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Based on the Lyell Lectures given by Howard Nixon at Oxford in 1979, this lavishly illustrated book traces the decorated binding in England from the earliest surviving example, the St Cuthbert Gospel dating from a little before the end of the seventh century, to the beginning of the Modern Movement in the late 1940s. This books emphasis is on fine binding in leather, with the styles and designs used for its decoration, and with the tools employed to effect these designs. This work is the first to trace comprehensively the development of this English tradition and bring together numerous illustrations of the superb bindings produced over the last eight centuries.
Each project in this book combines bookbinding with a specific craft such as quilting, jewelry making, or polymer clay, and offer levels of expertise: basic, novice, and expert. Illustrated step-by-step instructions and photographs demonstrate how to construct the cover pages, and a unique binding technique, easy enough for a beginner to master. Each project also features two other versions with the same binding geared to those with more or less experience. The novice version is for those who have no knowledge of the craft and want shortcuts, but love the look. For the quilter's book, for example, vintage quilt pieces become the covers so all that's needing in the binding. Or if you're interested in wool felting use an old sweater. This offers great opportunities for upcycling. The expert version is for those who have a great deal of knowledge and proficiency of a certain craft - the master art quilter, for example. For this version, an expert guest artist has created the cover and the author has created the binding. This offers yet another creative opportunity - the collaborative project. Since crafters often get involved with round-robins and other shared endeavors, this will show them yet another way to combine their skills. No other craft book offers the possibilities and challenges that Adventures in Bookbinding does. Readers will return to it again and again to find inspiration and ideas.
In this illustrated survey, the author explores the use and purpose of bookbindings - over and above protecting the text inside them - and the purpose of the study of the book as a physical object. Examples from the British Library's collection are included.
The author has provided a unique glossary of terms, styles, structures, and names related to conservation and bookbinding through the ages illustrated with over 700 line drawings. She has provided names and drawings for almost every conceivable part of the book as well as a multitude of styles, bindings, and decorations. She literally takes apart the structure of the book and illustrates the many as well as varied facets and definitions that clearly outline the historical development of the book's structures and styles.
This study deals with the many and varied impulses that resulted in a great growth in book cover design in Victorian Britain. New technical developments provided the means for artists to attempt wide experimentation, and allied to this was the impetus for a huge new market for creatively designed bindings that came in the 1840s and cumulated with the Great Exhibition in 1851. At the same time, practitioners such as Owen Jones, Walter Crane and John Leighton broke new ground in the artistic style that they adopted.
It is an all-encompassing encyclopedia which covers all aspects of the book-- from specific biographies of publishers, book designers, printers, etc.-- and histories of the book's development from all angles.