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A fresh history of the West grounded in the lives of mixed-descent Native families who first bridged and then collided with racial boundaries. Often overlooked, there is mixed blood at the heart of America. And at the heart of Native life for centuries there were complex households using intermarriage to link disparate communities and create protective circles of kin. Beginning in the seventeenth century, Native peoples—Ojibwes, Otoes, Cheyennes, Chinooks, and others—formed new families with young French, English, Canadian, and American fur traders who spent months in smoky winter lodges or at boisterous summer rendezvous. These families built cosmopolitan trade centers from Michilimackinac on the Great Lakes to Bellevue on the Missouri River, Bent’s Fort in the southern Plains, and Fort Vancouver in the Pacific Northwest. Their family names are often imprinted on the landscape, but their voices have long been muted in our histories. Anne F. Hyde’s pathbreaking history restores them in full. Vividly combining the panoramic and the particular, Born of Lakes and Plains follows five mixed-descent families whose lives intertwined major events: imperial battles over the fur trade; the first extensions of American authority west of the Appalachians; the ravages of imported disease; the violence of Indian removal; encroaching American settlement; and, following the Civil War, the disasters of Indian war, reservations policy, and allotment. During the pivotal nineteenth century, mixed-descent people who had once occupied a middle ground became a racial problem drawing hostility from all sides. Their identities were challenged by the pseudo-science of blood quantum—the instrument of allotment policy—and their traditions by the Indian schools established to erase Native ways. As Anne F. Hyde shows, they navigated the hard choices they faced as they had for centuries: by relying on the rich resources of family and kin. Here is an indelible western history with a new human face.
Finalist for the 2023 Stubbendieck Great Plains Distinguished Book Prize "Immersive and humane." —Jennifer Szalai, New York Times A fresh history of the West grounded in the lives of mixed-descent Native families who first bridged and then collided with racial boundaries. Often overlooked, there is mixed blood at the heart of America. And at the heart of Native life for centuries there were complex households using intermarriage to link disparate communities and create protective circles of kin. Beginning in the seventeenth century, Native peoples—Ojibwes, Otoes, Cheyennes, Chinooks, and others—formed new families with young French, English, Canadian, and American fur traders who spent months in smoky winter lodges or at boisterous summer rendezvous. These families built cosmopolitan trade centers from Michilimackinac on the Great Lakes to Bellevue on the Missouri River, Bent’s Fort in the southern Plains, and Fort Vancouver in the Pacific Northwest. Their family names are often imprinted on the landscape, but their voices have long been muted in our histories. Anne F. Hyde’s pathbreaking history restores them in full. Vividly combining the panoramic and the particular, Born of Lakes and Plains follows five mixed-descent families whose lives intertwined major events: imperial battles over the fur trade; the first extensions of American authority west of the Appalachians; the ravages of imported disease; the violence of Indian removal; encroaching American settlement; and, following the Civil War, the disasters of Indian war, reservations policy, and allotment. During the pivotal nineteenth century, mixed-descent people who had once occupied a middle ground became a racial problem drawing hostility from all sides. Their identities were challenged by the pseudo-science of blood quantum—the instrument of allotment policy—and their traditions by the Indian schools established to erase Native ways. As Anne F. Hyde shows, they navigated the hard choices they faced as they had for centuries: by relying on the rich resources of family and kin. Here is an indelible western history with a new human face.
Winner of Columbia University's 2024 Bancroft Prize in American History 2024 Spur Award Winner Named a Best Civil War Book of 2023 by Civil War Monitor In Continental Reckoning renowned historian Elliott West presents a sweeping narrative of the American West and its vital role in the transformation of the nation. In the 1840s, by which time the United States had expanded to the Pacific, what would become the West was home to numerous vibrant Native cultures and vague claims by other nations. Thirty years later it was organized into states and territories and bound into the nation and world by an infrastructure of rails, telegraph wires, and roads and by a racial and ethnic order, with its Indigenous peoples largely dispossessed and confined to reservations. Unprecedented exploration uncovered the West's extraordinary resources, beginning with the discovery of gold in California within days of the United States acquiring the territory following the Mexican-American War. As those resources were developed, often by the most modern methods and through modern corporate enterprise, half of the contiguous United States was physically transformed. Continental Reckoning guides the reader through the rippling, multiplying changes wrought in the western half of the country, arguing that these changes should be given equal billing with the Civil War in this crucial transition of national life. As the West was acquired, integrated into the nation, and made over physically and culturally, the United States shifted onto a course of accelerated economic growth, a racial reordering and redefinition of citizenship, engagement with global revolutions of science and technology, and invigorated involvement with the larger world. The creation of the West and the emergence of modern America were intimately related. Neither can be understood without the other. With masterful prose and a critical eye, West presents a fresh approach to the dawn of the American West, one of the most pivotal periods of American history.
