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Step Back in Time with an Exclusive Illustrated Edition of 1900, or the Last President! 📚✨ Dear Book Lover's, Are you ready to embark on a captivating journey through history and imagination? We’re thrilled to introduce the Exclusive Illustrated Edition of Ingersoll Lockwood's groundbreaking work, 1900, or the Last President - a book that’s more relevant now than ever! 📚 Dive into the mysterious world of Ingersoll Lockwood's 1900, or the Last President - a gripping tale that will keep you on the edge of your seat! 🕵️‍♂️ Unravel the secrets of this enigmatic novel and prepare to be captivated by its twists and turns. 📖 Join the adventure today and experience the thrill of a literary masterpiece like never before! Why You Can't Miss This Edition! 📖 Ingersoll Lockwood’s visionary tale foresaw a future filled with political intrigue and societal change. This beautifully illustrated edition not only captures the essence of Lockwood’s narrative but also brings it to life with stunning artwork that will captivate readers of all ages! What’s Inside? 🎨 ▪️ Gorgeous Illustrations: Each chapter features exquisite illustrations that enhance the storytelling experience, making it a perfect addition to your bookshelf or a thoughtful gift for a fellow book lover! ▪️ Historical Context: Dive deep into the late 19th century and explore how Lockwood’s predictions resonate with today’s world. ▪️ Limited Edition Collectible: This exclusive edition is only available through us - don’t miss your chance to own a piece of literary history! Don’t let this moment slip away - experience the power of Lockwood’s words and illustrations today. Happy Reading, Colour the Classics Exclusive Illustrated Political Thriller Thriller Novel Bestselling Author Political Fiction Book Lovers Literary Thriller Dystopian Fiction Alternative History Conspiracy Theory Historical Fiction Reading Community Must Read Literature Addict Fiction Readers Book Recommendation
Final volume in acclaimed biography of Wilhelm II exploring his role in the origins of the First World War.
In this magnificently illustrated cultural history—the tie-in to the pbs and bbc series The Story of the Jews—simon schama details the story of the jewish people, tracing their experience across three millennia, from their beginnings as an ancient tribal people to the opening of the new world in 1492 It is a story like no other: an epic of endurance in the face of destruction, of creativity in the face of oppression, joy amidst grief, the affirmation of life despite the steepest of odds. It spans the millennia and the continents—from India to Andalusia and from the bazaars of Cairo to the streets of Oxford. It takes you to unimagined places: to a Jewish kingdom in the mountains of southern Arabia; a Syrian synagogue glowing with radiant wall paintings; the palm groves of the Jewish dead in the Roman catacombs. And its voices ring loud and clear, from the severities and ecstasies of the Bible writers to the love poems of wine bibbers in a garden in Muslim Spain. In The Story of the Jews, the Talmud burns in the streets of Paris, massed gibbets hang over the streets of medieval London, a Majorcan illuminator redraws the world; candles are lit, chants are sung, mules are packed, ships loaded with gems and spices founder at sea. And a great story unfolds. Not—as often imagined—of a culture apart, but of a Jewish world immersed in and imprinted by the peoples among whom they have dwelled, from the Egyptians to the Greeks, from the Arabs to the Christians. Which makes the story of the Jews everyone's story, too.
"This book is truly epic. . . . The reader will probably wish there was a thousand more pages." —The Huffington Post Picking up where Fall of Giants, the first novel in the extraordinary Century Trilogy, left off, Winter of the World follows its five interrelated families—American, German, Russian, English, and Welsh—through a time of enormous social, political, and economic turmoil, beginning with the rise of the Third Reich, through the great dramas of World War II, and into the beginning of the long Cold War. Carla von Ulrich, born of German and English parents, finds her life engulfed by the Nazi tide until daring to commit a deed of great courage and heartbreak . . . . American brothers Woody and Chuck Dewar, each with a secret, take separate paths to momentous events, one in Washington, the other in the bloody jungles of the Pacific . . . . English student Lloyd Williams discovers in the crucible of the Spanish Civil War that he must fight Communism just as hard as Fascism . . . . Daisy Peshkov, a driven social climber, cares only for popularity and the fast set until war transforms her life, while her cousin Volodya carves out a position in Soviet intelligence that will affect not only this war but also the war to come.
Ideas defer to no border—least of all the idea of belonging. So where does one belong, and what does belonging even mean, when a border inscribes one’s identity? This dilemma, so critical to the ethnic Mexican community, is at the heart of Homeland, an intellectual, cultural, and literary history of belonging in ethnic Mexican thought through the twentieth century. Belonging, as Aaron E. Sánchez’s sees it, is an interwoven collection of ideas that defines human connectedness and that shapes the contours of human responsibilities and our obligations to one another. In Homeland, Sánchez traces these ideas of belonging to their global, national, and local origins, and shows how they have transformed over time. For pragmatic, ideological, and political reasons, ethnic Mexicans have adapted, adopted, and abandoned ideas about belonging as shifting conceptions of citizenship disrupted old and new ways of thinking about roots and shared identity around the global. From the Mexican Revolution to the Chicano Movement, in Texas and across the nation, journalists, poets, lawyers, labor activists, and people from all walks of life have reworked or rejected citizenship as a concept that explained the responsibilities of people to the state and to one another. A wealth of sources—poems, plays, protests, editorials, and manifestos—demonstrate how ethnic Mexicans responded to changes in the legitimate means of belonging in the twentieth century. With competing ideas from both sides of the border they expressed how they viewed their position in the region, the nation, and the world—in ways that sometimes united and often divided the community. A transnational history that reveals how ideas move across borders and between communities, Homeland offers welcome insight into the defining and changing concept of belonging in relation to citizenship. In the process, the book marks another step in a promising new direction for Mexican American intellectual history.