Download Free Book Of Irish American Poetry Book in PDF and EPUB Free Download. You can read online Book Of Irish American Poetry and write the review.

This is the first major anthology of Irish American poetry. It breaks new ground by collecting for the first time the work of over two hundred Irish American poets, as well as other American poets whose work enjoins Irish American themes. The Book of Irish American Poetry draws together the best and most representative poetry by Irish Americans and about Irish America that has been written over the past three hundred years. Daniel Tobin begins with poetry of the populist period (poets such as John Boyle O'Reilly), and moves to the work of Irish Americans who have made an indelible imprint on American poetry: Robinson Jeffers, Marianne Moore, Louise Bogan, John Berryman, Thomas McGrath, Robert Creeley, Frank O'Hara, Ted Berrigan, Galway Kinnell, and Alan Dugan, among others. The anthology concludes with distinctive poems by contemporary Irish Americans whose work is likely to stand the test of time, such as Tess Gallagher, Brendan Galvin, and Brigit Pegeen Kelly. The Book of Irish American Poetry recovers many poets who have been forgotten and places already notable figures in American poetry within the context of a distinctively Irish American tradition. to come.
This is the first major anthology of Irish American poetry. It breaks new ground in the field of Irish American literary scholarship by collecting for the first time the work of over two hundred Irish American poets, as well as other American poets whose work enjoins Irish American themes. What does it mean to be an Irish American poet? The Book of Irish American Poetry answers this question by drawing together the best and most representative poetry by Irish Americans and about Irish America that has been written over the past three hundred years. The question is not merely rhetorical, claims Daniel Tobin in the introduction, for it raises the issue of a certain kind of imaginative identity that has rarely, if ever, been adequately explored. This anthology brings together exemplary poetry of the "populist period" of Irish American verse (in particular the work of poets such as John Boyle O'Reilly), with the work of those Irish Americans who have made an indelible imprint on American poetry: Robinson Jeffers, Marianne Moore, Louise Bogan, John Berryman, Thomas McGrath, John Montague, Robert Creeley, Frank O'Hara, Ted Berrigan, Charles Olson, Galway Kinnell, X. J. Kennedy, and Alan Dugan, among others. Finally, the anthology includes distinctive poems by contemporary Irish Americans whose work is most likely to stand the test of time: poets such as Tess Gallagher, Alice Fulton, Brendan Galvin, Marie Howe, Susan Howe, Billy Collins, Michael Ryan, Richard Kenney, and Brigit Pegeen Kelly. The poems in this collection cut across the broad spectrum of American poetry and place Irish Americans within every notable school of American poetry, from modernism to confessionalism and the Beats, from formalism to imagism, and from projectivism to the New York School and Language poets. The Book of Irish American Poetry recovers many poets who have been forgotten and places already notable figures in American poetry within the context of a distinctively Irish American tradition. This important work of literary scholarship will dominate the field for years to come.." . . A prodigious and remarkable work of literary scholarship. This anthology is far more than an original work of scholarship: it is a major act of recovery, which rescues from oblivion the work of important writers who have been the creators of the Irish American literary consciousness. Professor Tobin has achieved the invention of a whole new field. With publication of this anthology, we will finally understand both the scale and importance of Irish American poetry." --Eammon Wall, Jefferson Smurfit Professor of Irish Studies, University of Missouri-St. Louis "More than two hundred poets from the eighteenth century to now are represented in The Book of Irish American Poetry, some resurrected and restored, others seen anew from the perspective of Irish American studies, still others deservedly anthologized for the first time. Poet and editor Daniel Tobin demonstrates beyond question the length, depth, strength and variety of Irish American poetry. His anthology--complete with historical chronology, biographical and explanatory notes, and extensive bibliographies--is the first accurate map of a new territory." --Brendan Galvin, author of Habitat: New and Selected Poems, 1965-2005 "An informed and informing intelligence, Dan Tobin casts a wide net across the centuries of poetic engagement with Irish and American interaction. The result of his prodigious labor is an indispensable collection--often surprising in its discoveries and juxtapositions, always illuminating of crucial themes." --Charles Fanning, Professor of English and History and Distinguished Scholar, Southern Illinois University Carbondale
Awake in America seeks to establish a conversation between Irish and Irish American literature that challenges many of the long-accepted boundaries between the two.
