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Through illustration and poetry, Seeds Planted in Concrete is Bianca Sparacino's raw testament to the beauty that is found within the contrasts of life. By writing truthfully about the intricacies of both love and loss, Sparacino's first collection of work is one that will speak to the very depths of those who read it, inspiring a will to love, and live. This collection is a manifesto of the journey every human being takes throughout their life; an assembly of words that celebrates the resilience of the human heart through stages of hurting, feeling, healing and loving.
Leveling up would be fun... If it weren't so deadly. Eve is a survivor. Kidnapped and genetically enhanced, she wakes in an alley with the ability to level up. As a Player, her life now belongs to the Game. Deadly Trials offer fantastic and powerful prizes, but as she fights against both alien monsters and other Players, Eve knows she would do anything to escape the Game. She may have to risk more than just her life to gain the power to control her own destiny... Gods of Blood and Bone is the first book in a dark and deliciously violent adventure series that combines science fiction, fantasy, and LitRPG elements. You'll love Gods of Blood and Bone because of the electrifying action, flawed characters, and kick-ass heroine. Get it now.
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Poetry. The poems in BLACK SEEDS ON A WHITE DISH spring from the search for what is generated and discovered when loss and desire occupy the same space. But lamentation is not the primary focus—by destabilizing everything in its reach, loss disables rigidity. These poems shift widely in form and tone, and seeds invoke the creative germ that spurs the metamorphoses occupying them: "Nothing to do but let the form of things take over." Shapes themselves, including punctuation, become a language throughout.
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.
In The Throne of Psyche, Marly Youmans sweeps back and forth between what is human and what is other, binding the two together or crossing the thresholds between them. A prize-winning writer of stories and novels, she pursues tales both otherworldly and earthy with passion and formal power in this eighth book, her second collection of poetry. The title poem⿿s narrative governs the entire collection in its yoking of Eros to Psyche. Psyche is the young girl brought in fear to a marriage chamber that transforms into forest as ⿿The little stars⿿ go ⿿shrieking through the wood⿿ and her childhood innocence is ⿿struck asunder.⿿ But she is more than mortal as she passes in and out of time: the child who hears a dryad prophesy, the goddess who sits on a throne or plays ⿿in the arms of Love / As starlight steadies in his perfect flesh,⿿ the figure of meditation and grief who walks along the broken palace walls of home, the bold adventurer who has been to hell and drunk the blood of memory in the place where all she once loved is now shadow. Elsewhere in these poems are other potent narratives and revelations where mortal flesh slams into death and transformation: a woman dances with God, the poet speaks in the form of a dryad, a sister transforms into a fish and swims away, a doll is cast out from home and overtaken by a demon, the otherworldly infiltrates the leastmost dust, and a new mother walks with Death in his forest. Such metamorphoses and broodings on the door ajar between human and other remind us that Marly Youmans is ⿿the best-kept secret among contemporary American writers. She writes like an angel⿿an angel who has learned what it is to be human⿿ (John Wilson, Books & Culture).