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Deputy Margarita Ricos is not like every other deputy sheriff. She's young. She's tough. She's kindhearted and smart. She's a proud Chicana! Raised on the edge of the United States in Terlingua, Texas, she has a broad perspective of "the border," its people, and its issues. She chooses to remain in the vast land of mountains and desert, a muddy, winding river, fiery sunsets, unique dangers, and indescribable beauty. Margarita is an advocate of justice and fairness in a world that is neither. She takes comfort in the steadfastness of the scenery she adores and her love for and commitment to her community. While still recovering from the loss of her love, Margarita's birth father comes to visit. He is Sergeant Zeke Pacheco with the Texas Rangers, and he invites her to accompany him to Dallas. He wants to spend a week with his daughter, to take her away from the darkness in her head and the gossip in Terlingua. Also, "if she wants to," he could use her help on the mysterious case of a friend's son. The young man is in prison for killing his wife and children. Is he guilty as charged or innocent, as he claims? Margarita jumps at the chance to get to know her father better and to have an adventure in Dallas. And she can never resist a mystery or a chance to right a wrong. She's quickly drawn into a web of lies and cover-ups, angels and villains, wrongs and redemption. While trying to prove an imprisoned man guilty beyond doubt or wrongly accused, Margarita is haunted by a mystery from her past. She begins the fast-paced, danger-filled, winding route to the Border Ghosts.
When Rocky Elmore joined the United States Border Patrol, he knew it would be a journey fraught with danger. But little did he know that the very real trails he walked night after night would soon lead him into surreal encounters from a different dimension. This was never more evident than when the ghost of a recently fallen fellow agent began to appear on top of the cliff from which he died. It marked the beginning of the end to one of the most bizarre series of events in the history of the U.S. Border Patrol. This collection of true stories provides a rare look into law enforcement that includes not only the routine nightly patrols of the USBP but also actual paranormal activity as it happened to the agents in the field. Readers will go on nightly patrols with the agents of the Brown Field Border Patrol Station, and will face their worst fears as they come face to face with smugglers, mountain lions, ghosts, and even a Sasquatch in this isolated no-man's land. OUT ON FOOT takes place in the mysterious Otay Mountains just east of San Diego, California. It is an emotional roller coaster ride that is not for the faint of heart.
Winner, William M. LeoGrande Prize, Center for Latin American and Latino Studies at American University, 2022 For half a century, cultural production in Colombia has labored under the weight of magical realism—above all, the works of Gabriel García Márquez—where ghosts told stories about the country’s violent past and warned against a similarly gruesome future. Decades later, the story of violence in Colombia is no less horrific, but the critical resources of magical realism are depleted. In their wake comes "spectral realism." Juliana Martínez argues that recent Colombian novelists, filmmakers, and artists—from Evelio Rosero and William Vega to Beatriz González and Erika Diettes—share a formal and thematic concern with the spectral but shift the focus from what the ghost is toward what the specter does. These works do not speak of ghosts. Instead, they use the specter to destabilize reality by challenging the authority of human vision and historical chronology. By introducing the spectral into their work, these artists decommodify well-worn modes of representing violence and create a critical space from which to seek justice for the dead and disappeared. A Colombia-based study, Haunting without Ghosts brings powerful insight to the politics and ethics of spectral aesthetics, relevant for a variety of sociohistorical contexts.
“A haunted, haunting examination of mental illness and murder in a more or less ordinary American city…Mature and thoughtful…A Helter Skelter for our time, though without a hint of sensationalism—unsettling in the extreme but written with confidence and deep empathy” (Kirkus Reviews, starred review). On March 11, 2003, in Brownsville, Texas—one of America’s poorest cities—John Allen Rubio and Angela Camacho murdered their three young children. The apartment building in which the brutal crimes took place was already run down, and in their aftermath a consensus developed in the community that it should be destroyed. In 2008, journalist Laura Tillman covered the story for The Brownsville Herald. The questions it raised haunted her and set her on a six-year inquiry into the larger significance of such acts, ones so difficult to imagine or explain that their perpetrators are often dismissed as monsters alien to humanity. Tillman spoke with the lawyers who tried the case, the family’s neighbors and relatives and teachers, even one of the murderers: John Allen Rubio himself, whom she corresponded with for years and ultimately met in person. Her investigation is “a dogged attempt to understand what happened, a review of the psychological, sociological and spiritual explanations for the crime…a meditation on the death penalty and on the city of Brownsville” Star Tribune (Minneapolis). The result is a brilliant exploration of some of our age’s most important social issues and a beautiful, profound meditation on the truly human forces that drive them. “This thought-provoking…book exemplifies provocative long-form journalism that does not settle for easy answers” (Publishers Weekly, starred review).