Recently, chapters on individual Irish-language authors have formed part of publications regarding modern Irish art and culture in general. Such chapters are welcome but they have excited the curiosity of readers to the degree that longer, more detailed works are now required to put writing in Irish into perspective. In this study of four modern poets (two each from two generations), Sewell attempts to illustrate not only the accumulative but the transformative nature of tradition. Chapters 1 and 2 turn from the mid-20th century master Seán Ó Riordáin to the contemporary poet Cathal Ó Searcaigh because the comparison and contrast highlights significant aspects of the amazing development of Irish poetry and, indeed, society in the period. Here, importantly, the word 'development' is meant in a neutral way - the image used is that of a zig-zag movement in the pattern of the continuing Irish tradition. Chapter 3 returns to the slightly earlier, major Irish-language poet Máirtín Ó Direáin. In doing so, it returns home (from the internationalism of the previous chapter on Searcaigh) to Ireland - a major focus and concern for the more solely traditionalist Ó Direáin. This switch back (in time, geography, social mores or outlook) fits and illustrates Sewell's concept of the zig-zag movement of a country's culture as it proceeds from generation to generation. The positioning, therefore, has a thematic purpose. The fourth and final chapter focuses on the contemporary poet Nuala Ní Dhomhnaill who has managed to synthesise tradition and modernity (central concerns of this book) and who, in doing so, has become the current trail-blazer of Irish poetry in either language.
Through discussion of the ways in which major Northern Irish poets (such as John Hewitt, Seamus Heaney, Michael Longley, Louis MacNeice and Derek Mahon) have been influenced by America, this study shows how Northern Irish poetry overspills national borders, complicating and enriching itself through cross-cultural interaction and hybridity.
Nobel Laureate Seamus Heaney, author of nine collections of poetry and three volumes of influential essays, is regarded by many as the greatest Irish poet since Yeats. Passage to the Center is the most comprehensive critical treatment to date on Heaney's poetry and the first to study Heaney's body of work up to Seeing Things and The Spirit Level. It is also the first to examine the poems from the perspective of religion, one of Heaney's guiding preoccupations. According to Tobin, the growth of Heaney's poetry may be charted through the recurrent figure of "the center," a key image in the relationship that evolved over time between the poet and his inherited place, an evolution that involved the continual re-evaluation and re-vision of imaginative boundaries. In a way that previous studies have not, Tobin's work examines Heaney's poetry in the context of modernist and postmodernist concerns about the desacralizing of civilization and provides a challenging engagement with the work of a living master.
Celebrated poet Julie Kane returns to her Boston Irish Catholic roots in this collection about mothers and daughters shaped by the forces of Irish history and Irish-­American culture. Mothers of Ireland confronts how the legacy of personal trauma gets passed down to subsequent generations, with a focus on women from her family history and their paths of both pain and endurance. Kane’s verse reverberates with the lives of her ancestors and the lasting impacts of famine, poverty, repressive religion, ethnic prejudice, and alcoholism. The poems are formal—villanelles, ghazals, sonnets, sestinas, and the like—but their language is fresh and rich with the sound of contemporary spoken English. Coming from a culture that values music, storytelling, and the oral poetic tradition, Kane uses rhyme and rhythm to move the body as well as the mind. Even at their darkest, these haunting poems flash with resilient Irish wit.
The first book of its kind, Out of What Began traces the development of a distinctive tradition of Irish poetry over the course of three centuries. Beginning with Jonathan Swift in the early eighteenth century and concluding with such contemporary poets as Seamus Heaney and Eavan Boland, Gregory A. Schirmer looks at the work of nearly a hundred poets. Considering the evolving political and social environments in which they lived and wrote, Schirmer shows how Irish poetry and culture have come to be shaped by the struggle to define Irish identity. Schirmer includes a large number of accomplished poets who have been unjustly neglected in standard accounts of Irish literature; many of these writers are women, whose work has been kept in the shadows cast by that of well-known male poets. He also emphasizes the importance of political poetry in a country that continues to be torn by sectarian violence. With its rich selection of poetic voices, Out of What Began reveals the political, social, and religious diversity of Irish culture.
In this incisive and highly readable study, Rachel Buxton offers a much-needed assessment of Frost's significance for Northern Irish poetry of the past half-century. Drawing upon a diverse range of previously unpublished archival sources, including juvenilia, correspondence, and drafts of poems, Robert Frost and Northern Irish Poetry takes as its particular focus the triangular dynamic of Frost, Seamus Heaney, and Paul Muldoon. Buxton explores the differing strengths which eachIrish poet finds in Frost's work: while Heaney is drawn primarily to the Frost persona and to the "sound of sense", it is the studied slyness and wryness of the American's poetry, the complicating undertow, which Muldoon values. This appraisal of Frost in a non-American context not only enables a fullerappreciation of Heaney's and Muldoon's poetry but also provides valuable insight into the nature of trans-national and trans-generational poetic influence. Engaging with the politics of Irish-American literary connections, while providing a subtle analysis of the intertextual relationships between these three key twentieth-century poets, Robert Frost and Northern Irish Poetry is a pioneering work.