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(Boosey & Hawkes Voice). This landmark publication collects arias and role excerpts from operas by John Adams, Benjamin Britten, Carlisle Floyd, Richard Strauss, and many other composers published by Boosey & Hawkes. Includes extensive plot notes and translations. The baritone/bass volume also includes nine arias for bass or bass-baritone. CONTENTS FOR BARITONE: John Adams: DOCTOR ATOMIC: Batter my heart * A FLOWERING TREE: Storyteller's Aria * NIXON IN CHINA: News has a kind of mystery * Mister Premier * Dominick Argento: THE ASPERN PAPERS: What a yielding nature she has * CASANOVA'S HOMECOMING: You have already heard one sermon tonight * MISS HAVISHAM'S FIRE: If in the years to come * A WATER BIRD TALK: The Lecturer (Theme) * Leonard Bernstein: MASS: A Simple Song * Benjamin Britten: ALBERT HERRING: The Vicar's Aria (Virtue, says Holy Writ) * Tickling a trout * Churchyard's agog with a crowd of folk * BILLY BUDD: Billy Budd, king of the birds! * Billy's Farewell (Look! Through the port comes the moonshine astray!) * GLORIANA: Cecil's Report Cecil's Song of Government * A MIDSUMMER NIGHT'S DREAM O Helen, goddess * THE RAPE OF LUCRETIA: Lucretia! I'm sick of that name! Tarquinius's Aria (Within this frail crucible of light) * Carlisle Floyd: OF MICE AND MEN: George's Aria (You bet it's gonna be diff'rent) * WILLIE STARK: We all come out of the earth * John Gay, realized by Benjamin Britten: THE BEGGAR'S OPERA: Thus Gamesters united in friendship * Sergei Rachmaninoff: ALEKO: Aleko's Cavatina * FRANCESCA DA RIMINI: Lanceotto's Aria * Ned Rorem: OUR TOWN: When I got married * Richard Strauss: ARABELLA: Nimmst einen Fiaker * Sie gibt mir keinen Blick * ARIADNE AUF NAXOS: Lieben, Hassen, Hoffen, Zagen * Igor Stravinsky: THE RAKE'S PROGRESS: Come, master * I burn! I freeze! CONTENTS FOR BASS-BARITONE AND BASS: John Adams: DOCTOR ATOMIC: Teller's Aria * Dominick Argento: THE SHOEMAKERS' HOLIDAY: Simon's Aria * Leonard Bernstein: TROUBLE IN TAHITI: There's a Law * Benjamin Britten: BILLY BUDD: Claggart's Aria * GLORIANA: Raleigh's Song * A MIDSUMMER NIGHT'S DREAM: Bottom's Dream * Carlisle Floyd: COLD SASSY TREE: I've known I loved you * SUSANNAH: Hear me, O Lord * I'm a lonely man, Susannah
(Boosey & Hawkes Voice). This landmark publication collects arias and role excerpts from operas by John Adams, Benjamin Britten, Carlisle Floyd, Richard Strauss, and many other composers published by Boosey & Hawkes. Includes extensive plot notes and translations. The soprano volume also includes ten arias for coloratura. CONTENTS FOR SOPRANO: John Adams: DOCTOR ATOMIC: Am I in your light? * NIXON IN CHINA: I don't daydream * Dominick Argento: THE BOOR: The Widow's Aria * CASANOVA'S HOMECOMING: Though absent from these ears and eyes * THE VOYAGE OF EDGAR ALLAN POE: Virginia's Aria * Leonard Bernstein: A QUIET PLACE: Dede's Aria * Benjamin Britten: ALBERT HERRING: I'm full of happiness * Miss Wordsworth's Aria * GLORIANA: The Dressing-Table Song * The Queen's Dilemma * A MIDSUMMER NIGHT'S DREAM: Injurious Hermia * PETER GRIMES: Let her among you without fault * Embroidery Aria * THE TURN OF THE SCREW: How beautiful it is * Lost in my labryrinth * Aaron Copland: THE TENDER LAND: Laurie's Song * Carlisle Floyd: COLD SASSY TREE: Rented rooms * OF MICE AND MEN: Curly's Wife's Aria * SUSANNAH: Ain't it a pretty night * The trees on the mountains * WUTHERING HEIGHTS: I've dreamt in my life * John Gay, realized by Benjamin Britten: THE BEGGAR'S OPERA: I'm like a skiff on the ocean tossed * When young at the bar...Ungrateful Macheath! * Henry Purcell, realized and edited by Benjamin Britten and Imogen Holst: DIDO AND AENEAS: Oft she visits this lov'd mountain * Thanks to these lonesome vales * Sergei Rachmaninoff: FRANCESCA DA RIMINI: Francesca's Aria * Ned Rorem: OUR TOWN: Emily's Aria * Richard Strauss: ARABELLA: Das war sehr