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What draws people to study abroad or volunteer in far-off communities? Often the answer is romance – the romance of landscapes, people, languages, the very sense of border-crossing – and longing for liberation, attraction to the unknown, yearning to make a difference. This volume explores the complicated and often fraught desires to study and volunteer abroad. In doing so, the book sheds light on how affect is managed by educators and mobilized by students and volunteers themselves, and how these structures of feeling relate to broader social and economic forces.
Set in treacherous sixteenth-century Scotland, the first volume of Amanda Scott’s Border Trilogy tells the unforgettable story of a woman sworn to defy the knight she is forced to wed—only to discover a love she’ll do anything to claim As Mary, Queen of Scots, languishes in the Tower of London as a prisoner of her cousin, Queen Elizabeth, war tears Scotland apart. To save her beloved homeland, a proud Highland beauty named Mary Kate MacPherson must wage her own battle when she’s forced into wedlock with a knight, Sir Adam Douglas, from the barbaric borderland of Tornary. Even as she succumbs to her seductive husband’s sensual demands, Mary Kate vows never to give him her heart. She will belong to no man. But Adam burns with something deeper than desire. Sworn to carry out a long-awaited revenge, he won’t rest until he has vanquished his enemies. Accused of treason, the last thing he expects is to lose his heart to the woman he’s determined to tame but never to love: his own wife. Border Bride is the 1st book in the Border Trilogy, but you may enjoy reading the series in any order.
A woman locked in her past and the fierce knight determined to set her free...Amanda Scott returns readers to the fourteenth century Scottish Borders, when men battled sword against sword and the hills echoed with the thunder of a thousand hooves. Unfit for marriage? Young, fair, yet mistrustful of men, Amalie Murray harbors a secret--one that could keep her single for life. At the coronation of the King of Scots, she overhears the plotting of a terrifying act...and virtually falls into the arms of Sir Garth Napier. Moved by her plight, Garth knows she now desperately needs protection--especially from her own stubbornness. Their unexpected passion and desire make Garth coax the truth out of Amalie, and make him more determined than ever to keep her safe. For though Amalie may be an "inappropriate bride," she's a woman he would gladly die for.
As the only survivors of a mysterious attack on the Texas-Mexico border, a journalist and a veteran team up to stay alive in this romantic suspense novel. Former army communications specialist Maddie Jameson doesn’t remember the details of her deadly mission on the Texas-Mexico border. But she knows she’s not responsible for the massive ambush that left only her and investigative journalist Chris Mason alive. Now Maddie and Chris both face suspicion and danger, not to mention a killer on their trail. Partnering up is the only solution. But as Maddie and Chris get closer to uncovering the truth, they’ll have to trust each other to make it through alive.
They were the bestsellers of their time; in the late medieval period, a number of shorter romances and tales, such as Floire et Blancheflor, Partonopeus de Blois, Valentine and Orson and many others, enjoyed striking popularity across different regions of Europe. This essay collection gathers together contributions from across Europe, to examine the complex processes by which medieval romances were adapted across European borders. By examining how the content, form and broader contextualisation of individual romances were altered by the transition from one region to another, the essays address the role translators, narrators, editors and compilers played in adapting the tales to different cultural and codicological settings. In this context, they discuss not only the shifting plotlines of the tales, but also the points at which the generic features of the texts shift in response to changing cultural codes. In doing so, they raise wider questions concerning the links between genre, manuscript form, cultural assimilation and the popularity of certain romance texts in different cultural communities.
Aware of the covetous interest in his land, the laird of Brae Aisir announces that any man who can outfight his spitfire of a granddaughter will have her as a wife, along with her inheritance. It's a heated contest that inspires the passion of one man and the jealous wrath of another.