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This book presents the first commentary on the whole of [Tibullus] 3 in English. It consists of a text, translation, introduction and commentary. The text rests on the author’s autopsy of the most important manuscripts of [Tibullus]. The prose translation is as literal as possible, in order to bring out clearly the meaning of the Latin. The detailed line-by-line commentary serves to clarify the language and literary associations of the poems and to back up the theory that the whole work was composed by a single unitary author. It argues that what were previously thought of as separate sections of the book, composed by different authors at different times, were in fact the product of a single anonymous poet impersonating, or adopting the mask of, different characters in each section: Lygdamus (poems 1-6), a young Tibullus (7), a commentator on Sulpicia’s affair with Cerinthus (8-12), Sulpicia (13-18) and Tibullus (19-20). The close connections and associations between these different sections and their use of the same Augustan intertexts are shown to favour a unitary interpretation of the work. The main literary inspiration for the work, this volume argues, comes from the elegists of the Augustan period, but its date of composition could have been late in the first century AD, linking it with the other pseudepigraphical writings of this century such as the Virgilian and Ovidian Appendices.
Tibullus is considered one of the finest exponents of Latin lyric in the golden age of Rome, during the Emperor Augustus’s reign, and his poetry retains its enduring beauty and appeal. Together these works provide an important document for anyone who seeks to understand Roman culture and sexuality and the origins of Western poetry. • The new translation by Rodney Dennis and Michael Putnam conveys to students the elegance and wit of the original poems. • Ideal for courses on classical literature, classical civilization, Roman history, comparative literature, and the classical tradition and reception. • The Latin verses will be printed side-by-side with the English text. • Explanatory notes and a glossary elucidate context and describe key names, places, and events. • An introduction by Julia Haig Gaisser provides the necessary historical and social background to the poet’s life and works. • Includes the poems of Sulpicia and Lygdamus, transmitted with the text of Tibullus and formerly ascribed to him.
This volume presents essays written in honour of Robert Maltby, Emeritus Professor of Latin at the University of Leeds. It offers a rich collection of modern scholarship covering a wide range of literary genres in Latin literature, spanning from Augustan times up to the Italian Renaissance. The value of this volume lies in its inclusion of new interpretations of well-discussed texts from the past, shedding light on texts that have recently garnered scholarly attention and sparked lively discussions. Fifteen essays reflect the main areas of scholarship and interests of the honoree in a variety of Roman literary genres, with special focus on the Corpus Tibullianum, but also on etymologising and textual criticism. The collection is not exclusively intended for classicists, historical linguists, and textual critics. By providing insightful discussions and fresh interpretations of themes and issues in Latin literature from a contemporary perspective, it also appeals to anyone interested in Mediterranean studies, the socio-cultural aspects of literature, and comparative literature.
A Companion to Roman Love Elegy is the first comprehensive work dedicated solely to the study of love elegy. The genre is explored through 33 original essays thatoffer new and innovative approaches to specific elegists and the discipline as a whole. Contributors represent a range of established names and younger scholars, all of whom are respected experts in their fields Contains original, never before published essays, which are both accessible to a wide audience and offer a new approach to the love elegists and their work Includes 33 essays on the Roman elegists Catullus, Tibullus, Propertius, Sulpicia, and Ovid, as well as their Greek and Roman predecessors and later writers who were influenced by their work Recent years have seen an explosion of interest in Roman elegy from scholars who have used a variety of critical approaches to open up new avenues of understanding
Focusing on the representation of the Augustan poet Sulpicia in commentaries, this book investigates the interpretative strategies involved in the reading of an ancient text. Mathilde Skoie discusses a selection of commentaries from the Renaissance to the present day, combining the history ofclassical scholarhip, philology, feminist literary theory, and reception theory.The six short love poems of Sulpicia (Corpus Tibullianum 3. 13-18) have, throughout history, been the subject of numerous different interpretations and judgements. The poems' ambivalent status as poetry, the uncertainties surrounding authorship, the female intrusion in a male-dominated world, andquestions about canon and 'feminine Latin' are some of the many issues that make them interesting for an investigation of classical scholarship. The poems can thus be used as a showcase for how commentaries are an interpretative and historically situated genre.Reading Sulpicia is the first monograph on Sulpicia and her reception, and thereby fills a gap in the literature concerning both reception studies and the study of Sulpicia herself.
This volume is an in-depth study of the short poetic cycle of Lygdamus, one of the authors included in Book III of the Corpus Tibullianum. The Introduction analyzes the controversial quaestio Lygdamea (identity and dating of the poet), the relationship between Lygdamus and his beloved, Neaera, the incorporation of his poems into the Corpus Tibullianum, and the manuscript tradition. This is followed by a rigorous critical edition (taking fully into account the earliest editions and conjectures). Finally, there is a detailed and exhaustive line-by-line and word-by-word commentary on each poem, paying particular attention to elegiac terms and motifs. This is the first comprehensive study of the work of Lygdamus, considered as a poet with his own literary identity.
Tibullus is one of the three great Roman elegists. In this volume, the award-winning poet A. M. Juster provides a faithful and stylish new translation of his major work, with parallel Latin text. The Introduction considers Tibullus' poems in the context of classical elegy and in particular the elegies of his contemporaries, Ovid and Propertius, and discusses the influence of his patron Messalla in the reign of Augustus. Finally, Maltby's comprehensive notes explain topical, literary, and mythological allusions and identify major themes. About the Series For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
Provides the necessary context to read elegiac and lyric poetry, designed for novice and experienced Classics and Latin students alike A Guide to Latin Elegy and Lyric explores the language of Latin poetry while helping readers understand the socio-cultural context of the remarkable period of Roman literary history in which the poetry was composed. With an innovative approach to this important area of classical scholarship, the authors treat elegy alongside lyric as they cover topics such as the Hellenistic influences on Augustan poetry, the key figures that shaped the elegiac tradition of Rome, the motifs of militia amoris ("the warfare of love") and servitium amoris (“the slavery of love”) in Latin love elegy, and more. Organized into ten chapters, the book begins with an introduction to the literary, political, and social contexts of the Augustan Age. The next six chapters each focus on an individual lyric and elegiac poet—Catullus, Horace, Tibullus, Propertius, Ovid, and Sulpicia—followed by a survey of several lesser-known poets and post-Augustan elegy and lyric. The text concludes with a discussion of major tropes and themes in Latin elegy and lyric, and an overview and analysis of key critical approaches in current scholarship. This volume: Includes full translations alongside the Latin throughout the text to illustrate discussions Analyzes recurring themes and tropes found in Latin poetry such as sexuality and gender, politics and patronage, myth and religion, wealth and poverty, empire, madness, magic, and witchcraft Reviews modern critical approaches to elegiac and lyric poetry including autobiographical realism, psychoanalysis, narratology, reception, and decolonization Includes helpful introductory sections: "How to Read a Latin Elegiac or Lyric Poem" and "How to Teach a Latin Elegiac and Lyric Poem" Provides information about each poet, an in-depth discussion of some of their poetry, and cultural and historical background Features a dedicated chapter on Sulpicia, offering readers an ancient female viewpoint on sex and gender, politics, and patronage Part of the acclaimed Blackwell Guides to Classical Literature series, A Guide to Latin Elegy and Lyric is the perfect text for both introductory and advanced courses in Latin elegy and lyric, accessible for students reading the poetry in translation, as well as for those experienced in Latin with an interest in learning a different approach to the subject.