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In Baghdad, Iraq, in 1939, nine-year-old Heskel Haddad, then the most fervent of Iraqi nationalists, first heard a fellow Iraqi call him "lousy Jew." Iraq, which for centuries was called Babylon, housed the world's oldest continuing Jewish community, largely concentrated in the capital city of Baghdad. By the late 1930's spurred by pro-Nazi elements, the Arab community had become increasingly anti-Semitic. On the eve of the holy day of Shuvuot, small roving bands of M'silmin killed 900 Jews in Baghdad, among them Heskel Haddad's cousin, his closest friend, who had been stabbed in the back and left to die in slow agony. Heskel Haddad swore the solemn oath to avenge his cousin, and began to organize an underground movement to protect his fellow Jews from further slaughter. As conditions worsened in Iraq, more and more Jews dreamed of escaping to Israel, but attempts to flee through Syria and Trans-Jordan meant death in the desert or at the hands of the Bedouin. The only way out was into neighboring Persia, now called Iran. Between 1948 and 1950, the Underground led 20,000 Jews to safety. An anonymous informer put Haddad on the "wanted list," and eventually Haddad was forced to leave Iraq forever. After a grueling journey through the desert into Iran, Haddad was forced to leave Iraq forever. After a grueling journey through the desert into Iran, Haddad arrived in Israel, where he was reunited with his family, which had left Iraq penniless as a result of the mass expulsion of Jews. Born in Baghdad is a gripping, richly atmospheric book about exotic lands poised between ancient tradition and modern change--and about the human values that must ultimately transcend both.
Shortlisted for the International Prize for Arabic Fiction 2018 This number one best-selling title in Iraq, Dubai, and the UAE is a heart-rending tale of two girls growing up in war-torn Baghdad Baghdad, 1991. The Gulf War is raging. Two girls, hiding in an air raid shelter, tell stories to keep the fear and the darkness at bay, and a deep friendship is born. But as the bombs continue to fall and friends begin to flee the country, the girls must face the fact that their lives will never be the same again. This poignant debut novel reveals just what it's like to grow up in a city that is slowly disappearing in front of your eyes, and how in the toughest times, children can build up the greatest resilience.
This riveting and utterly unique memoir chronicles the coming of age of Cynthia Shamash, an Iraqi Jew born in Baghdad in 1963. When she was eight, her family tried to escape Iraq over the Iranian border, but they were captured and jailed for five weeks. Upon release, they were returned to their home in Baghdad, where most of their belongings had been confiscated and the door of their home sealed with wax. They moved in with friends and applied for passports to spend a ten-day vacation in Istanbul, although they never intended to return. From Turkey, the family fled to Tel Aviv and then to Amsterdam, where Cynthia's father soon died of a heart attack. At the age of twelve, Sanuti (as her mother called her) was sent to London for schooling, where she lived in an Orthodox Jewish enclave with the chief rabbi and his family. At the end of the school year, she returned to Holland to navigate her teen years in a culture that was much more sexually liberal than the one she had been born into, or indeed the one she was experiencing among Orthodox Jews in London. Shortly after finishing her schooling as a dentist, Cynthia moved to the United States in an attempt to start over. This vivid, beautiful, and very funny memoir will appeal to readers intrigued by spirituality, tolerance, the personal ramifications of statelessness and exile, the clashes of cultures, and the future of Iraq and its Jews.
According to legend, the Garden of Eden was located in Iraq, and for millennia, Jews resided peacefully in metropolitan Baghdad. Memories of Eden: A Journey Through Jewish Baghdad reconstructs the last years of the oldest Jewish Diaspora community in the world through the recollections of Violette Shamash, a Jewish woman who was born in Baghdad in 1912, sent to her daughter Mira Rocca and son-in-law, the British journalist Tony Rocca. The result is a deeply textured memoir—an intimate portrait of an individual life, yet revealing of the complex dynamics of the Middle East in the twentieth century. Toward the end of her long life, Violette Shamash began writing letters, notes, and essays and sending them to the Roccas. The resulting book begins near the end of Ottoman rule and runs through the British Mandate, the emergence of an independent Iraq, and the start of dictatorial government. Shamash clearly loved the world in which she grew up but is altogether honest in her depiction of the transformation of attitudes toward Baghdad’s Jewish population. Shamash’s world is finally shattered by the Farhud, the name given to the massacre of hundreds of Iraqi Jews over three days in 1941. An event that has received very slight historical coverage, the Farhud is further described and placed in context in a concluding essay by Tony Rocca.
'Enthralling and moving. It is magical.'— Claudia Roden In the 1940s a third of Baghdad's population was Jewish. Within a decade nearly all 150,000 had been expelled, killed or had escaped. This graphic memoir of a lost homeland is a wordless narrative by an author homesick for a home she has never visited. Transported by the power of music to her ancestral home in the old Jewish quarter of Baghdad, the author encounters its ghost-like inhabitants who are revealed as long-gone family members. As she explores the city, journeying through their memories and her imagination, she at first sees successful integration, and cultural and social cohesion. Then the mood turns darker with the fading of this ancient community's fortunes. This beautiful wordless narrative is illuminated by the words and portraits of her family, a brief history of Baghdadi Jews and of the making of this work. Says Isaacs: 'The Finns have a word, kaukokaipuu, which means a feeling of homesickness for a place you've never been to. I've been living in two places all my life; the England I was born in, and the lost world of my Iraqi-Jewish family's roots.'