An unsentimental vision of the west, new and old, comes to life in a gritty new collection of stories by the author of Snow, Ashes In Ghosts of Wyoming, Alyson Hagy explores the hardscrabble lives and terrain of America's least-populous state. Beyond the tourist destinations of Jackson Hole and Yellowstone lies a less familiar and wilder frontier defined by the tension wrought by abundance and scarcity. A young runaway with a big secret slips across the state border and steals a collie pup from the Meeker County fairgrounds. A chorus of trainmen details a day spent laying rail across the Wyoming Territory, while contemporary voices describe life in the oil and gas fields near Gillette. A traveling preacher is caught up in a deadly skirmish between cattle rustlers and ranchers on his way from Rawlins to the Indian reservation on the Popo Agie River. Locals and activists clash when a tourist makes an archaeological discovery near Hoodoo Mountain. With spirited, lyrical prose, Hagy expertly weaves together Wyoming's colorful pioneer and speculator history with the notoften- heard voices of petroleum workers, thrill-seeking rock climbers, and those left behind by the latest boom and bust.
*Winner of the Chicago Review of Books Award for Fiction* A Heartland Booksellers Award Nominee An NPR Best Book of the Year A BookPage Best Book of the Year A Library Journal Best Winter/Spring Debut of 2020 A Most Anticipated Book of 2020 from the Boston Globe and The Millions A Best Book of February 2020 at Salon, The Millions, LitHub and Vol 1. Brooklyn “A stunner—equal parts epic and intimate, thrilling and elegiac.”—Laura Van den Berg, author of The Third Hotel The mesmerizing story of a Latin American science fiction writer and the lives her lost manuscript unites decades later in post-Katrina New Orleans In 1929 in New Orleans, a Dominican immigrant named Adana Moreau writes a science fiction novel. The novel earns rave reviews, and Adana begins a sequel. Then she falls gravely ill. Just before she dies, she destroys the only copy of the manuscript. Decades later in Chicago, Saul Drower is cleaning out his dead grandfather’s home when he discovers a mysterious manuscript written by none other than Adana Moreau. With the help of his friend Javier, Saul tracks down an address for Adana’s son in New Orleans, but as Hurricane Katrina strikes they must head to the storm-ravaged city for answers. What results is a brilliantly layered masterpiece—an ode to home, storytelling and the possibility of parallel worlds.
Tradition meets tragedy in the chilling local lore of the Rio Grande Valley. Hidden in the dense brush and around oxbow lakes wait sinister secrets, unnerving vestiges of the past and wraiths of those claimed by the winding river. The spirit of a murdered student in Brownsville paces the locker room where she met her end. Tortured souls of patients lost in the Harlingen Insane Asylum refuse to be forgotten. Guests at the LaBorde Hotel in Rio Grande City report visions of the Red Lady, who was spurned by the soldier she loved and driven to suicide. Author David Bowles explores these and more of the most harrowing ghost stories from Fort Brown to Fort Ringgold and all the haunted hotels, chapels and ruins in between.
A ghostly Figure hanging in a churchyardicy fingers that run up your neckthe Lizard Man of Scape Ore Swamp. From the swamps of Kershaw County to an abandoned graveyard underneath South of the Border, the South Carolina Pee Dee is home to a rich heritage and a sometimes frightening past. In this volume, storyteller and author Tally Johnson investigates the truth behind the ghostly legends of counties that have seen revolution and war, tragedy and triumph. With an attention to history and a passion for the truth behind the legends, this fascinating glimpse into the Pee Dees past reveals that it is far stranger than anyone ever imagined.
After a decade of chasing stories around the globe, intrepid travel writer Stephanie Elizondo Griest followed the magnetic pull home--only to discover that her native South Texas had been radically transformed in her absence. Ravaged by drug wars and barricaded by an eighteen-foot steel wall, her ancestral land had become the nation's foremost crossing ground for undocumented workers, many of whom perished along the way. The frequency of these tragedies seemed like a terrible coincidence, before Elizondo Griest moved to the New York / Canada borderlands. Once she began to meet Mohawks from the Akwesasne Nation, however, she recognized striking parallels to life on the southern border. Having lost their land through devious treaties, their mother tongues at English-only schools, and their traditional occupations through capitalist ventures, Tejanos and Mohawks alike struggle under the legacy of colonialism. Toxic industries surround their neighborhoods while the U.S. Border Patrol militarizes them. Combating these forces are legions of artists and activists devoted to preserving their indigenous cultures. Complex belief systems, meanwhile, conjure miracles. In All the Agents and Saints, Elizondo Griest weaves seven years of stories into a meditation on the existential impact of international borderlines by illuminating the spaces in between and the people who live there.