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Bombshell - Boogie Woogie II Your spouse, lover, significant other, or trusted friend - cheated on you. Wow! He or she betrayed the sacred vows and commitment you made on your wedding day, before witness and God only to leave you to suffer through the sickening whirlwind of anger, grief, anxiety, and, perhaps worst of all, your shattered sense of sense of self-esteem due to being caught up in the boogie woogie. You are terrified! Period! You feel hopeless; as there is no way you will ever be able to get past the horror and put the pieces of your devastated marriage or relationship back together again ... But it happened. You will get over it. Even the best in our society goes through the hurt and boogie woogie. Boogie Woogie II will share the pain, healing, laughter, and awareness of those perhaps caught up and those that were smart enough to heal and move on. But in order to defeat the boogie woogie the following notions must be accepted and understood: betrayal, being vengeful, feeling guilt, being in a state of fear, carrying around anger, feeling frustrated, and paranoid feelings, and disappointment (not necessarily in these order).
(Faber Piano Adventures ). Adult Piano Adventures Christmas Book 2 offers sophisticated-sounding holiday music, pianistically arranged for the early intermediate player and organized into three sections: Traditional Christmas Carols, Popular Christmas Songs, and Seasonal Favorites. Contents include: Angels We Have Heard on High * Away in a Manger * Silent Night * The First Noel * What Child Is This * Pat-a-Pan * O Little Town of Bethlehem * O Come, All Ye Faithful * God Rest Ye Merry, Gentlemen * Joy to the World * Hark! The Herald Angels Sing * Winter Wonderland * Let It Snow! Let It Snow! Let It Snow! * Sleigh Ride * and more. Online access to audio recordngs of the piano selections is included, as well as orchestrated accompaniments for play-along fun.
(Keyboard Instruction). A short easy method for learning to play boogie woogie, designed for the beginner and average pianist. Includes: exercises for developing left-hand bass * 25 popular boogie woogie bass patterns * arrangements of "Down the Road a Piece" and "Answer to the Prayer" by well-known pianists * a glossary of musical terms for dynamics, tempo and style.
The last, unfinished work of Piet Mondrian (1872-194), the Victory Boogie Woogie was acquired in 1998 by the Dutch government and is on permanent loan at the Gemeentemuseum Den Haag. This work is considered one of the highlights of abstract 20th-century art. It had not been investigated properly before. In 2006 a study was therefore initiated with two purposes, namely research into the genesis of the work while studying the current condition. Besides the painting itself, historical sources and the restoration history were taken into account. The purpose of this publication is to shed light on all aspects of this masterpiece, thus contributing to a better understanding of this art work and a better understanding of the artist.00.
Emerging in the 1920s, the Japanese pop scene gained a devoted following, and the soundscape of the next four decades became the audible symbol of changing times. In the first English-language history of this Japanese industry, Hiromu Nagahara connects the rise of mass entertainment with Japan’s transformation into a postwar middle-class society.
(Faber Piano Adventures ). The 2nd Edition Level 2A Lesson Book follows Piano Adventures Level 1. The book opens with a Note Reading Guide and an introduction to eighth note rhythm patterns. Students work with 5-finger transposition, functional harmony, and musical phrases. Exploration of C, G, D and A major and minor 5-finger positions builds on intervallic reading skills that were introduced in the earlier level. Appealing repertoire reinforces key concepts and encourages students to explore musical expression through varied dynamics and tempos. Selections include well-known classics from the great composers and original compositions.
While analyzing Damon Runyon's high spirited work in terms of historical contexts, popular culture, and of the changing function of the media, Schwarz argues that in his columns and stories Runyon was an indispensable figure in creating our public images of New York City culture, including our interest in the demi-monde and underworld that explains in part the success of The Godfather films and The Sopranos . In his lively and exuberant chapters that include a panoramic view of New York City between the World Wars - with a focus on its colourful nightlife - Schwarz examines virtually every facet of Runyon's career from sports writer, daily columnist, trial reporter, and Hollywood figure to the author of the still widely-read short stories that were the source of the Broadway hit Guys and Dolls . As part of his discussion of Runyon's art and the artistry of Runyon's fiction, Schwarz skilfully examines the special language of the Broadway stories known as 'Runyonese', and explains how 'Runyonese' has become an adjective for describing flamboyant behaviour.
The “after-hours club” is a fixture of the African American ghetto. It is a semisecret, unlicensed “spot” where “regulars” and “tourists” mingle with “hustlers” to buy and use drugs long after regular bars are closed and the party has ended for the “squares.” After-hours clubs are found in most cities, but for people outside of their particular milieu, they are formidably difficult to identify and even more difficult to access. The sociologist Terry Williams returns to the cocaine culture of Harlem in the 1980s and ’90s with an ethnographic account of a club he calls Le Boogie Woogie. He explores the life of a cast of characters that includes regulars and bar workers, dealers and hustlers, following social interaction around the club’s active bar, with its colorful staff and owner and the “sniffers” who patronize it. In so doing, Williams delves into the world of after-hours clubs, exploring their longstanding function in the African American community as neighborhood institutions and places of autonomy for people whom mainstream society grants few spaces of freedom. He contrasts Le Boogie Woogie, which he visited in the 1990s, with a Lower East Side club, dubbed Murphy’s Bar, twenty years later to show how “cool” remains essential to those outside the margins of society even as what it means to be “cool” changes. Le Boogie Woogie is an exceptional ethnographic portrait of an underground culture and its place within a changing city.