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The Great War: From Memory to History offers a new look at the multiple ways the Great War has been remembered and commemorated through the twentieth century and into the twenty-first. Drawing on contributions from history, cultural studies, film, and literary studies this collection offers fresh perspectives on the Great War and its legacy at the local, national, and international levels. More importantly, it showcases exciting new research on the experiences and memories of “forgotten” participants who have often been ignored in dominant narratives or national histories. Contributors to this international study highlight the transnational character of memory-making in the Great War’s aftermath. No single memory of the war has prevailed, but many symbols, rituals, and expressions of memory connect seemingly disparate communities and wartime experiences. With groundbreaking new research on the role of Aboriginal peoples, ethnic minorities, women, artists, historians, and writers in shaping these expressions of memory, this book will be of great interest to readers from a variety of national and academic backgrounds.
“Harry Turtledove [is] probably the best-known practitioner of alternate history working today.”—American Heritage The year is 1915, and the world is convulsing. Though the Confederacy has defeated its northern enemy twice, this time the United States has allied with the Kaiser. In the South, the freed slaves, fueled by Marxist rhetoric and the bitterness of a racist nation, take up the weapons of the Red rebellion. Despite these advantages, the United States remains pinned between Canada and the Confederate States of America, so the bloody conflict continues and grows. Both presidents—Theodore Roosevelt of the Union and staunch Confederate Woodrow Wilson—are stubbornly determined to lead their nations to victory, at any cost. . .
This volume continues the recent trend towards expanding definitions of war experience through considering a range of different landscapes and voices. Not all landscapes were comprised of trenches and barbed wire. Voices, supporting or dissenting, were many and varied. Collectively, they combine to offer fresh insights into the multiplicity of war experience, alternate spaces to the familiar tropes of mud and mayhem.
It is very hard to endure the bombs, Father. It will be difficult for anyone to survive and come back safe and sound from the war. The son who is very lucky will see his father and mother... (Extract from a letter by an Indian soldier serving in France, written on 14 January 1915 to his father) The Great War, as the First World War was referred to, saw the service of over 1.3 million Indians, of whom 74,000 never made it back home. For their families, the War was something they could not fully fathom. Soldiers from the Indian subcontinent won over 12,908 awards for bravery, including 11 Victoria Crosses. Yet this unprecedented show of valour by Indian soldiers remains largely unsung and unrecognised-particularly in India. Commemorating hundred years of the end of the First World War, this volume brings together diverse voices-Rabindranath Tagore, Mulk Raj Anand, Sarojini Naidu, Mohamed Ali, Chandradhar Sharma Guleri and many more-that reflect a variety of attitudes among Indians towards the War. Included too are Rakhshanda Jalil's original translations of the works of Urdu poets of the time capturing their responses to the War. This volume of writings, originally written in Urdu, Hindi, Bengali and English, attempts to recognise and remember the contribution of the unknown soldiers to the Great War.
Since the Armistice, a vast literature has been produced on the First World War and its repercussions. In this 2005 book, two leading historians from the United States and France have produced a fully comparative analysis of the ways in which this history has been written and interpreted. The book identifies three generations of historians, literary scholars, film directors and writers who have commented upon the war. Through a thematic structure, it assesses not only diplomatic and military studies but also the social and cultural interpretations of the Great War as seen primarily through the eyes of French, German and British writers. It provides a fascinating case study of the practice of history in the twentieth century and of the enduring importance of the national lens in shaping historical narrative. This interesting study will prove invaluable reading to scholars and students in history, war studies, European history and international relations.
Literature is at the heart of popular understandings of the First World War in Britain, and has perpetuated a popular memory of the conflict centred on disillusionment, horror and futility. This book examines how and why literature has had this impact, exploring the role played by authors, publishers and readers in constructing the memory of the war since 1918. It demonstrates that publishers were as influential as authors in shaping perceptions of the conflict, and it provides a detailed analysis of critical and popular responses to war books, tracing the evolution of readers' attitudes to the war between 1918 and 2014. By exploring the cultural legacy of the war from these two previously overlooked perspectives, Vincent Trott offers fresh insights regarding the emergence of a collective memory of the First World War in Britain. Drawing on a broad range of primary source material, including publishers' correspondence, dust jackets, adverts, book reviews and diary entries, and examining canonical authors such as Wilfred Owen, Siegfried Sassoon and Vera Brittain alongside long-forgotten texts and more recent autobiographical works by Harry Patch and Henry Allingham, Publishers, Readers and the Great War provides a rich and nuanced analysis of the climate within which First World War literature was written, published and received since 1918.
Choice Magazine Outstanding Academic Titles of the Year for 2017 "A uniquely colorful chronicle of this dramatic and convulsive chapter in American--and world--history. It's an epic tale, and here it is wondrously well told." --David M. Kennedy, Pulitzer Prize-winning historian and author of FREEDOM FROM FEAR From August 1914 through March 1917, Americans were increasingly horrified at the unprecedented destruction of the First World War. While sending massive assistance to the conflict's victims, most Americans opposed direct involvement. Their country was immersed in its own internal struggles, including attempts to curb the power of business monopolies, reform labor practices, secure proper treatment for millions of recent immigrants, and expand American democracy. Yet from the first, the war deeply affected American emotions and the nation's commercial, financial, and political interests. The menace from German U-boats and failure of U.S. attempts at mediation finally led to a declaration of war, signed by President Wilson on April 6, 1917. America and the Great War commemorates the centennial of that turning point in American history. Chronicling the United States in neutrality and in conflict, it presents events and arguments, political and military battles, bitter tragedies and epic achievements that marked U.S. involvement in the first modern war. Drawing on the matchless resources of the Library of Congress, the book includes many eyewitness accounts and more than 250 color and black-and-white images, many never before published. With an introduction by Pulitzer Prize–winning historian David M. Kennedy, America and the Great War brings to life the tempestuous era from which the United States emerged as a major world power.
Memory, Narrative and the Great War examines the varied and complex war writings of Patrick MacGill within a contemporary framework. David Taylor tracks how MacGill shifted from heroic wartime narratives in his autobiographical writings to the pessimistic, guiltridden characters in his postwar novel, Fear!, and play, Suspense. Using these texts to show how MacGill remembered and reremembered his wartime experiences, Taylor analyzes MacGill's writings with implications for a broader interpretation of Great War literature, highlighting wartime memory and narrative as an ever-changing kaleidoscope in which pieces of memory take on different—but equally valid—shapes with the passing of time.
Includes index . bibliography, p. [333] - 347.