The Romans who established their rule on three continents and the Europeans who first established new homes in North America interacted with communities of Indigenous peoples with their own histories and cultures. Sweeping in its scope and rigorous in its scholarship, Empires and Indigenous Peoples expands our understanding of their historical parallels and raises general questions about the nature of the various imperial encounters. In this book, leading scholars of ancient Roman and early anglophone North America examine the mutual perceptions of the Indigenous and the imperial actors. They investigate the rhetoric of civilization and barbarism and its expression in military policies. Indigenous resistance, survival, and adaptation form a major theme. The essays demonstrate that power relations were endlessly adjusted, identities were framed and reframed, and new mutual knowledge was produced by all participants. Over time, cultures were transformed across the board on political, social, religious, linguistic, ideological, and economic levels. The developments were complex, with numerous groups enmeshed in webs of aggression, opposition, cooperation, and integration. Readers will see how Indigenous and imperial identities evolved in Roman and American lands. Finally, the authors consider how American views of Roman activity influenced the development of American imperial expansion and accompanying Indigenous critiques. They show how Roman, imperial North American, and Indigenous experiences have contributed to American notions of race, religion, and citizenship, and given shape to problems of social inclusion and exclusion today.
"Even in the earliest "Wild West" subjects, the lens of settler colonialism reveals major tropes that will become characteristic of westerns in their depiction of "our country"'s expansion across the North American continent. Single and split-reel fiction films initially may not have captured the vistas of plains and mountains depicted in the large historical paintings and murals described in the Introduction. After all, up to 1904, those companies producing motion pictures for sale or rental chiefly were located in or around New York (Edison, AM&B), Philadelphia (Lubin), and Chicago (Selig Polyscope). Moreover, their cameras, especially the bulky Biograph camera (using 68mm filmstock until 1903), kept them from venturing beyond their spartan studios, except for shooting travel films. The stories and characters that had long circulated in popular dime novels, however, proved a welcome source of inspiration. One figure was particularly notable. Kit Carson (1809-1868) was known as a trail-blazing hunter, trapper, scout, and Indian fighter whose frontier adventures led him frequently across the plains and into the western mountains in the mid-19th century. He had guided John Charles Frémont on no fewer than three expeditions (1842, 1843, 1845) through the Rocky Mountains into California on the Oregon and Santa Fe trails. Together they mounted an uprising against Mexico and prepared the way for California to become a state. Later the frontiersman led several campaigns against the Apaches, Navajos, and Kiowas in what became New Mexico. Carson's legendary stature as an American pioneer came largely from dime novels such as Kit Carson, the Prince of the Gold Hunters (1849) and The Prairie Flower, or the Adventures of the Far West (1849) as well as his "memoir," The Life and Adventures of Kit Carson, the Nestor of the Rocky Mountains (1858). Scores of novels featuring his fictional exploits were published and republished through the turn of the century. Even in its book cover design, The Fighting Trapper, Kit Carson to the Rescue (1874), for instance, graphically depicts his skill at hand-to-hand combat. Perhaps it is no wonder that AM&B made him the hero of its early story films, Kit Carson and The Pioneers (both 1903), shot with a more standardized camera (using 35mm filmstock) in the Adirondack Mountains, "amid scenery of the wildest natural beauty and enacted with the greatest fidelity to the original.""--
“An inspiring book.… American Visions beautifully shows how remarkably resilient dreams of a better republic remained even in the darkest of times.” —Christoph Irmscher, Wall Street Journal A revealing history of the formative period when voices of dissent and innovation defied power and created visions of America still resonant today. With so many of our histories falling into dour critique or blatant celebration, here is a welcome departure: a book that offers hope as well as honesty about the American past. The early decades of the nineteenth century saw the expansion of slavery, Native dispossession, and wars with Canada and Mexico. Mass immigration and powerful religious movements sent tremors through American society. But even as the powerful defended the status quo, others defied it: voices from the margins moved the center; eccentric visions altered the accepted wisdom, and acts of empathy questioned self-interest. Edward L. Ayers’s rich history examines the visions that moved Frederick Douglass, Margaret Fuller, the Native American activist William Apess, and others to challenge entrenched practices and beliefs. So, Lydia Maria Child condemned the racism of her fellow northerners at great personal cost. Melville and Thoreau, Joseph Smith and Samuel Morse all charted new paths for America in the realms of art, nature, belief, and technology. It was Henry David Thoreau who, speaking of John Brown, challenged a hostile crowd "Is it not possible that an individual may be right and a government wrong?" Through decades of award-winning scholarship on the Civil War, Edward L. Ayers has himself ventured beyond the interpretative status quo to recover the range of possibilities embedded in the past as it was lived. Here he turns that distinctive historical sensibility to a period when bold visionaries and critics built vigorous traditions of dissent and innovation into the foundation of the nation. Those traditions remain alive for us today.
