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While Konoha is aware that he will soon be losing his book-eating club president when she ventures off to college, a new relationship blossoms between him and the once standoffish Kotobuki. The two even manage to spend New Year's Day together! However, the dawn of the new year also ushers in the return of a familiar face - a girl whose every line Konoha has memorized and one the heartbroken boy thought he would never see again. Just as she reenters his life, though, Konoha feels the ties he has established with the people around him begin to sever... Can a simple book girl shed some much-needed insight on the situation before it's too late?
For Tohko Amano, a third-year high school student and self-styled "book girl," being the head of the literary club is more than just an extracurricular activity. It's her bread and butter...literally! Tohko is actually a literature-gobbling demon, who can be found at all hours of the day munching on torn out pages from all kinds of books. But for Tohko, the real delicacies are hand-written stories. To satisfy her gourmet tastes, she's employed (rather, browbeaten) one Konoha Inoue, who scribbles away each day after school to satisfy Tohko's appetite. But when another student comes knocking on the literary club door for advice on writing love letters, will Tohko discover a new kind of delicacy?
With college exams approaching, Tohko Amano - president of the literary club, closet book-eating goblin, and shameless procrastinator - does the unthinkable and declares club activities suspended! Unencumbered by the demand of his taskmistress to deliver handwritten improv stories, Konoha finds himself helping his oft-estranged classmate, Nanase Kotobuki, in the music room after school. When one of Kotobuki's friends goes missing before Christmas, though - vanishing amidst rumors of her being an "Angel of Music" - Konoha finds himself swept up in a mystery unfolding as if from the pages of Gaston Leroux's seminal work...
This study investigates our multiple selves as manifested in how we use language. Applying philosophical contrastive pragmatics to original and translation of Japanese and English works, the concept of empty yet populated self in Japanese is explored.
Life in the literary club has settled into a predictable - if unusual - routine. Junior member Konoha Inoue dutifully writes short stories for his club president, Tohko Amano, who subsequently shreds them and devours each morsel like the book-eating goblin she is. When the club begins receiving cryptic messages, though, routine goes out the window as Tohko sets out to find the culprit with Konoha in tow! When their investigation suggests that a tormented spirit might be stalking the school halls, matters quickly take an ominous turn. Is it possible that ghosts really exist, or is there something even more disturbing at play? But if there is room in the world for a literature-consuming goblin, then, really, how unlikely is a famished spirit?
This book is intended to give the reader an account of the origin and history of Hallowe'en, how it absorbed some customs belonging to other days in the year,—such as May Day, Midsummer, and Christmas. The context is illustrated by selections from ancient and modern poetry and prose, related to Hallowe'en ideas. Those who wish suggestions for readings, recitations, plays, and parties, will find the lists in the appendix useful, in addition to the books on entertainments and games to be found in any public library. Special acknowledgment is made to Messrs. E. P. Dutton & Company for permission to use the poem entitled "Hallowe'en" from "The Spires of Oxford and Other Poems," by W. M. Letts; to Messrs. Longmans, Green & Company for the poem "Pomona," by William Morris; and to the Editors of The Independent for the use of five poems.
In a world filled with ambiguity, we want faith to act like an orderly set of truth-claims to solve the problems that life throws at us. While there are certainties in Christian faith, at the heart of the Christian story is also paradox, and Jen Pollock Michel helps readers imagine a Christian faith open to mystery. Jesus invites us to abandon the polarities of either and or in order to embrace the difficult, wondrous dissonance of and.
Two destinies intersect in this novel -- that of Gjorg, a young mountaineer who has just killed a man in order to avenge the death of his older brother, and who expects to be killed himself in keeping with the code of the highlands; and that of a young couple who have come to study the age-old customs, including the blood feud.