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History’s oldest industry conducts its business in broad daylight on Talpretta—until Lucia di Vigilanti, the most famous madam in the civilized galaxy, finds herself under the scrutiny of a government that will stop at nothing before it destroys all free enterprise. When the sexual labor union launches an assault on the Bordello della Libertà, Lucia has no choice but to fight back, to defend the livelihood of her hard-working girls. The second installment of Aethertales, the story of Bordello della Libertà is one of capitalism under siege, and of the surrender of personal choice at gunpoint, for the sake of those whose only choice is to take from others and give nothing in return.
The Politics of Princely Entertainment follows the travels of Lorenzo Onofrio Colonna and Maria Mancini, two of the most active music patrons of seventeenth-century Italy, tracing their influence on music across a rapidly transforming Europe through the singers, composers, and librettists they supported.
This book of essays brings together international scholars working on the literary, visual, musical, and theatrical representations and reception of Hortense Mancini, Duchess Mazarin, an early modern woman whose literal—geographical—“border crossings” serve here as the starting point for an investigation of her and others’ elisions and transgressions of borders of all kinds. The authors lay out strategies for exploring the ways in which she crossed geographical, gendered, cultural, and—in scholarly terms—disciplinary boundaries, and in so doing, consider how an investigation of those border crossings can enhance our understanding of early modern cultural formation. The new work presented here by some of the most distinguished junior and senior scholars working today in the fields of history, art history, literary history, the history of theater, and the history of music promises to stimulate a broader scholarly discussion about early modern border-crossing and women’s places in the early modern period in general.
An analysis of the confinement experience in Italian narrative between 1930 and 1960, covering the last years of Fascism. Not limiting herself to prisons, Nerenberg also explores military barracks, convents, and brothels as carceral homologues.
Unique memoir of a Canadian serving in a German armored division What it was like to fight in a tank on the Eastern Front Details on the battlefield performance of the Panzer IV tank Six months before World War II erupted in 1939, Bruno Friesen was sent to Germany by his father in hopes of a better life. Friesen was drafted into the Wehrmacht three years later and ended up in the 7th Panzer Division. Serving as a gunner in a Panzer IV tank and then a Jagdpanzer IV tank destroyer, Friesen experienced intense combat against the Soviets in Romania, Lithuania, and West Prussia.