For the 150th anniversary of Willa Cather's birth, and for the first time in Penguin Classics, her quietly beautiful novel of one man's life as he encounters the harsh landscape of the New Mexico desert and the people who inhabit it, with an introduction by National Book Award finalist Kali Fajardo-Anstine A Penguin Vitae Edition In 1848, following the US's recent acquisition of the American Southwest from Mexico, the young bishop Father Jean Marie Latour receives instruction from the Vatican to oversee a newly created diocese in New Mexico. With his good friend Father Joseph Vaillant in tow, the pair travel through the unforgiving and seemingly-endless desert on mules in attempt to reclaim the region from corrupt priests who have taken mistresses, exhibited greed, and inflicted abuse and genocide on the Mexican and Indigenous residents. But as Father Latour spends more time in New Mexico with the people who have inhabited and influenced it for centuries, he begins to realize that the task he was sent to do is more complicated than anticipated. Rather than leave, though, Father Latour decides to stay and uphold his commitment to the Church and his faith, and gains an eye-opening perspective along the way. Written in 1927 at a time when Cather herself was expanding her own ideas of race, religion, and gender, Death Comes for the Archbishop remains a moving account of one man's physical and spiritual journey of understanding in naturalistic prose as sparse as the desert plains.
Regions connect and divide us even as global economies, weather, and germs batter us. Historians, literary scholars, and social scientists use region to ground and challenge ideas about national belonging. In Reconsidering Regions in an Era of New Nationalism Alexander Finkelstein and Anne F. Hyde have assembled leading scholars of regionalism to discuss the relationship of region to nation. The contributors explore how historical forces have changed regional associations and how regional associations have changed culture and history. The themes of culture, space, and institutions organize this volume: contributors historicize how race and racial thinking have evolved as a major force to define region and nation over time; the essays raise questions about the stability and validity of "canonical regions" in U.S. history to find new complexity in how these blocs form and how they understand themselves; and they focus on historicist and conjunctural trends and how institutions and ordinary people shape regional identities through politics and cultural change throughout history. Challenging ideas about both national belonging and local association, the contributors emphasize how regional analysis deepens understanding of migration, race, borders, infrastructure, climate, and Native sovereignty. Alexander Finkelstein teaches at Western Colorado University. He has published articles with the Journal of Gilded Age and Progressive Era and Southern California Quarterly. Anne F. Hyde teaches at the University of Oklahoma. She is the author of Empires, Nations, and Families: A New History of the North American West, 1800-1860 (Nebraska, 2011), winner of the Bancroft Prize in American History and finalist for the Pulitzer Prize in History.
This concise and revealing history reconsiders the Civil War era by centering one Native American tribe's encounter with citizenship. In 1837, eleven years before Wisconsin's admission as a state, representatives of the Ho-Chunk people yielded under immense duress and signed a treaty that ceded their remaining ancestral lands to the U.S. government. Over the four decades that followed, as "free soil" settlement repeatedly demanded their further expulsion, many Ho-Chunk people lived under the U.S. government's policies of "civilization," allotment, and citizenship. Others lived as outlaws, evading military campaigns to expel them and adapting their ways of life to new circumstances. After the Civil War, as Reconstruction's vision of nonracial, national, birthright citizenship excluded most Native Americans, the Ho-Chunk who remained in their Wisconsin homeland understood and exploited this contradiction. Professing eagerness to participate in the postwar nation, they gained the right to remain in Wisconsin as landowners and voters while retaining their language, culture, and identity as a people. This history of Ho-Chunk sovereignty and citizenship offer a bracing new perspective on citizenship's perils and promises, the way the broader nineteenth-century conflict between "free soil" and slaveholding expansion shaped Indigenous life, and the continuing impact of Native people's struggles and claims on U.S. politics and society.
The first scholarly monograph devoted exclusively to this vital work of contemporary public art, this book examines Maya Lin’s Confluence Project through the lens of environmental humanities and Indigenous studies. Matthew Reynolds provides a detailed analysis of each earthwork, along with a discussion of the proposed final project at Celilo Falls near The Dalles, Oregon. The book assesses the artist’s longtime engagement with the region of the Pacific Northwest and explores the Confluence Project within Lin’s larger oeuvre. Several consistent themes and experiences are common amongst all the sites. These include an emphasis on individual, multisensory encounters with the earthworks and their surrounding contexts; sound as an experiential dimension of landscape; indexical accounts of the multicultural, multispecies histories of each place; and an evocation of loss. The book will be of interest to scholars working in art history, contemporary art, environmental studies, environmental humanities, and Native American studies.