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From our earliest schooldays, we are shown the world as a colorful collage of countries, each defined by their own immutable borders. What we often don't realize is that every political boundary was created by people. No political border is more natural or real than another, yet some international borders make no apparent sense at all. While focusing on some of these unusual border shapes, this fascinating book highlights the important truth that all borders, even those that appear "normal," are social constructions. In an era where the continued relevance of the nation state is being questioned and where transnationalism is altering the degree to which borders effectively demarcate spaces of belonging, the contributors argue that this point is vital to our understanding of the world. The unique and compelling histories of some of the world's oddest borders provide an ideal context for this group of experts to offer accessible and enlightening discussions of cultural globalization, economic integration, international migration, imperialism, postcolonialism, global terrorism, nationalism, and supranationalism. Each author's regional expertise enriches a textured account of the historical context in which these borders came into existence as well as their historical and ongoing influence on the people and states they bound. To view more maps from the David Rumsey Map Collection, visit www.davidrumsey.com. Contributions by: Eric D. Carter, Karen Culcasi, Alexander C. Diener, Joshua Hagen, Reece Jones, Robert Lloyd, Nick Megoran, Julian V. Minghi, David Newman, Robert Ostergren, and William C. Rowe.
“Are you an American, or are you not?” This is the question at the heart of Katherine Benton-Cohen’s provocative history, which ties a seemingly remote corner of the country to one of America’s central concerns: the historical creation of racial boundaries.
The historical separation between Judaism and Christianity is often figured as a clearly defined break of a single entity into two separate religions. Following this model, there would have been one religion known as Judaism before the birth of Christ, which then took on a hybrid identity. Even before its subsequent division, certain beliefs and practices of this composite would have been identifiable as Christian or Jewish.In Border Lines, however, Daniel Boyarin makes a striking case for a very different way of thinking about the historical development that is the partition of Judaeo-Christianity. There were no characteristics or features that could be described as uniquely Jewish or Christian in late antiquity, Boyarin argues. Rather, Jesus-following Jews and Jews who did not follow Jesus lived on a cultural map in which beliefs, such as that in a second divine being, and practices, such as keeping kosher or maintaining the Sabbath, were widely and variably distributed. The ultimate distinctions between Judaism and Christianity were imposed from above by "border-makers," heresiologists anxious to construct a discrete identity for Christianity. By defining some beliefs and practices as Christian and others as Jewish or heretical, they moved ideas, behaviors, and people to one side or another of an artificial border—and, Boyarin significantly contends, invented the very notion of religion.
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In examining how the United States gained control over the northern borderlands of Spanish America, this text reassesses the diplomacy of President James Madison. The author also describes how a myriad cast of local leaders, officials and other small players affected the borderlands diplomacy between the United States and Spain.
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A cynical, disabled film director with borderline personality disorder gets recruited to join a secret organization that oversees relations between Hollywood and Fairyland in this Nebula Award–nominated and Tiptree Award Honor Book that’s the first novel in a new urban fantasy series from debut author Mishell Baker. A year ago, Millie lost her legs and her filmmaking career in a failed suicide attempt. Just when she’s sure the credits have rolled on her life story, she gets a second chance with the Arcadia Project: a secret organization that polices the traffic to and from a parallel reality filled with creatures straight out of myth and fairy tales. For her first assignment, Millie is tasked with tracking down a missing movie star who also happens to be a nobleman of the Seelie Court. To find him, she’ll have to smooth-talk Hollywood power players and uncover the surreal and sometimes terrifying truth behind the glamour of Tinseltown. But stronger forces than just her inner demons are sabotaging her progress, and if she fails to unravel the conspiracy behind the noble’s disappearance, not only will she be out on the streets, but the shattering of a centuries-old peace could spark an all-out war between worlds. No pressure.
Boundaries, borderlines, limits on the one hand and rites of passage, contact zones, in-between spaces on the other have attracted renewed interest in a broad variety of cultural discourses after a long period of decenterings and delimitations in numerous fields of social, psychological, and intellectual life. Anthropological dimensions of the subject and its multifarious ways of world-making represent the central challenge among the concerns of the humanities. The role of literature and the arts in the formation of cultural and personal identities, theoretical and political approaches to the relation between self and other, the familiar and the foreign, have become key issues in literary and cultural studies; forms of expressivity and expression and question of mediation as well as new enquiries into ethics have characterized the intellectual energies of the past decade. The aim of Borderlands is to represent a variety of approaches to questions of border crossing and boundary transgression; approaches from different angles and different disciplines, but all converging in their own way on the post-colonial paradigm. Topics discussed include globalization, cartography and ontology, transitional identity, ecocritical sensibility, questions of the application of post-coloniality, gender and sexuality, and attitudes towards space and place. As well as studies of the cinema of the settler colonies, the films of Neil Jordan, and 'Othering' in Canadian sports journalism, there are treatments of the Nigerian novel, South African prison memoirs, and African women's writing. Authors examined include Elizabeth Bowen, Bruce Chatwin, Mohamed Choukri, Nuruddin Farah, Jamaica Kincaid, Pauline Melville, Bharati Mukherjee, Michael Ondaatje, and Leslie Marmon Silko.