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This volume brings together the most innovative historical work on the conjoined themes of gender and consumption. In thirteen pioneering essays, some of the most important voices in the field consider how Western societies think about and use goods, how goods shape female, as well as male, identities, how labor in the family came to be divided between a male breadwinner and a female consumer, and how fashion and cosmetics shape women's notions of themselves and the society in which they live. Together these essays represent the state of the art in research and writing about the development of modern consumption practices, gender roles, and the sexual division of labor in both the United States and Europe. Covering a period of two centuries, the essays range from Marie Antoinette's Paris to the burgeoning cosmetics culture of mid-century America. They deal with topics such as blue-collar workers' survival strategies in the interwar years, the anxieties of working-class consumers, and the efforts of the state to define women's—especially wives' and mothers'—consumer identity. Generously illustrated, this volume also includes extensive introductions and a comprehensive annotated bibliography. Drawing on social, economic, and art history as well as cultural studies, it provides a rich context for the current discourse around consumption, particularly in relation to feminist discussions of gender.
Sélection de termes et expressions tirés du domaine du tourisme. Traduction anglaise suivie d'un exemple d'utilisation en anglais. Classement thématique. Ordre alphabétique à l'intérieur de chaque section. [SDM].
Material culture in London in an age of transition is a major new illustrated catalogue of a rare assemblage of items from the Tudor and Stuart periods, mostly from waterlogged riverside sites. Objects of leather, bone, wood and glass as well as metal (with metallurgical analyses) include clothing and accessories; household equipment, fixtures and fittings; and items attesting writing, reading and leisure pursuits, as well as textile working, non-ferrous and ferrous metalworking, leather working, woodworking, bone, antler and glass working, ship building and fishing. There are weights; coins, tokens and jettons; pilgrim souvenirs and secular badges; horse equipment, arms and armour fragments. The discussion considers specific chronological trends as well as more general aspects of production, trade and changing styles.
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
l'histoire d'un jeune paparazzi devenu au fil du temps , l'ami intime de Monseigneur , un homme que l'on dit cruel, ivrogne et vieux . Un personnage de Pierrick va découvrir au gré de ses aventures,et qui est tout le contraire de l'homme décrit. Un monde d'argent , de trahison , de jalousie et de mort attend notre journaliste .