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A soothing Hebrew lullaby takes on added meaning for a refugee family in this visually stunning debut. As the moon rises, a family steps into the night on a journey toward a new beginning. Along the way, their little girl delights in the wonders of nature, saying good night--lilah tov--to the creatures and landscapes they pass. Wherever she looks--on land, in the sky above and even, eventually, in the water below her boat--there are marvels to behold. "Lilah tov to the birds in the trees, lilah tov to the fish in the sea." Then, when their travels are finally over, her parents tuck her in tight, safe and ready for dreams in their new home. This lyrical lullaby celebrates the beauty of our world and the spirit of resilience in a refugee family.
Lilah's Anger Diary, March 26th Anger levels: 11/10 I'm Lilah May and I'm ANGRY. So angry that I'm about to be excluded from school, my parents can't control me, and only one person in the world understands me. And that's my best friend, Bindi. I haven't always been this way. It all started with my brother Jay. And what no one realises is that it's all my fault. By the award-winning author of Zelah Green, Queen of Clean.
“This is who I am. This is what I want. Now I need a man dangerous enough to give it to me.” Graduate student Vivienne Charles is afraid of her own desires—ashamed to admit that she fantasizes about being taken by force, by a man who will claim her completely and without mercy. When the magnetic, mysterious Jonah Marks learns her secret, he makes an offer that stuns her: they will remain near-strangers to each other, and meet in secret so that he can fulfill her fantasy. Their arrangement is twisted. The sex is incredible. And—despite their attempts to stay apart—soon their emotions are bound together as tightly as the rope around Vivienne’s wrists. But the secrets in their pasts threaten to turn their affair even darker... Reader Advisory: Asking for It deals explicitly with fantasies of non-consensual sex. Readers sensitive to portrayals of non-consensual sex should be advised.
I can't be with those who throw stones at women and children.It's beyond me.Beyond my love for Ezra.Beyond my respect for God. In 397 BC, in Susa, the opulent capital of the Persian empire, where the Jews are living in exile, young Lilah is destined for a happy life: she is due to marry Antinoes, a great Persian warrior well known at the king's court.But her beloved brother Ezra, with whom she has been close since childhood, is opposed to this marriage with a foreigner.If Lilah insists, she will have to renounce Ezra, and that is something she cannot do, for she senses that he has been chosen by God to lead the exiled Jews to Jerusalem and, after centuries of displacement, revive the laws of Moses: laws which promote justice and give human life a meaning. Abandoning the promise of a golden future, Lilah urges her brother to leave for Jerusalem and gives him new hope that a return to the Promised Land is possible. But Ezra, blinded by faith, orders the rejection of all foreign wives. At the risk of losing the one person she still has left in her life, Lilah opposes her brother's fanaticism, thereby ensuring the survival of the women and children condemned to leave the city. But her opposition comes at great personal cost . . . Lilah concludes Marek Halter's trilogy about Biblical heroines. Sarah, Abraham's barren wife, brought her personal destiny to bear in the creation of a new religion. Zipporah, Moses wife, fought against racism and exclusion. By speaking out against religious extremism, of which women are the first victims, Lilah proves herself a champion of freedom.
As an FBI profiler, it’s Lilah Love’s job to think like a killer. And she is very good at her job. When a series of murders surface—the victims all stripped naked and shot in the head—Lilah’s instincts tell her it’s the work of an assassin, not a serial killer. But when the case takes her back to her hometown in the Hamptons and a mysterious but unmistakable connection to her own life, all her assumptions are shaken to the core. ​Thrust into a troubled past she’s tried to shut the door on, Lilah’s back in the town where her father is mayor, her brother is police chief, and she has an intimate history with the local crime lord’s son, Kane Mendez. The two share a devastating secret, and only Kane understands Lilah’s own darkest impulses. As more corpses surface, so does a series of anonymous notes to Lilah, threatening to expose her. Is the killer someone in her own circle? And is she the next target? The Lilah Love Series: Murder Notes Murder Girl Love Me Dead Love Kills Bloody Vows Bloody Love Happy Death Day
Aria White is known as the most skilled assassin in the underground world. Her father is known for being one of the top five most powerful illegal bosses. Ace De Luca on the other hand is a whole different game. He is ruthless, controlling, and almost as lethal as fire. He likes to play games with people before he breaks them into the palm of his hand. Both Ace and Aria cross paths unexpectedly but when a flame lits between them, will they both get burned?
Winner of the National Book Critics Circle Award National Book Award Finalist A new American classic from the Pulitzer Prize-winning author of Gilead and Housekeeping Marilynne Robinson, one of the greatest novelists of our time, returns to the town of Gilead in an unforgettable story of a girlhood lived on the fringes of society in fear, awe, and wonder. Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church-the only available shelter from the rain-and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister, John Ames, and begins a new existence while trying to make sense of the life that preceded her newfound security. Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood. Together they crafted a life on the run, living hand to mouth with nothing but their sisterly bond and a ragged blade to protect them. Despite bouts of petty violence and moments of desperation, their shared life was laced with moments of joy and love. When Lila arrives in Gilead, she struggles to reconcile the life of her makeshift family and their days of hardship with the gentle Christian worldview of her husband which paradoxically judges those she loves. Revisiting the beloved characters and setting of Robinson's Pulitzer Prize-winning Gilead and Home, a National Book Award finalist, Lila is a moving expression of the mysteries of existence that is destined to become an American classic.
17-year-old Lila has two secrets she's prepared to take to the grave. The first is that she can move things just by looking at them. The second is that she's been in love with her brother's best friend, Alex, since forever. After a mugging exposes her unique ability, Lila decides to run to the only people she can trust - her brother and Alex. They live in Southern California where they work for a secret organisation called The Unit, and Lila discovers that the two of them are hunting down the men who murdered her mother five years before. And that they've found them. In a world where nothing and no one is quite as they seem, Lila quickly realises that she is not alone - there are others out there just like her - people with special powers -and her mother's killer is one of them…
FBI agent Lilah Love leads a complicated life. She's engaged to Kane Mendez, a man most call dangerous, but hey birds of a feather, do flock together. She's dangerous, too, and in ways only Kane understands. As for their happily ever after, well that might have to wait. Right now, an old enemy who should be dead is still living, Junior, her mystery letter writer, is stirring up trouble, and her family is trying to prove they're crazier than her. On top of that she has a new case: a dead woman in a bloody wedding dress. And since Lilah knows all too well there is no such thing as coincidence, clearly someone is sending her yet another message.
Three years ago, Ash's mom, Kristin, left home and never came back. Now, Ash lives in the house where Kristin grew up. All of her things are there. Her old room, her old clothes, and the shed, where she spent her childhood creating a fantasy world called Koretris. Ash knows all about Koretris: how it's a haven for girls, with no men or boys allowed, and filled with fanciful landscapes and creatures. When Ash's friends decide to try going to Koretris, using one of Kristin's spell books, Ash doesn't think anything will happen. But the spell works, and Ash discovers that the world Kristin created is actually a real place, with real inhabitants and very real danger. But if Koretris is real, why is Ash there? Everyone has always called Ash a boy. Ash uses he/him pronouns. Shouldn't the spell have kept Ash out? And what does it mean if it let Ash in?