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'The book's plot is similar in key ways to ... Jean M. Auel's The Clan of the Cave Bear--Kirkus ReviewsBorn in the harsh world of East Africa 1.8 million years ago, where hunger, death, and predation are a normal part of daily life, Lucy and her band of early humans struggle to survive. It is a time in history when they are relentlessly annihilated by predators, nature, their own people, and the next iteration of man. To make it worse, Lucy's band hates her. She is their leader's new mate and they don't understand her odd actions, don't like her strange looks, and don't trust her past. To survive, she cobbles together an unusual alliance with an orphaned child, a beleaguered protodog who's lost his pack, and a man who was supposed to be dead.Born in a Treacherous Time is prehistoric fiction written in the spirit of Jean Auel. Lucy is tenacious and inventive no matter the danger, unrelenting in her stubbornness to provide a future for her child, with a foresight you wouldn't think existed in earliest man. You'll close this book understanding why man not only survived our wild beginnings but thrived, ultimately to become who we are today.This is a spin-off of To Hunt a Sub's Lucy (the ancient female who mentored the female protagonist)."Murray's lean prose is steeped in the characters' brutal worldview, which lends a delightful otherness to the narration ...The book's plot is similar in key ways to other works in the genre, particularly Jean M. Auel's The Clan of the Cave Bear. However, Murray weaves a taut, compelling narrative, building her story on timeless human concerns of survival, acceptance, and fear of the unknown. Even if readers have a general sense of where the plot is going, they'll still find the specific twists and revelations to be highly entertaining throughout. A well-executed tale of early man."--Kirkus Reviews
Five tribes. One leader. A treacherous journey across three continents in search of a new home. Written in the spirit of Jean Auel, Survival of the Fittest is an unforgettable saga of hardship and determination, conflict and passion. Chased by a ruthless enemy, Xhosa leads her People on a grueling journey through unknown and dangerous lands following a path laid out decades before by her father, to be followed only as a last resort. She is joined by other fleeing tribes from Indonesia, China, South Africa, East Africa, and the Levant, all similarly forced by timeless events to find new lives. As they struggle to overcome treachery, lies, tragedy, secrets, and Nature itself, Xhosa is forced to face the reality that her enemy doesn't want to ruin her People. It wants to ruin her. The story is set 850,000 years ago, a time in prehistory when man populated most of Eurasia, where 'survival of the fittest' was not a slogan. It was a destiny. Xhosa's People were from a violent species, one fully capable of addressing the many hardships that threatened their lives except for one: future man, a smarter version of themselves, one destined to obliterate all those who came before.
A boy blinded by fire. A woman raised by wolves. An avowed enemy offers help. In this second in the Dawn of Humanity trilogy, the first trilogy in the Man vs. Nature saga, Lucy and her eclectic group escape the treacherous tribe that has been hunting them and find a safe haven in the famous Wonderwerk caves in South Africa, the oldest known occupation of caves by humans. They don't have clothing, fire, or weapons, but the caves keep them warm and food is plentiful. Circumstances make it clear that they can't stay, not with the rest of her tribe enslaved by the treacherous enemy. To free them requires not only the prodigious skills of Lucy's unique group--which includes a proto-wolf and a female raised by the pack--but others who have no reason to assist her and instinct tells Lucy she shouldn't trust. Set 1.8 million years ago in Africa, Lucy and her band of early humans struggle against the harsh reality of a world ruled by nature, where predators stalk them and a violent new species of man threatens to destroy their world. Only by changing can they prevail. If you ever wondered how earliest man survived but couldn't get through the academic discussions, this book is for you. Prepare to see this violent and beautiful world in a way you never imagined.
Finalist for the 2014 Book Award for Excellence in the Study of Religion, textual studies category presented by the American Academy of Religion Conceiving Identities explores how medieval Muslim theologians appropriate a woman's reproductive power to construct a female gender identity in which maternity is a central component. Through a close analysis of seventh- through fourteenth-century exegetical works, medical treatises, legal pronouncements, historiographies, zoologies, and other literary materials, this study considers how medieval Muslim scholars map the female reproductive body according to broader, cosmological schemes to generate a woman's role as "mother." By close consideration of folk medicine and magic, this book also reveals how medieval women contest the traditional maternal identities imagined for them and thereby reinvent themselves as mothers and Muslims. This innovative examination of the discourse and practices surrounding maternity forges new ground as it takes up the historical and epistemic construction of medieval Muslim women's identities.
