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Booty Jokes
101 laugh-out-loud silly butt jokes for kids!
Erica S. Perl and Henry Cole team up once again to deliver spot-on humor with their unforgettable chicken character. In this cheeky (sorry!) sequel to the wildly fun Chicken Butt!, the young jokester and his chicken muse are back, but this time they're trying to trick Mom. She thinks she has caught on to the gag, but as she distractedly does the grocery shopping, she falls victim to a flurry of jokes using homonyms and homophones—words such as "dear" and "deer," and "which" and "witch." Wordplay has never been so much fun. Like Chicken Butt!, this story encourages children to participate in a call-and-response reading format that reinforces their reading skills. Praise for Chicken Butt's Back! "Coles’ tickled-pink cartoonish artwork gets right into the mix, the chocolate chip to the cookie dough. The denouement is so merrily explosive that just to imagine the shrieking voices of a read-aloud is mightily cheering.” –Kirkus Reviews “Cole's kinetic, acrylic and colored pencil cartoons strike the right tone of mild disobedience.” –Publishers Weekly “Fans of Chicken Butt! are going to love this sequel. This is the kind of book that siblings will beg to read to each other, especially since it’s set up for two voices.” –School Library Journal
This fun, thoughtful, entertaining, bold and outrageous read about Osa Sjoberg and one of her ASSets begins the the northern part of Sweden, where she grew up. It is also where her booty began to get attention when she was just 13 years old. Not only has it created quite the stir, it has also partially shaped her life - literally and figuratively. The attention on her derriere continued to gain momentum when she moved to Los Angeles, California. Osa tells the tales of crazy reactions, indecent proposals, jokes and having her ethnicity in question because of her behind. Her booty definitely takes on a life of its own and even begins to talk back in the stories. Packed with smart humor, you will get a lot of booty - BUTT there's also a deeper thread about staying with our truth, stereotyping and how we judge ourselves and others - how it affects us and what we do with it all. Awesome photos included.
This is a book that is told from the first person point of view by the main character, Luckus King. He tells a fascinating story about how and when he started having dreams about his first elementary school love, Sin, after losing contact with her over the course of several years. Luckus also explains the things that he experienced in his young life in the streets of Chester County, South Carolina, that forced him to mature fast while growing up in a single-parent household and the dangerous and necessary steps he took to reunite with and protect his first true love, Sin.
You know what? What? Chicken butt! The classic schoolyard joke has been recast as an irreverent picture book, with call-and-response parts for parent and child. The word repetition in Erica S. Perl’s text, and wonderfully comic illustrations by beloved artist Henry Cole, make this a particularly inviting book for new readers, as does the opportunity to “trick†? a parent or other adult into participating in a very silly joke. The humor builds to a surprising and satisfying conclusion. Warning: Kids will want to read this one over and over and over again! “An unhinged piece of slap-happy rhyming...rocket-propelled artwork...the romp is a powerful piece of cacophony, more frenetic by the moment.†?—Kirkus Reviews
Little readers will have lots to laugh about when they check out these gross jokes. Each page features a few silly, age-appropriate jokes alongside great images. The backmatter includes a list of joke-telling tips and a picture glossary. Aligned to Common Core Standards and correlated to state standards. Abdo Kids Junior is an imprint of Abdo Kids, a division of ABDO.
Winner of the 2018 Chicago Folklore Prize and Winner of the 2018 Opie Prize Jeanne Soileau, a teacher in New Orleans and south Louisiana for more than forty years, examines how children’s folklore, especially among African Americans, has changed. From the tumult of integration to the present, her experience afforded unique opportunities to observe children as they played. With integration in New Orleans during the 1960s, Soileau notes how children began to play with one another almost immediately. Children taught each other play routines, chants, jokes, jump-rope rhymes, cheers, taunts, and teases—all the folk games that happen in normal play on the street and playground. When adults—the judges and attorneys, the parents, and the politicians—haggled and shouted, children began to hold hands in a circle, fall down together to “Ring around the Rosie,” and tease each other in new and creative ways. Children’s ability to adapt can be seen not only in their response to social change, but in how they adopt and utilize pop culture and technology. Vast technological changes in the last third of the twentieth century influenced the way children sang, danced, played, and interacted. Soileau catalogs these changes and studies how games evolve and transform as much as they are preserved. She includes several topics of study: oral narratives and songs, jokes and tales, and teasing formulae gleaned from mostly African American sources. Because much of the field work took place on public school playgrounds, this body of oral narratives remains of particular interest to teachers, folklorists, linguists, and those who study play. In the end, Soileau shows that despite the restrictions of air-conditioning, shorter recess periods, ever-increasing hours of television watching, the growing popularity of video games, and carefully scripted after-school activities, many children in south Louisiana sustain traditional games. At the same time, they invent varied and clever new ones. As Soileau observes, children strive through their folk play to learn how to fit into a rapidly changing society.
Be in on the joke with this collection of nerdy humor about everything from science to philosophy (complete with explanations) . . . Could anything be more satisfying than getting a joke that flies over the heads of most people in the room? Genius Jokes is a comprehensive collection of wit and wisecracks that will have even the smartest cookie rolling in the aisles. It not only supplies smart jokes about academic subjects like history, science, language, math, psychology, and more—it also provides detailed explanations of the concepts and historical figures the jokes are based on . . . so even if it’s a joke in your worst subject or a class you dropped in week two, you’ll at least know why it’s funny. Impress your friends, family, in-laws, professors, or brilliant love interest, and never laugh at a joke you don’t quite get. With Genius Jokes, you’ll bend minds and split sides with the best!
“Who would black women get to be if we did not have to create from a place of resistance?” Hip Hop Womanist writer and theologian EbonyJanice’s book of essays center a fourth wave of Womanism, dreaming, the pursuit of softness, ancestral reverence, and radical wholeness as tools of liberation. All The Black Girls Are Activists is a love letter to Black girls and Black women, asking and attempting to offer some answers to “Who would black women get to be if we did not have to create from a place of resistance?” by naming Black women’s wellness, wholeness, and survival as the radical revolution we have been waiting for. About the Author: EbonyJanice is a dynamic lecturer, transformational speaker, passionate multi-faith preacher, and creative focused on Decolonizing Authority, Hip Hop Scholarship, Womanism as a Political and Spiritual/Religious tool for Liberation, Blackness as Religion, Dialogue as central to professional development and personal growth, and Women and Gender Studies focused on black girlhood. EbonyJanice holds a B.A. in Cultural Anthropology and Political Science and a Master of Arts in Social Change with a concentration in Spiritual Leadership, Womanist Theology, and Racial Justice. She is the founder of Black Girl Mixtape, a multi-platform safe think-space centering the intellectual and creative authority of black women in the form of a lecture series, an online learning institute, and a creative collaborative. EbonyJanice is also the founder of Dream Yourself Free, a Spiritual Mentoring project focused on black women's healing, dreaming, ease, play, and wholeness as their activism and resistance work.