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This is book 5. Read book 1-4 before proceeding After witnessing a gangland murder, Jasmine is given an ultimatum. To die for being a witness... or to work undercover for Adrian Romano, by retrieving a chip with top secret data hidden on it from a high-profile criminal. Adrian Romano is the definition of everything that Jasmine should be avoiding. He's intimidating, he's mystifying... And he's the Capo of the Italian Mafia. Ends in a cliffhanger
This book touches on certain dynamics regarding the theoretical and cultural basis of the model Fethullah Gulen has developed based on dialogue, tolerance, concurrence among different groups that come from different religions, cultures, and civilizations. Gulen's model focuses on human beings, those who surround all their world with thought and action, and who are directed toward love for God and for creation.
A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle’s Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling.
She wants her freedom and all I want is her… Nicole DeLuca, she’s the daughter of the biggest crime boss on the west coast. Did I mention that her father, Gino DeLuca, is my enemy? I slept with Nikki and I can’t for the life of me forget about her. I’ve been keeping tabs on her, making sure no other men come anywhere near her. I’ll chase them away like the beast that I am to protect her. Like a caged bird, she’s desperate for freedom. Nikki sneaks out only to get snatched and sold as a bride. Even in the darkest room, the dirtiest corner of the world, I recognize her. She’s my little kitten. I buy her. Own her. Save her. Except she doesn’t see it that way… She wants her freedom and all I want is her and that baby. This mafia age gap romance is the first in the Mafia Marriages series and can be read as a standalone and ends with a happily ever after. It also features cameo appearances from the Eagle Tactical series.
VIKTORRuthless. Brutal. Bloodthirsty.That's my reputation, and as a member of the Sokolov crime family, I've earned it. I'm good at what I do, and although I may not enjoy "conducting business" quite as much as my father, I know how to do what has to be done. Even if it means ruining lives. Even if it means killing.The high point of my week is when we have our business meetings at the restaurant where the lovely Lina serves as a waitress and brightens the room with her sweet, nervous smile. She is the daughter of Darius, the restaurant's owner--and Darius is deep in debt to Bogdan, the boss of the Sokolov Bratva...and my father.Lina is gorgeous. She's angelic. She blushes when she looks at me. But she hates us for what we are.And now, I have to kidnap her. Business is business, after all, and Darius has to pay.LINABusiness has been bad for years now, but my father refuses to close the doors of the restaurant. Rather than wiping down tables to clear away food, I'm cleaning off tables to keep the dust from settling. No one eats here anymore...except them. The criminals. The "businessmen." The Bratva.Every week, they come in and have a meeting in our banquet room, and even though my father puts on a show of friendliness when they walk through the doors, I can tell there is fear in his eyes when he sees them--and that makes me afraid, too. There has to be more to their relationship than a simple love of good comfort food, but my father refuses to talk about the history between him and Bogdan.I can't stand them. They're bad for business and leave a bad taste in my mouth. I hate the way they look at me, and I hate that I have to smile in their faces while they muddy our restaurant with their vile presence. I hate them all.Except one. The one with the icy blue eyes that linger on me, the quiet one with the handsome, brooding face. Despite knowing what he is and what he does for a living, I can't help myself. He's hot. He's mysterious. And damn it all to hell, I want him.Beholden to the Bratva is a standalone full-length steamy romance novel with a heat level (and action-packed drama) sure to leave you dripping with sweat! No cliffhangers, no cheating, and a guaranteed HEA!
Skeletons fall out of the closet as I get my memories back. Everything changed overnight. Truth became my enemy, and the sting of betrayal dragged me into a web of lies. I'm damned if I fight to live and damned if I die. The dark secrets I remember might tear my marriage apart. Love is a myth we shouldn't have explored. My husband was always my enemy. Love just made me forget and blinded me. The cruel hand of death is the only answer when doom takes over. I don't know if I'll survive. Or if death will bury me along with the sins of my father. Merciless Union is a dark mafia arranged marriage romance. This is the last part of a duet and is not standalone.
Six were taken. Eleven years later, five come back--with no idea of where they've been. A riveting mystery for fans of We Were Liars. Eleven years ago, six kindergartners went missing without a trace. After all that time, the people left behind moved on, or tried to. Until today. Today five of those kids return. They're sixteen, and they are . . . fine. Scarlett comes home and finds a mom she barely recognizes, and doesn't really recognize the person she's supposed to be, either. But she thinks she remembers Lucas. Lucas remembers Scarlett, too, except they're entirely unable to recall where they've been or what happened to them. Neither of them remember the sixth victim, Max--the only one who hasn't come back. Which leaves Max's sister, Avery, wanting answers. She wants to find her brother--dead or alive--and isn't buying this whole memory-loss story. But as details of the disappearance begin to unfold, no one is prepared for the truth. This unforgettable novel--with its rich characters, high stakes, and plot twists--will leave readers breathless.
I'LL MAKE HER CRY GILDED TEARS IF SHE EVER RUNS AGAIN. Esme was just a girl in a nightclub.Until I made her the center of my world.The queen to my kingdom.The mother to my child. We had the future in our hands. And then she left me on that mountain to die. Little by little, I clawed my way back.Back to life.Back to strength.Back to where I belong. And now, the time has come to reclaim what belongs to me. Once upon a time, Esme thought I was her savior.She thought wrong.Because by the time I find her again...I'll be her worst nightmare. GILDED TEARS is the second book in the Kovalyov Bratva duet. Make sure you've started with Artem and Esme's story from the beginning in Book 1, GILDED CAGE.
Annemarie Schimmel, one of the world's foremost authorities on Persian literature, provides a comprehensive introduction to the complicated and highly sophisticated system of rhetoric and imagery used by the poets of Iran, Ottoman Turkey, and Muslim India. She shows that these images have been used and refined over the centuries and reflect the changing conditions in the Muslim world. According to Schimmel, Persian poetry does not aim to be spontaneous in spirit or highly personal in form. Instead it is rooted in conventions and rules of prosody, rhymes, and verbal instrumentation. Ideally, every verse should be like a precious stone--perfectly formed and multifaceted--and convey the dynamic relationship between everyday reality and the transcendental. Persian poetry, Schimmel explains, is more similar to medieval European verse than Western poetry as it has been written since the Romantic period. The characteristic verse form is the ghazal--a set of rhyming couplets--which serves as a vehicle for shrouding in conventional tropes the poet's real intentions. Because Persian poetry is neither narrative nor dramatic in its overall form, its strength lies in an "architectonic" design; each precisely expressed image is carefully fitted into a pattern of linked figures of speech. Schimmel shows that at its heart Persian poetry transforms the world into a web of symbols embedded in Islamic culture.