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Author-illustrator C. G. Esperanza delivers a celebratory ode to graffiti and the Boogie Down Bronx through an infectious read-aloud beat and colorful illustrations that leap right off the page! Perfect for fans of Crown: An Ode to the Fresh Cut and Keith Haring. An NPR Best Book of the Year, ALSC Notable Children's Book of the Year, Odyssey Award winner, Pura Belpré Honor Award winner, New York City Book Award winner, and Audie Award finalist! The city is alive with vibrant art in every corner of the parks, the shops, the trains. But most people are too busy to see it—or worse, choose to ignore it! When three children stop to marvel at the art around their community, they realize it’s up to them to show everyone else how truly special it is when art and reality dance together so seamlessly. Boogie boogie, y’all. The city boogied all day. Busy, busy, busy, Till one kid stopped to say, Woah, woah, woah! Look at the art on the wall!
Laurie Berkner, “the queen of children’s music” (People), pairs the lyrics of her infectious hit song with Ben Clanton’s whimsical illustrations in this groovy and adorable picture book—a must-have for fans of Laurie, dancing, and all things monstrous! I’m the biggest monster that you’ve ever seen! My eyes are purple and my teeth are green. I’m big and I’m scary, you know what I mean? And this is what I like to do… Boogie away those bedtime fears and embrace your inner monster with Monster Boogie, based on Laurie Berkner’s irresistibly fun song and featuring lively, playful artwork by Ben Clanton! I do the monster boogie. So can you! Rraaaahhh!
In the jungle, the animals' toes are twitching, their bodies are wiggling, and their wings are flapping, as they teach children how to do the Animal Boogie.
The true story of how Hollywood musicals got one person through school, depression, and the challenges of parenthood Inspired by the visual richness and cinematic structure of the Hollywood musical, Blame This on the Boogie chronicles the adventures of a Filipino American girl born in the decade of disco who escapes life's hardships and mundanity through the genre's feel-good song-and-dance numbers. Rina Ayuyang explores how the glowing charm of the silver screen can transform reality, shaping a person's approach to childhood, relationships, sports, reality TV, and eventually politics, parenthood, and mortality. Ayuyang's comics are as vibrant as the movies that she loves. Her deeply personal, moving stories unveil the magic of the world around us--rendering the ordinary extraordinary through a jazzed-up song-and-dance routine. Ayuyang showcases the way her love of musicals became a form of therapeutic distraction to circumnavigate a childhood of dealing with cultural differences, her struggles with postpartum depression, and an adulthood overshadowed by an increasingly frightening and depressing political climate. Blame This on the Boogie is Ayuyang's ode to the melody of the world, and shows how tuning out of life and into the magic of Hollywood can actually help an outsider find her place in it.
Travis Bentley lived the uncomplicated life of an eleven-year-old boy growing up in 1950s San Antonio, Texas. When the new kid showed up at a summertime baseball game, little did Travis know his life was about to change forever. The new kid was mentally retarded, a condition he had lived with since birth. But even though he was different, Travis adopted him as a part time brother and their bond grew stronger with every day. The neighborhood bullies taunted the new kid because of his condition, calling him a Boogieman. The name stuck, and Boogie was born. When Boogie's sister, Karen entered the picture, Travis accepted her as just another girl to deal with. But Karen had plans of her own and Travis was the basis of those plans. Throughout the next several years the hometown group stayed together and experienced all of those things that become a part of moving on to adulthood. Boogie is a deeply moving and bittersweet story of a true friendship. It is a remembrance of a life and time gone by, the simple innocent sweetness of young love, and the trials of growing up. It is a novel about life.
The Barnyard Band is performing today. All the musicians are coming to play! Each animal musician knows what to do, but Cow can only moo! This charming book is a delightful read-aloud featuring funny musical sounds and a refrain children will love repeating. Tim McCanna’s playful text will have children laughing, and Allison Black’s energetic illustrations will make children want to get up and move. Barnyard Boogie! is full of rhyming—and nonsense—sounds that will enrich and delight.
Put on your dancing shoes—Pete is ready to boogie! Pete is learning a new dance—the Cool Cat Boogie! When he hears a groovy beat, he’s full of happy in his feet. But when Grumpy Toad tells him, “Pete, you dance all wrong!” Pete is determined to become a better dancer. With the help of his friends and some wise words from Owl, Pete learns that he’s his grooviest when he’s being himself. Includes step-by-step dance moves so readers can dance along with Pete! Join Pete the Cat in this groovy story from New York Times bestselling author-illustrator team James and Kimberly Dean! Don't miss Pete's other adventures, including Pete the Cat: I Love My White Shoes, Pete the Cat: Rocking in My School Shoes, Pete the Cat and His Four Groovy Buttons, Pete the Cat Saves Christmas, Pete the Cat and His Magic Sunglasses, Pete the Cat and the Bedtime Blues, Pete the Cat and the New Guy, Pete the Cat and the Missing Cupcakes, Pete the Cat and the Perfect Pizza Party, Pete the Cat: Crayons Rock!, Pete the Cat's Groovy Imagination, and Pete the Cat Plays Hide-and-Seek.
The Story of Boogie-Woogie: A Left Hand Like God examines the socio-historical background of the boogie-woogie piano style, from its early appearances in the barrelhouses of lumber, turpentine, and railroad camps in the southern United States, to its emergence at rent parties in Chicago and St. Louis, to its rise as a popular form of music in the nightclubs of New York, to its status as an international craze during World War II. In this enhanced revision of A Left Hand Like God, Peter J. Silvester presents a comprehensive history of boogie-woogie, describing the style's appearance and development, its offshoots, and the pianists who made it famous, and studying its impact on rhythm and blues, urban blues, and big band swing, leading to the eventual revival of 'classical' boogie-woogie in concerts and festivals. Silvester discusses significant European and American pianists of boogie-woogie throughout history, providing biographical information about their life styles and musical influences and offering an analysis of their important recordings. The book also includes a new chapter on the contribution of national and independent record companies to the recording of boogie-woogie music. A thorough bibliography and a final appendix providing many of the bass patterns common in boogie-woogie make this a valuable reference.
Jazz, Rags & Blues, Book 3 contains original solos for intermediate to late intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music.
This is the most important instruction guide to blues style piano playing in print. It covers all styles of playing from 1900 to the present day and includes transcriptions of the recordings of twenty-two of the greatest exponents of barrelhouse and boogie piano. Among these are such greats as Memphis Slim, Alex Moore, Kid Stormy Weather, Cow Cow Davenport, Jelly Roll Morton, to mention just a few. All the transcriptions are accompanied by historical notes. This book also shows you how to develop blues techniques, how to improvise and includes coordination and fingering exercises, besides much else of importance to the blues pianist. It also contains a discography of albums by the twenty-two artists whose work appears in the book.