In David L. Jordan's earliest memories, he is lying in the fields, the black earth beneath him and the sky and sun above, filtered through the leaves of the cotton plants. The youngest of five children in a family of sharecroppers, he was nursed and grew up in those fields, joining his family in their work as soon as he was old enough to carry a sack. David L. Jordan: From the Mississippi Cotton Fields to the State Senate is the memoir of black Mississippi state senator and city councilman Jordan. His life in twentieth-century Mississippi spanned some of the most difficult times for black Mississippians as they coped with the effects of crippling economic circumstances caused by tenant farming and second-class citizenship enforced through the most violent and repressive means. Jordan shares his experiences from early childhood growing up in Leflore County, the heart of the Mississippi Delta, through his life and work in government. He rose from humble beginnings to become professional educator and eventually one of the Deep South's most recognizable social and political activists. In this revealing autobiography, Jordan describes his witness to the often brutal and humiliating mistreatment of blacks by white racists. He is one of the few persons still alive who attended the sensational trial of the two white men accused of the horrific lynching of Emmett Till in 1955. Jordan recounts the atmosphere and drama surrounding the case with telling effects, shining light on this brand of Mississippi injustice that will help readers understand why many people consider the case the real genesis of the modern civil rights movement. Though change was often slow and grudging, Jordan's Mississippi has evolved and continues to overcome. Indeed, Jordan's story is notably a revelation of his role as a catalyst in shaping many of the gains that blacks have achieved in Mississippi in the past fifty years. With a deep belief in the power of education, hard work, and determination, Jordan has worked tirelessly and courageously so that all his fellow citizens might enjoy the human and political rights he has long championed.
Spectacular recent discoveries from the Nathan Harrison cabin site offer new insights and perspectives into the life of this former slave and legendary California homesteader. “In many ways, it is a quintessential American story because of the fact that slavery was the American story.”—Julia A. King, St. Mary’s College of Maryland Few people in the history of the United States embody ideals of the American Dream more than Nathan Harrison. His is a story with prominent themes of overcoming staggering obstacles, forging something-from-nothing, and evincing gritty perseverance. In a lifetime of hard-won progress, Harrison survived the horrors of slavery in the Antebellum South, endured the mania of the California Gold Rush, and prospered in the rugged chaos of the Wild West. From the introduction: According to dozens of accounts, Harrison would routinely greet visitors to his remote Southern California hillside property with the introductory quip, “I’m N——r Nate, the first white man on the mountain.” This is by far the most common direct quote in all of the extensive Harrison lore. If it is possible to get past current-day shock and outrage over the inflammatory racial epithet, one can begin to contextualize and appreciate the ironic humor, ethnic insight, and dualistically crafted identities Harrison employed in this profound statement.
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An inquiry into the baptismal rite, and how far medieval lay people understood church liturgy.
The “superb” time travel adventure of one lonely young girl, a remarkable family, and an impossible task, set between modern and Elizabethan England (The Washington Post) "A beautiful book . . . a form of enchanting ghost story, with the ghosts drawn in with the grace of a painter on a fan." —The Observer Penelope Taberner Cameron is a solitary and a sickly child, a reader and a dreamer. Her mother, indeed, is of the opinion that the girl has grown all too attached to the products of her imagination and decides to send her away from London for a restorative dose of fresh country air. But staying at Thackers, in remote Derbyshire, Penelope is soon caught up in a new mystery, as she finds herself transported at unforeseeable intervals back and forth from modern to Elizabethan times. There she becomes part of a remarkable family that is, Penelope realizes, in terrible danger as they plot to free Mary, Queen of Scots, from the prison in which Queen Elizabeth has confined her. Penelope knows the tragic end that awaits the Scottish queen, but she can neither change the course of events nor persuade her new family of the hopelessness of their cause, which love, loyalty, and justice all compel them to embrace. Caught between present and past, Penelope is ever more torn by questions of freedom and fate. To travel in time, she discovers, is to be very much alone. And yet the slow recurrent rhythms of the natural world, beautifully captured by Alison Uttley, also speak of a greater ongoing life that transcends the passage of the years.