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Romance stars Lisa Kleypas, Lorraine Heath, Megan Frampton, and Vivienne Lorret prove in this collection of stories that love is the most magical during Christmas… "I Will" by Lisa Kleypas To be reinstated into his father’s will, Andrew, Lord Drake, must court a respectable woman-his friend’s spinster sister, Miss Caroline Hargreaves. After he blackmails Caroline into helping him, the charade begins-but is it really a charade once love takes hold of their hearts…? "Deck the Halls With Love" by Lorraine Heath Alistair Wakefield, the Marquess of Chetwyn, devastated Lady Meredith Hargreaves when he proposed to another. But when he becomes free to pursue her, it’s too late for she’s on her way to the altar….. As Christmas approaches, Chetwyn vows to lure Lady Meredith back into his arms. "No Groom at the Inn" by Megan Frampton James Archer detests his mother’s matchmaking ways. When ordered to attend a Christmastime house party filled with simpering maidens, he produces a fiancée-Lady Sophronia Bettesford. James and Sophronia pretend to be in love for one month. But their pact soon turns into love. "The Duke’s Christmas Wish" by Vivienne Lorret To the Duke of Vale, science solves everything-even marriage. When the impulsive Ivy Sutherland makes him question all of his data, he realizes that he’s overlooked a vital component in his search for the perfect match: love. Four previously published stories together for the first time.
For novice and first-time theatre producers at all levels, but especially in community and regional theatre. Offers how-tos on the fundamentals of every aspect of production.
How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)
An accessible introduction for students and theatregoers of Chicano theatre, first published in 2000.
A practical guide to using theatre games for actor training which includes a DVD with original footage of the author putting the techniques into action.
A classic historical romance novel from New York Times bestseller Lisa Kleypas (“One of today’s leading lights in romantic fiction” —Seattle Times), Because You’re Mine is a breathtaking tale of romantic intrigues and uncontained passions that showcases this acclaimed author at her very best. Returning to Regency Era London, Kleypas weaves a sensuous tale of a lovely intriguer’s attempts to seduce a notorious seducer in order to save herself from an unwanted prearranged marriage—only to have true love complicate the affair. This is emotional, sensual, absolutely superb storytelling from a multiple RITA Award-winning historical romance superstar that any serious fan of top-quality love stories must not miss.
The Routledge Companion to Performance Practitioners collects the outstanding biographical and production overviews of key theatre practitioners first featured in the popular Routledge Performance Practitioners series of guidebooks. Each of the chapters is written by an expert on a particular figure, from Stanislavsky and Brecht to Laban and Decroux, and places their work in its social and historical context. Summaries and analyses of their key productions indicate how each practitioner's theoretical approaches to performance and the performer were manifested in practice. All 22 practitioners from the original series are represented, with this volume covering those born before the end of the First World War. This is the definitive first step for students, scholars and practitioners hoping to acquaint themselves with the leading names in performance, or deepen their knowledge of these seminal figures.
Modern Asian Theatre and Performance 1900 – 2000 is a ground-breaking survey, tracking the advent of modern drama in Japan, India, China, Korea and Southeast Asia. It considers the shaping power of realism and naturalism, the influence of Western culture, the relationship between theatrical modernisation and social modernisation, and how theatre operates in contemporary Asian society. Organised by period, nation and region, each chapter provides: ·a historical overview of the culture; ·an outline of theatre history; ·a survey of significant playwrights, actors, directors, companies, plays and productions. With contributions from an international team of scholars, this authoritative introduction will uniquely equip students and scholars with a broad understanding of the modern theatre histories of Asia.
How can we rethink the importance of voice in performance? How can we understand voice simultaneously as music and text, as sound and body, or as both personal and political? This book explores voice across genres, media and cultures, inviting the reader to reassess established ways of analysing, enjoying and listening to voice. Using a wide range of case studies integrated with critical and philosophical frameworks, it makes audible the multiple ways in which voice contributes to how we perform identities. From opera and musical theatre to live art and immersive audio walks, Konstantinos Thomaidis presents voice as plural, elusive and ripe for reinvention.