gut, Mandryka * ARIADNE AUF NAXOS: Es gibt ein Reich * CAPRICCIO: Kein Andres, das mir so im Herzen loht (Letzte Szene/Final Scene) * DER ROSENKAVALIER: Da geht er hin (Monolog der Marschallin/Marschallin's Monologue) * Igor Stravinsky: THE RAKE'S PROGRESS: No word from Tom...I go to him CONTENTS FOR COLORATURA SOPRANO: John Adams: NIXON IN CHINA: I am the wife of Mao Tsetung * Dominick Argento: MISS HAVISHAM'S FIRE: I see in you a looking glass * POSTCARD FROM MOROCCO: Lady with a Hand Mirror Aria * Jack Beeson: CAPTAIN JINKS OF THE HORSE MARINES: Aurelia's Aria * Leonard Bernstein: CANDIDE: Glitter and Be Gay * Benjamin Britten: A MIDSUMMER NIGHT'S DREAM: Come, now a roundel * Be kind and courteous * Richard Strauss: ARABELLA: Die Wiener Herrn verstehn sich * ARIADNE AUF NAXOS: Grossmatige Prinzessin * Igor Stravinsky: LE ROSSIGNOL: Chanson du Rossignol
(Vocal Collection). Contents: Handel: V'adoro pupille (Giulio Cesare) Mozart: Porgi, amor (Le Nozze di Figaro) * Dove sono (Le Nozze Figaro) * Deh vieni, non tardar (Le Nozze di Figaro) * Bester Jungling (Der Schauspieldirektor) * Batti, batti, bel Masetto (Don Giovanni) * Vedrai carino (Don Giovanni) * Ach, ich fuhl's (Die Zauberflote) Beethoven: O war' ich schon mit dir vereint (Fidelio) C.M. von Weber: Kommt ein schlanker Bursch gegangen (Der Freischutz) Verdi: Caro nome (Rigoletto) * Saper vorreste (Un Ballo in Maschera) * Sul fil d'un soffio etesio (Falstaff) Gounod: The Jewel Song (Faust) * Ah! Je veux vivre (Romeo et Juliette) Bizet: Je dis que rien ne m 'epouvante (Carmen) Offenbach: Elle a fui, la tourterelle! (Les Contes d'Hoffmann) Massenet: Adieu, notre petite table (Manon) Leoncavallo: Ballatella (I Pagliacci) Puccini: Mi chiamano Mimi (La Boheme) * Donde lieta (La Boheme) * Quando men vo (La Boheme) * Un bel di (Madama Butterfly) * O mio babbino caro (Gianni Schicchi) * Signore, ascolta (Turandot) * Tu che di gel sei cinta (Turandot) Menotti: The Black Swan (The Medium) * Monica's Waltz (The Medium) Moore: Willow Song (The Ballad of Baby Doe) * The Silver Aria (The Ballad of Baby Doe) Mechem: Fair Robin, I love (Tartuffe).
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(Boosey & Hawkes Voice). This landmark publication collects arias and role excerpts from operas by John Adams, Benjamin Britten, Carlisle Floyd, Richard Strauss, and many other composers published by Boosey & Hawkes. Includes extensive plot notes and translations. CONTENTS: John Adams: THE DEATH OF KLINGHOFFER: I must have been hysterical * DOCTOR ATOMIC: Am I in your light? * Past fierce and tossing skies * EL NINO: La anunciacion * Dominick Argento: THE ASPERN PAPERS: On the stroke of midnight! * CASANOVA'S HOMECOMING: Bellino's Aria * Madame d'Urfe's Aria * THE DREAM OF VALENTINO: Nazimova's Aria * Was it truly destiny * MISS HAVISHAM'S FIRE: Estella's Aria * A POSTCARD FROM MOROCCO: A Foreign Singer's Aria * Leonard Bernstein: MASS: Thank You * TROUBLE IN TAHITI: There is a garden * What a movie! * Benjamin Britten: ALBERT HERRING: Doctor Jessop's midwife * What would Missus Herring say? * A MIDSUMMER NIGHT'S DREAM: Lysander, Help me Lysander * THE RAPE OF LUCRETIA: Give him this orchid * Is it all? * She sleeps as a rose upon the night * Aaron Copland: THE TENDER LAND: Ma's Song * Carlisle Floyd: WUTHERING HEIGHTS: Take off that frown * John Gay, realized by Benjamin Britten: THE BEGGAR'S OPERA: Thus when a good housewife sees a rat...How cruel are the traytors * Henry Purcell, realized by Benjamin Britten and Imogen Holst: DIDO AND AENEAS: Ah, Belinda, I am prest with torment * When I am laid in earth * Ned Rorem: MISS JULIE: Wind around me like Satan's snake * Richard Strauss: ARIADNE AUF NAXOS: Sein wir wieder gut * DER ROSENKAVALIER: Wie Du warst! * Igor Stravinsky: MAVRA: The Mother's Aria * OEDIPUS REX: Nonn' erusbeskite, reges * THE RAKE'S PROGRESS: As I was saying...Scorned! Abused! * Sold! Annoyed!
