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Theologies are constructed in and from lived contexts, and contexts are shaped by borders. While borders are barriers, they are also steppingstones for crossing over and invitations for moving further. This book offers theological and cultural reflections from the intersections of borders (real and imagined), bodies (physical, cultural, religious, ideological, political), and voices (that endorse as well as talk back). With and in the interests of natives and migrants, the authors of this book embrace bordered bodies and stir bothered voices. The essays are divided into four overlapping clusters that express the shared drives between the authors--Noble borders: some borders are not experienced as constricting because they are seen as noble; Negotiating bodies: bodies constantly negotiate and relocate borders; Troubling voices: bothered voices cannot be muted or silenced; Riotous bodies: embracing the wisdom in and of rejected and wounded bodies is a riot that this book invites. The authors engage their subjects out of their experiences as migrants and natives. This book is thus a step toward--and an invitation for more work on--migrant and native theologies.
In a sense, Oceania can be considered a microcosm of World Christianity. Within this region are many of the same observable trends on the global level that impact Christian life, faith, and witness. The geography of Oceania—the “liquid continent”—is unique. Christianity arrived in Australia and New Zealand in the late eighteenth century via British colonial powers. Indigenous Aboriginal peoples, Torres Strait Islanders, and Māori peoples were dispossessed of land, property, rights, and dignity. Christianity grew by migration and conversion (not always voluntary), and over time became tightly intertwined with culture. In the twentieth century, rapid secularization moved Christianity into the private sphere, and by 2020 Christian affiliation had dropped from 97 percent to 57 percent. However, the history of Christianity in the Pacific Islands—Melanesia, Micronesia, and Polynesia—is quite different. Christianity arrived via Protestant and Catholic missionaries between the fifteenth and nineteenth centuries and grew substantially in the twentieth century largely due to indigenous Christian efforts. Islanders brought Christianity to neighboring islands, indigenous theologies developed, and churches gradually separated from their Western mission founders. One of the great “success stories” of World Christianity is Papua New Guinea, which grew from just 4 percent Christian in 1900 to 95 percent in 2020. However, growth is never the entire story. Violence against women is endemic in Papua New Guinea and is often combined with accusations of witchcraft. An estimated 59 percent of women have experienced physical or sexual violence in their lifetime (and 48 percent in the last year). As Christianity continues its shift to the global South, it becomes increasingly critical to heed the experiences, perspectives, and theologies of Christians, particularly women, in the Pacific Islands.
A scholarly volume that reflects the rich diversity of Anglican theology With contributions from an international panel of writers, Twentieth-Century Anglican Theologians offers a wide-ranging view that presents a survey of over twenty diverse Anglican thinkers. The book explores well-known figures including William Temple, Austin Farrer, Donald MacKinnon, and John A.T. Robinson. These theologians are set in a wider context alongside others from India, China, Australia, Ghana, and elsewhere. Notably, the subjects include a number of women from Evelyn Underhill, the first woman to teach the clergy of the Church of England, to Esther Mombo, a major contemporary Anglican figure, from Kenya. The book reflects the rich diversity of Anglicanism, suggesting the ongoing vitality of this religious tradition. This important book: Contains information on a number of prominent women Anglican thinkers Includes contributions from experts from around the world Presents material on both familiar figures and others that are unjustly little known Written for students and teachers of Anglicanism, Anglican clergy, and ecumenical colleagues, Twentieth-Century Anglican Theologians is the first book to reflect the diversity of the Anglican tradition by considering its global theological representatives.
This is the first of two volumes of essays from the Ecclesiological Investigations International Research Network's 14th International Conference focused on decolonizing churches and theology, addressing oppressions based on gender, racial, and ethnic identities; economic inequality; social vulnerabilities; climate change and global challenges such as pandemics, neoliberalism, and the role of information technology in modern society, all connected with the topic of decolonization. The essays in this volume focus on decoloniality in religious and theological dialogue, migration, history, and education, written from historical, dogmatic, social scientific, and liturgical perspectives.
This book explores the vital role of the imagination in today's complex climates--cultural, environmental, political, racial, religious, spiritual, intellectual, etc. It asks: What contribution do the arts make in a world facing the impacts of globalism, climate change, pandemics, and losses of culture? What wisdom and insight, and orientation for birthing hope and action in the world, do the arts offer to religious faith and to theological reflection? These essays, poems, and short reflections--written by art practitioners and academics from a diversity of cultures and religious traditions--demonstrate the complex cross-cultural nature of this conversation, examining critical questions in dialogue with various art forms and practices, and offering a way of understanding how the human imagination is formed, sustained, employed, and expanded. Marked by beauty and wonder, as well as incisive critique, it is a unique collection that brings unexpected voices into a global conversation about imagining human futures.
This book makes space (1) for Pasifika contributions to academic conversations on critical topics and (2) for influencing the conversations to account for, and thus reflect, Pasifika ways and modes. The critical topic that runs through the chapters is well-being, and the contributors were located at the time of writing in Pasifika—Aotearoa, Fiji, Kioa, Kiribati, Samoa, Tonga, and Tuvalu—but there are many more Pasifika voices and concerns than are represented in this work. Nonetheless, the ways in which this work seeks to influence the conversations on well-being reflect the intersectional modes of thinking that native Pasifika Islanders share. The essays are placed into three intersecting clusters: well-being of bodies and (is)lands, well-being of traditions and theologies, and well-being of imaginations and worldviews. The rationale for this arrangement is that the well-being of Pasifika requires attention to the present (bodies and islands), to the past (traditions and theologies), and to the future (imaginations and worldviews). The chapters address Pasifika questions and concerns, and they are placed so that the conversations they spark can take place—free of the traps of Western theories and disciplines—with Pasifika accents and rhythms.
This collection focuses on the interdisciplinary nature of current biblical studies, especially the interpretation of the Bible through the arts. Its aim is to illustrate how the crossing of boundaries enriches our understanding of the text itself. Contributors include Robert Carroll, Mary Douglas, Wendy Porter, Edward Kessler, Larry Kreitzer, John Hull and Martin O'Kane. The themes embrace literature (Kipling), music (Bach) and art (Holbein). The editor contributes an introduction and an illustrated essay on the Flight into Egypt as an icon of refuge.>
Lucia Visconti is feted in opera houses around the world. But it has been a long and arduous journey to the top and her personal life is a disaster ... Born to an Australian father and Italian mother in the Mallee country in the 1920s, Lucia is taken to Italy by her mother shortly before World War II. Trained at the word-famous Toscanini Conservatorium, she survives the horrors of war to become the world's greatest dramatic soprano. But she quarrels with her domineering mother, and spends years separated from her true love, while accusations of wartime collaboration threaten to destroy her reputation. It is only when she discovers the love she can truly give to others that Lucia is able to come to terms with her own past. Inspired by the lives of great singers such as Maria Callas, in a superb piece of storytelling Voice of Destiny lays bare what it means to be a woman and an artist in a world in conflict.