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The years between 1600 and 1700 were a period of war, famine, plague and religious upheaval in Scotland.A time when ordinary women, and men, of the Scottish Borders who fell under the suspicion of the Kirk would face interrogation and torture.A time when fear of Auld Nick turned the world upside down and the cry of witch would almost always lead to the rope and the flame.Mary Craig explores this tremulous period of Scottish history and examines the causes and effects of the 17th century witchcraft trials and executions in the Scottish Borders.
The book provides an overview and analysis of the witch trials in the Scottish Borders in the 17th century. The 17th century was a time of upheaval in Scottish and British history, with a civil war, the abolition of the monarchy, the plague and the reformation all influencing the social context at the time. This book explores the social, political, geographical, religious and legal structures that led to the increased amount of witch trials and executions in the Scottish Borders. As well as looking at specific trials the book also explores the role of women, both as accuser and as accused.
This book is a collection of essays on Scottish witchcraft and witch-hunting, which covers the whole period of the Scottish witch-hunt, from the mid-16th century to the early 18th. It particularly emphasizes the later stages, since scholars are now as keen to explain why witch-hunting declined as why it occurred. There are studies of particular witchcraft panics, including a reassessment of the role of King James VI. The book thus covers a wide range of topics concerned with Scottish witch-hunting - and also places it in the context of other topics: gender relations, folklore, magic and healing, and moral regulation by church and state.
Sixteen international artists at the forefront of feminism This book focuses on a selection of midcareer international artists whose oeuvres are informed by the legacies of feminist thought. Each artist adds to the feminist discourse, whether by reclaiming women's marginalized creative histories, using gender discrimination as a method of institutional critique or creating alternate research methodologies that confront patriarchal norms. The book includes sculpture, painting, video, installation and performance art, and features lesser-known projects or entirely new commissions that recast sociopolitical realities throughout the world. In addition to extensive illustrations, the book includes essays by Anne Ellegood and Connie Butler, curators and art historians whose practices have also been dedicated to a discussion of women's rights. Artists include: Leonor Antunes, Yael Bartana, Pauline Boudry / Renate Lorenz, Candice Breitz, Shu Lea Cheang, Minerva Cuevas, Vaginal Davis, Every Ocean Hughes, Bouchra Khalili, Laura Lima, Teresa Margolles, Otobong Nkanga, Okwui Okpokwasili, Lara Schnitger and Beverly Semmes.
Witch hunts are the result of gendered, cultural and socioeconomic struggles over acute structural, economic and social transformations in both the formation of gendered class societies and that of patriarchal capitalism. This book combines political economy with gender and cultural analysis to explain the articulation of cultural beliefs about women as causing harm, and struggles over patriarchy in periods of structural economic transformation. It brings in field data from India and South-East Asia and incorporates a large body of works on witch hunts across geographies and histories. Witch Hunts is a scholarly analysis of the human rights violation of women and its correction through changes in beliefs, knowledge practices and adaptation in structural transformation.
#1 NYT bestselling author Michael Savage calls out the mass hysteria mongers and their methods, and shows Americans that we must look to history to understand the present and avoid repeating the mistakes of the past. Since Donald Trump's historic ascendance to the presidency, American politics have reached a boiling point. Social and economic issues, even national security, have become loud, violent flashpoints for political rivals in the government, in the media and on the streets. This collective derangement has a name: mass hysteria. In his new book, Stop Mass Hysteria, #1 New York Times bestselling author Michael Savage not only deconstructs the Left's unhinged response to traditional American values like borders, language, and culture, but takes the reader on an unprecedented journey through mass hysteria's long history in the United States. From Christopher Columbus to the Salem Witch trials to the so-called "Red Scares" of the 1930s and 40s and much more, Dr. Savage recounts the many times collective insanity has gripped the American public - often prompted by sinister politicians with ulterior motives. Dr. Savage provides vital context for the common elements of dozens of outbreaks of mass hysteria in the past, their causes, their short and long-term effects, and the tactics of the puppet masters who duped gullible masses into fearing threats both real and imagined. By shining a light on the true nature and causes of American mass hysteria in the past, Savage provides an insightful look into who and what is causing dangerous unrest in our lives - and why.
A gripping story of a family tragedy brought about by witch-hunting in Puritan New England that combines history, anthropology, sociology, politics, theology and psychology. “The best and most enjoyable kind of history writing. Malcolm Gaskill goes to meet the past on its own terms and in its own place…Thought-provoking and absorbing." —Hilary Mantel, best-selling author of Wolf Hall In Springfield, Massachusetts in 1651, peculiar things begin to happen. Precious food spoils, livestock ails, property vanishes, and people suffer convulsions as if possessed by demons. A woman is seen wading through the swamp like a lost soul. Disturbing dreams and visions proliferate. Children sicken and die. As tensions rise, rumours spread of witches and heretics and the community becomes tangled in a web of distrust, resentment and denunciation. The finger of suspicion soon falls on a young couple with two small children: the prickly brickmaker, Hugh Parsons, and his troubled wife, Mary. Drawing on rich, previously unexplored source material, Malcolm Gaskill vividly evokes a strange past, one where lives were steeped in the divine and the diabolic, in omens, curses and enchantments. The Ruin of All Witches captures an entire society caught in agonized transition between superstition and enlightenment, tradition and innovation.
This volume provides a valuable introduction to the key concepts of witchcraft and demonology through a detailed study of one of the best known and most notorious episodes of Scottish history, the North Berwick witch hunt, in which King James was involved as alleged victim, interrogator, judge and demonologist. It provides hitherto unpublished and inaccessible material from the legal documentation of the trials in a way that makes the material fully comprehensible, as well as full texts of the pamphlet News from Scotland and James' Demonology, all in a readable, modernised, scholarly form. Full introductory sections and supporting notes provide information about the contexts needed to understand the texts: court politics, social history and culture, religious changes, law and the workings of the court, and the history of witchcraft prosecutions in Scotland before 1590. The book also brings to bear on this material current scholarship on the history of European witchcraft.
First published in 1977 and now reprinted in its original form, A Source-book of Scottish Witchcraft has been the most authoritative reference book on Scottish Witchcraft for almost thirty years. It has been invaluable to the specialist scholar and of interest to the general reader. It provides, but provides much more than, a series of lists of the 'names and addresses' of long-dead witches. However, although it is widely quoted and held in high esteem, few copies were ever printed and most are owned by libraries or similar institutions. Until now, it has been difficult to obtain and even more difficult to buy. In 1938, George F. Black, a Scotsman who was in charge of New York Public Library, published A Calendar of Cases of Witchcraft in Scotland 1510-1727. This was a fairly comprehensive compilation of brief accounts of references, in printed sources, to Scottish witchcraft cases. The Source-book built upon this study but went beyond it by including, through an examination of actual ancient manuscripts, information on previously unpublished cases. It also presented the material in a more systematic way in relation, where known, to the names of the accused witches, their sex, their fate, the place of the case, its date and the type of court that dealt with it. Some such information is presented in the form of tables. Transcriptions of documents pertaining to witchcraft trials- such as examples of the evidence of supposed witnesses, and other salient legal documents - including, for instance, an ancient account of when and why the testimony of female witnesses might be legally acceptable in Scottish courts - are also presented.
A look at the witch trials in Salem, Massachusetts in the 17th century that claimed twenty-five lives and its impact on the community.