has appeared in English on the subject in over thirty years. Sarah Strong’s Ainu Spirits Singing breaks this decades-long silence with a nuanced study and English translation of Chiri Yukie’s Ainu Shin’yoshu, the first written transcription of Ainu oral narratives by an ethnic Ainu. The thirteen narratives in Chiri’s collection belong to the genre known as kamui yukar, said to be the most ancient performance form in the vast Ainu repertoire. In it, animals (and sometimes plants or other natural phenomena)—all regarded as spiritual beings (kamui) within the animate Ainu world—assume the role of narrator and tell stories about themselves. The first-person speakers include imposing animals such as the revered orca, the Hokkaido wolf, and Blakiston’s fish owl, as well as the more “humble” Hokkaido brown frog, snowshoe hare, and pearl mussel. Each has its own story and own signature refrain. Strong provides readers with an intimate and perceptive view of this extraordinary text. Along with critical contextual information about traditional Ainu society and its cultural assumptions, she brings forward pertinent information on the geography and natural history of the coastal southwestern Hokkaido region where the stories were originally performed. The result is a rich fusion of knowledge that allows the reader to feel at home within the animistic frame of reference of the narratives. Strong’s study also offers the first extended biography of Chiri Yukie (1903-1922) in English. The story of her life, and her untimely death at age nineteen, makes clear the harsh consequences for Chiri and her fellow Ainu of the Japanese colonization of Hokkaido and the Meiji and Taisho governments’ policies of assimilation. Chiri’s receipt of the narratives in the Horobetsu dialect from her grandmother and aunt (both traditional performers) and the fact that no native speakers of that dialect survive today make her work all the more significant. The book concludes with a full, integral translation of the text.