(Boosey & Hawkes Voice). This landmark publication collects arias and role excerpts from operas by John Adams, Benjamin Britten, Carlisle Floyd, Richard Strauss, and many other composers published by Boosey & Hawkes. Includes extensive plot notes and translations. CONTENTS: John Adams: A FLOWERING TREE: Her arms have the beauty * NIXON IN CHINA: Platonic men * Dominick Argento: CASANOVA'S HOMECOMING: Gondolier's Song * THE DREAM OF VALENTINO: Now I know * Valentino's Aria * POSTCARD FROM MOROCCO: Once when I was a young man * Leonard Bernstein: CANDIDE: Bon Voyage * Benjamin Britten: ALBERT HERRING: The Mayor's Aria * Albert the Good! * O go, Go! Go away! * BILLY BUDD: I accept their verdict * Gloriana: First Lute Song * Second Lute Song * A Midsummer Night's Dream: Asleep my Love? * Peter Grimes: They listen to money * Now the Great Bear and Pleiades * In dreams I've built myself * THE RAPE OF LUCRETIA: Rome is now ruled * Tarquinius does not dare * THE TURN OF THE SCREW: It is a curious story * Miles! * Aaron Copland: THE TENDER LAND: Martin's Song * Carlisle Floyd: COLD SASSY TREE: So there you were * Sometimes th' pain of missin' him * OF MICE AND MEN: Lennie's Aria (Oh, I feel cold inside) * WUTHERING HEIGHTS: Then marry me, Cathy * John Gay, realized by Benjamin Britten: The Beggar's Opera: O cruel, cruel case! * Sergei Prokofiev: L'Amour des Trois Oranges: Il est drole, le Prince! * Sergei Rachmaninoff: Aleko: Young Gypsy's Romance * Ned Rorem: Our Town: The Stage Manager's Aria (We're all coming up here) * Richard Strauss: Arabella: Ich hab's geschworen * ARIADNE AUX NAXOS: Im Gegenteil * CAPRICCIO: Das Sonett (Kein Andres, das mir so im Herzen loht) * DER ROSENKAVALIER: Di rigori armato il seno * Igor Stravinsky: MAVRA: Hussar's Aria * THE RAKE'S PROGRESS: Here I stand * Love, too frequently betrayed * Vary the song * Sellem's Auction Scene * I have waited * Mark-Anthony Turnage: ANNA NICOLE: Valium, prozac
(Vocal Collection). The G. Schirmer Opera Anthology series revolutionized opera aria study after its release in 1991. There are so many wonderful soprano arias that a second volume was warranted. The music is predominantly for lyric soprano. As in the original volumes, these are new, clean editions, with historical and plot information about each of the 32 arias included.
A nationally recognized expert in teaching private voice, Joan Boytim has compiled some of the most widely used vocal collections in the US. Her clinics about various aspects of teaching voice, literature, and running a voice studio have been attended by thousands of teachers. Now that professional wisdom has been put into a new book indispensible for independent instructors, The Private Voice Studio Handbook. Its chapters address, in practical detail, topics such as - starting a private voice studio; equipment and space; recruiting and accepting students; ideas for the very first lesson with a student; studio policies, guidelines and ethics; teaching music reading; recommended syllable drills and vocalises; lesson plans; practice procedures; choosing repertoire suitable to students' abilities; finding appropriate sacred solos; accounting and record-keeping; tax, insurance and retirement advice; techniques for teaching voice to children and adults; planning studio recitals; and many more. An excellent resource for college and university voice faculty.