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Hollywood may define our idea of movies, but it is the city of Bombay on the west coast of India that is now the centre of world cinema. Every year, the Indian film industry produces more than 1,000 feature films; every day, 14 million Indians go to a movie in the country; a billion more people a year buy tickets for Indian movies than for Hollywood ones. The rise of Bombay as the film capital of the world has been both remarkable and amazing. Bollywood movies themselves are a self-contained world with their multiple song and dance routines, intense melodrama, and plots that contain everything from farce to tragedy, but always produce a happy ending. The men and women who created these movies are even more remarkable; and it is this fantastic, rich, diverse story, a veritable Indian fairyland, that Mihir Bose, a native of Bombay, tells with vivid brilliance in the first comprehensive history of this major social and cultural phenomenon.
Between 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond. Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.
Here is the astonishing true story of Bollywood, a sweeping portrait about a country finding its identity, a movie industry that changed the face of India, and one man's struggle to become a star. Shah Rukh Khan's larger than life tale takes us through the colorful and idiosyncratic Bollywood movie industry, where fantastic dreams and outrageous obsessions share the spotlight with extortion, murder, and corruption. Shah Rukh Khan broke into this $1.5 billion business despite the fact that it has always been controlled by a handful of legendary film families and sometimes funded by black market money. As a Muslim in a Hindu majority nation, exulting in classic Indian cultural values, Shah Rukh Khan has come to embody the aspirations and contradictions of a complicated culture tumbling headlong into American style capitalism. His story is the mirror to view the greater Indian story and the underbelly of the culture of Bollywood. "A bounty for cinema lovers everywhere." --Mira Nair, Director, The Namesake and Monsoon Wedding "King of Bollywood is the all-singing, all-dancing back stage pass to Bollywood. Anupama Chopra chronicles the political and cultural story of India with finesse and insight, through fly-on-wall access to one of its biggest, most charming and charismatic stars." -- Gurinder Chadha, director of Bend it Like Beckham "The "Easy Rider Raging Bull" of the Bollywood industry and essential reading for any Shah Rukh Khan fan." --Emma Thompson, actress "Anu Chopra infuses the pivotal moments of Shah Rukh Khan's life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters." --Kirkus
Hollywood may define our ideas of the movies, but it is the city of Bombay that is now the centre of world cinema. In this book, Mihir Bose traces the rise of the Bollywood film industry, exploring the lives of the men and women who have played an integral part in Indian filmmaking.
'Bollywood' is the dominant global term to refer to the prolific Hindi language film industry in Bombay (renamed Mumbai in 1995). Characterised by music, dance routines, melodrama, lavish production values and an emphasis on stars and spectacle, Bollywood films have met with box-office success and enthusiastic audiences from India to West Africa to Russia, and throughout the English-speaking world. In Bollywood, anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Bollywood, including directors and stars, as well as material from current filmmakers themselves, the areas covered in Bollywood include: history of Indian cinema narrative style, main themes, and key genres of Hindi cinema significant films, directors and stars production and distribution of Bollywood films interviews with actors, directors and screenwriters.
In Bollywood, anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Bollywood, including composers, directors and stars, as well as material from current filmmakers themselves, the areas covered in Bollywood include: history of Indian cinema main themes and characteristics of Hindi cinema significant films, directors and stars production and distribution of Bollywood films interviews with actors, directors and screenwriters. Anyone interested in, or studying Bollywood cinema will find this a valuable purchase.
These efforts have been enabled by the neoliberal restructuring of the Indian state and economy since 1991.
Take the trip of a lifetime into the past and present of Bollywood Fascinated by the high energy, high emotion, high color, endless dance routines, and sheer scale of Bollywood—but afraid you'll never really know your Ghazals from your Qawwalis, or your Khans from your Kapoors? Well, in the immortal line from the Hindi-language blockbuster Sultan, "No one can defeat you unless you accept defeat yourself," and there's no need to be defeated at all when you can sit back with Bollywood For Dummies and immerse yourself in the glamorous whirl of one of the most exciting movie industries on Earth. Starting with the time-travel adventure of the book’s main feature—the history of the Hindi-speaking industry from people and events of early to mid 20th century Mumbai—you'll also journey in space, taking fascinating documentary side trips to get to know Tollywood’s Telegu-language cinema in southern India, as well as the growing influence of Lollywood across the border in Pakistan. Written by the cohosts of Desi Standard Time, a podcast that explores Bollywood and South Asian movies and media, you'll see how the unique cinema culture of Bollywood in particular has become a global phenomenon, reflecting the rise of India as an independent nation and presenting its long history—and it’s exciting and multifaceted present—in new, influential, and enduring forms. Whatever you paid the price of entry for: the popular Bollywood "Masala" movie style that emphasizes music, comedy, romance, and action; sensitive critiques of a fast-changing society by the Indian Social Realism movement; new forms of music from Indian disco to Sufi boogie; or a look at the lives and talents of the great acting dynasties—it's all here. And there'll still be plenty more plot twists beyond these to surprise and delight you. Get to know the people who built Bollywood Discover the main music and dance styles Explore and recognize Bollywood’s influence on Western cinema Go social and join up with the liveliest Bollywood fan communities You're right to be excited: for newbies a whole new world awaits, and for aficionados, there's always so much more to know. So, sit back with this book, grab some popcorn or a plate of samosas—or why not both—and prepare to begin an electric feast to sizzle all your senses.
Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on India's social and mythological films, Rosie Thomas examines the subaltern genres of the "magic and fighting films"—the fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before "Bollywood" erupted onto the world stage in the mid-1990s. Thomas focuses on key moments in this hidden history, including the 1924 fairy fantasy Gul-e-Bakavali; the 1933 talkie Lal-e-Yaman; the exploits of stunt queen Fearless Nadia; the magical neverlands of Hatimtai and Aladdin and the Wonderful Lamp; and the 1960s stunt capers Zimbo and Khilari. She includes a detailed ethnographic account of the Bombay film industry of the early 1980s, centering on the beliefs and fantasies of filmmakers themselves with regard to filmmaking and film audiences, and on-the-ground operations of the industry. A welcome addition to the fields of film studies and cultural studies, the book will also appeal to general readers with an interest in Indian cinema.
Bollywood takes over in this contemporary, magical middle grade novel about an Indian American girl whose world turns upside down when she involuntarily starts bursting into glamorous song-and-dance routines during everyday life. You know how in Bollywood when people are in love, they sing and dance from the mountaintops? Eleven-year-old Sonali wonders if they do the same when they’re breaking up. The truth is, Sonali’s parents don’t get along, and it looks like they might be separating. Sonali’s little brother, Ronak, is not taking the news well, constantly crying. Sonali would never do that. It’s embarrassing to let out so many feelings, to show the world how not okay you are. But then something strange happens, something magical, maybe. When Sonali gets upset during a field trip, she can’t bury her feelings like usual—instead, she suddenly bursts into a Bollywood song-and-dance routine about why she’s upset! The next morning, much to her dismay, Sonali’s reality has shifted. Things seem brighter, almost too bright. Her parents have had Bollywood makeovers. Her friends are also breaking out into song and dance. And somehow, everyone is acting as if this is totally normal. Sonali knows something has gone wrong, and she suspects it has something to do with her own mismanaged emotions. Can she figure it out before it’s too late?