This memoir of life in the Iraqi capital’s Jewish community is “a rare look—detailed and vivid—into a culture that is no longer extant” (Nancy E. Berg, author of Exile from Exile: Israeli Writers from Iraq). Once upon a time, Baghdad was home to a flourishing Jewish community. More than a third of the city’s people were Jews, and Jewish customs and holidays helped set the pattern of Baghdad’s cultural and commercial life. On the city’s streets and in the bazaars, Jews, Muslims, and Christians—all native-born Iraqis—intermingled, speaking virtually the same colloquial Arabic and sharing a common sense of national identity. And then, almost overnight it seemed, the state of Israel was born, and lines were drawn between Jews and Arabs. Over the next couple of years, nearly the entire Jewish population of Baghdad fled their Iraqi homeland, never to return. In this beautifully written memoir, Nissim Rejwan recalls the lost Jewish community of Baghdad, in which he was a child and young man from the 1920s through 1951. He paints a minutely detailed picture of growing up in a barely middle-class family, dealing with a motley assortment of neighbors and landlords, struggling through the local schools, and finally discovering the pleasures of self-education and sexual awakening. Rejwan intertwines his personal story with the story of the cultural renaissance that was flowering in Baghdad during the years of his young manhood, describing how his work as a bookshop manager and a staff writer for the Iraq Times brought him friendships with many of the country’s leading intellectual and literary figures. He rounds off his story by remembering how the political and cultural upheavals that accompanied the founding of Israel, as well as broad hints sent back by the first arrivals in the new state, left him with a deep ambivalence as he bid a last farewell to a homeland that had become hostile to its native Jews.
“A winning blend of travelogue and literary biography” by a British journalist who travels the journey Agatha Christie once did from London to Iraq. (Entertainment Weekly) With her marriage to her first husband over, Agatha Christie decided to take a much needed holiday; the Caribbean had been her intended destination, but a conversation at a dinner party with a couple who had just returned from Iraq changed her mind. Five days later she was off on a completely different trajectory. Merging literary biography with travel adventure, and ancient history with contemporary world events, Andrew Eames tells a riveting tale and reveals fascinating and little-known details of this exotic chapter in the life of Agatha Christie. His own trip from London to Baghdad--a journey much more difficult to make in 2002 with the political unrest in the Middle East and the war in Iraq, than it was in 1928--becomes intertwined with Agatha's, and the people he meets could have stepped out of a mystery novel. Fans of Agatha Christie will delight in Eames' description of the places and events that appeared in and influenced her fiction--and armchair travelers will thrill in the exotica of the journey itself. “Agatha Christie fans, as well as connoisseurs of fine travel writing, will relish British journalist Eames's gripping, humorous and eye-opening account of his train and bus trip across Europe and the Middle East on the eve of the second Gulf War.” Publisher’s Weekly Second;Iraq;Gulf;war;Kurds;Armenians;Palestinians;English;travel;writer;writing;1928;bestselling;mystery;author;English;crime;writer;Europe;passenger;train;memoir;literary;biography;adventure;travel;history;autobiography;holiday;Middle;East;Damascus;Ur;Syria;archaeology TRV026090 TRAVEL / Special Interest / Literary BIO007000 BIOGRAPHY & AUTOBIOGRAPHY / Literary Figures BIO026000 BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs TRV015000 TRAVEL / Middle East / General 9781468306415 Candlemoth Ellory, R.J.
In "Farewell, Babylon," Naim Kattan takes readers into the heart of exotic mid-19th-century Baghdad's then-teeming Jewish community. Jews had lived in Iraq for 25 centuries, long before the time of Christ or Muhammad, but anti-Semitism and nationalism were on the rise. In this beautifully written memoir, a young boy comes of age and describes his discoveries -- of work, literature, patriotism, the joys of lazy Sundays swimming in the Tigris. He also talks eloquently of his greatest discovery: women and love. This is a story of roots and exile, of thirst for life and life's experiences. However, more than that it is a tribute to a lost world, an ancient Eastern city in which Iraq's Kurds, Bedouins, Sunnis, Shiites, Chaldeans, Catholics, and Jews all lived together in a rough, rewarding sort of harmony.
These poems convey the sense of shock and horror at the human cruelty and waste of war in Iraq.
In this often moving, sometimes wry account of life in Baghdad during the first war on Iraq and in exile in the years following, Iraqi-born, British-educated artist Nuha al-Radi shows us the effects of war on ordinary people. She recounts the day-to-day realities of living in a city under siege, where food has to be consumed or thrown out because there is no way to preserve it, where eventually people cannot sleep until the nightly bombing commences, where packs of stray dogs roam the streets (and provide her own dog Salvi with a harem) and rats invade homes. Through it all, al-Radi works at her art and gathers with neighbors and family for meals and other occasions, happy and sad. In the wake of the war, al-Radi lives in semi-exile, shuttling between Beirut and Amman, travelling to New York, London, Mexico and Yemen. As she suffers the indignities of being an Iraqi in exile, al-Radi immerses us in a way of life constricted by the stress and effects of war and embargoes, giving texture to a reality we have only been able to imagine before now. But what emanates most vibrantly from these diaries is the spirit of endurance and the celebration of the smallest of life’s joys.