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The hard-bitten PI with a bottle of bourbon in his desk drawer--it's an image as old as the genre of hard-boiled detective fiction itself. Alcohol has long been an important element of detective fiction, but it is no mere prop. Rather, the treatment of alcohol within the works informs and illustrates the detective's moral code, and casts light upon the society's attitudes towards drink. This examination of the role of alcohol in hard-boiled detective fiction begins with the genre's birth, in an era strongly influenced and affected by prohibition, and follows both the genre's development and its relation to our changing understanding of and attitudes towards alcohol and alcoholism. It discusses the works of Dashiell Hammett, Raymond Chandler, Mickey Spillane, Robert B. Parker, Lawrence Block, Marcia Muller, Karen Kijewski and Sue Grafton. There are bibliographies of both the primary and critical texts, and an index of authors and works.
The hard-bitten PI with a bottle of bourbon in his desk drawer--it's an image as old as the genre of hard-boiled detective fiction itself. Alcohol has long been an important element of detective fiction, but it is no mere prop. Rather, the treatment of alcohol within the works informs and illustrates the detective's moral code, and casts light upon the society's attitudes towards drink. This examination of the role of alcohol in hard-boiled detective fiction begins with the genre's birth, in an era strongly influenced and affected by prohibition, and follows both the genre's development and its relation to our changing understanding of and attitudes towards alcohol and alcoholism. It discusses the works of Dashiell Hammett, Raymond Chandler, Mickey Spillane, Robert B. Parker, Lawrence Block, Marcia Muller, Karen Kijewski and Sue Grafton. There are bibliographies of both the primary and critical texts, and an index of authors and works.
Rafe Bridges stopped mixing business with pleasure long ago, but when he receives a call from an intriguing cop who needs help searching for an old family friend, he breaks down and takes on the case. With each day that passes, Rafe becomes further fascinated by Jeremy Halliday...but the biggest problem isn't his attraction to the cop or his growing need for him. It's the tiny little detail of Jeremy being straight. Jeremy isn't as immune to Rafe as he'd like to believe and as they work together, sifting through a case that is more mysterious and dangerous than it seems, Rafe becomes distant. Knowing he might miss out on someone incredible, Jeremy has to figure out what and who he really wants. And soon. Nothing is black and white anymore.
From Philip Marlowe and Sam Spade to Jake Gittes, private eyes have made for some of the most memorable characters in cinema. We often view these detectives as lone wolves who confront and try to make sense of a violent and chaotic modern world. Bran Nicol challenges this stereotype in The Private Eye and offers a fresh take on this iconic character and the film noir genre. Nicol traces the history of private eye movies from the influential film noirs of the 1940s to 1970s neonoir cinema, whose slow and brilliant decline gave way to the fading of detectives into movie mythology today. Analyzing a number of classic films—including The Maltese Falcon, The Big Sleep, Chinatown, and The Long Goodbye—he reveals that while these movies are ostensibly thrillers, they are actually occupied by issues of work and love. The private eye is not a romantic hero, Nicol argues, but a figure who investigates the concealments of others at the expense of his own private life. Combining a lucid introduction to an underexplored tradition in movie history with a new approach to the detective in film, this book casts new light on the private worlds of the private eye.
With its roots in the American private detective fiction of the 1920s but traceable back as far as Sherlock Holmes, the private eye story remains as popular as ever. Here are 26 of the finest short novels and stories from the hardboiled world of the private eye.
Caldecott Medalist Brian Selznick and debut children's book author David Serlin create a dazzling new format especially for young children! A New York Times Bestselling Book An Amazon Best Book of the Year A Kirkus Reviews Best Book of the Year Parents Magazine Best Early Reader of the Year "A marvel." --The New York Times "Inventive... fabulously expressive..." --San Francisco Chronicle Who is Baby Monkey? He is a baby. He is a monkey. He has a job. He is Baby Monkey, Private Eye! Lost jewels? Missing pizza? Stolen spaceship? Baby Monkey can help... if he can put on his pants! Baby Monkey's adventures come to life in an exciting blend of picture book, beginning reader, and graphic novel. With pithy text and over 120 black and white drawings accented with red, it is ideal for sharing aloud and for emerging readers.
Since the middle of the last century, views on gender norms have shifted dramatically. Reflecting these changes, storylines that involve cross-dressing and transgender characters have frequently appeared in detective fiction--characters who subvert the conventions of the genre and challenge reader expectations. This examination of 20th and 21st century crime novels reveals what these narratives say about gender identity and gender expression and how they contributed to the evolution of detective fiction.
When Greta Divawing, butterfly star of the Scarab Beetle Theatre, goes missing a week before the opening performance of "Bugliacci," Joey Fly is called in to investigate her puzzling disappearance.
Willis Gidney is a born liar and rip-off artist, an expert at the scam. Growing up without parents or a home, by age twelve he is a successful young man, running his own small empire, until he meets Shadrack Davies. That's Captain Shadrack Davies, of the D.C. Police. Davies wants to reform Gidney and becomes his foster father. Though he tries not to, Gidney learns a small amount of ethics from Shad---just enough to bother a kid from the streets for the rest of his life. Now Gidney is a PI, walking those same streets. So it's no surprise that when his closest friend, jazz saxophonist Steps Jackson, asks Gidney to find his missing daughter, Gidney is compelled to say yes---even though she's been missing for twenty-five years. He finds a woman who may be the girl's mother--and within hours she turns up dead. The police accuse Gidney of the murder and throw him in jail. Maybe Gidney should quit while he's behind. But when his investigation puts him up against a ruthless multinational corporation, a two-faced congressman, and a young woman desperate to conceal her past, Gidney has no time left for second thoughts. In fact, he may have no time left at all. Thomas Kaufman is a winner of the PWA Best First Private Eye Novel Competition. His debut novel, Drink the Tea, which boasts an original PI and an engaging cast of characters, adds a fresh perspective to the genre.
In the structuralist understanding as proposed by John G. Cawelti, a classical detective novel is defined as a formula which contains prescribed elements and develops in a predefined, ritualistic manner. When described in this way, the crime fiction formula very closely resembles a recipe: when one cooks, they also add prescribed ingredients in a predefined way in order to produce the final dish. This surprising parallel serves as the starting point for this book’s analysis of classical detective novels by Agatha Christie. Here, a structuralist approach to Golden Age crime fiction is complemented by methodology developed in the field of food studies in order to demonstrate the twofold role that food plays in Christie’s novels: namely, its function as an element of the formula – a literary device – but also as a cultural sign. Christie employed food on various different levels of her stories in order to portray characters, construct plots, and depict settings. What is more, incorporating domesticity and food in her novels helped her fundamentally alter the rigid conventions of the crime fiction genre as it developed in the nineteenth century, and enabled her to successfully introduce the character of the female detective and to feminise the detective novel as such.