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An exploration of traditional Koran textile art techniques. Bojagi, sometimes called Pojagi, is a traditional Korean textile art. Centuries old, it was originally textiles made for every day living with scraps of left-over fabrics artfully put together. They often resemble works of modern artists such as Mondrian and Klee. Today, the technique now produces beautiful textiles that are fast influencing textile art in the West, particularly amongst quilters. Using her own work and the work of other artists, leading expert on the subject Sara Cook demonstrates the techniques and how modern textilers can interpret the principles of Bojagi creatively in exciting new work. The book covers a brief history and understanding of Bojagi in Korean culture, then covers: Fabrics and sewing equipment (incl. silk, hemp and ramie); Obanseak – technique and designs of bojagi colours and symbolism; Colour Seams and Embellishments; and Jagokbo – textiles pieced from tiny scraps. A beautiful book that offers textile artists and quilters a range of ideas to use i their own work. As with the obsession with Shibori, this technique brings one of the East's most creative textiles to a Western audience for the first time.
A book that will make you see fabric in a whole new way! From its origins as wrapping cloths made from scraps of fabric to its place in contemporary textile art shows, Bojagi--the traditional art of Korean patchwork quilting--is a wonderfully versatile mode of expression that can transform a room or a wardrobe. Written by master instructor Choi Yangsook, Korean Patchwork Quilting teaches you step-by-step techniques through the art of assembling bits of lightweight fabric, by means of invisible seams, to create contemporary pieces for your home and life. The 37 projects in this book include: Hangings for walls and windows Exquisite table runners and table cloths Delicate bags and pouches Zakka ("miscellaneous") accessories Quirky jewelry pieces And more! This Korean folk craft has played an important role in Korean culture for centuries. The distinct "window pane" appearance of a Bojagi quilt often resembles a modern abstract painting or stained glass window, but can also be made of single-color fabric for an elegant look. Lessons, diagrams and templates, along with a few simple knotting and embroidery techniques, present a wide range of projects so that novices can try their hand and more experienced quilters can enjoy a satisfying challenge.
Korean handicrafts are often overshadowed by those of China and Japan, preventing them from being recognized for their unique charm and cultural value. Frustrated with this widespread ignorance of Korean crafts, two American authors set out to write 100 Thimbles in a Box: The Spirit and Beauty of Korean Handicrafts, hoping that an English-language book on the topic would help bring some deserving global attention to Korea s strong crafting history. The book s title draws from a tradition dating back to the Joseon Dynasty in which a bride would present handmade thimbles to her husband s female relatives to wish them good fortune and a long life. The stunning beauty of 44 of Korea s traditional crafts sorted into ceramics, fiber arts, paper, inlay, metal, wood, and painting is presented in detail with over 400 pictures found in the book. While other publications have focused on one or two of these handicraft categories, this is the first English-language guide that brings these diverse genres together in a single volume.
A creative guide to a unique and beautiful form of Korean art, steeped in ancient tradition. Bojagi are textiles that wrap, cover, carry, or store objects. Some are made from whole pieces of fabric and some are patched together from small scraps of cloth - they are a unique form of Korean textile art. The careful arrangement of shapes and colours shows an abstract composition which has made bojagi popular with textile artists and quilters today. In this book, experienced artist and educator Youngmin Lee gives you comprehensive step-by-step instructions on traditional bojagi techniques and materials, and provides a history of the art form in Korean culture - which dates back to the Joseon dynasty - where it continues to occupy a prominent place in the daily lives of Koreans. Learn hand stitch techniques, seam finishes and decorative motifs on a range of materials from ramie, hemp and cotton to silk and naturally dyed, eco-printed materials. Youngmin introduces a variety of beautifully illustrated projects, with a modern twist - from gift wrap to wall hangings to cushions and clothing - whilst always being true to ancient Korean textile traditions.
The exhibition of “Korean Bojagi Changing into New Concept from Tradition” shows the modernization works of Korea in Fabric Arts and Design to develop unique originality and genuine creativity using cultural assets of Museums. Wemen’s desire filled in aessthetics on daily life Breathing of Color Graceful and Soft Light Shallow strems Plastic Arts and Hand Crafts of one by one hand-stitching Challenging Bojagi Bojagi Chainging into New concept
Paper artist and teacher Helen Hiebert compiles a one-of-kind collection of 40 unique projects, each using just one sheet of paper. Combining decorative paper techniques like marbling, stamping, and stenciling with dimensional techniques like origami, cutting, folding, quilling, stretching, weaving, and pop-ups, The Art of Papercraft offers a rich variety of projects that will delight crafters, artists, and designers alike, including paper votive lights, pop-up cards, folded paper gift boxes and envelopes, woven paper wall hangings, miniature one-sheet books, and much more. Every project is beautifully photographed and accompanied by step-by-step visual instructions. Guidance on selecting tools, materials, and paper selection; in-depth technique instructions; and profiles of contributing paper artists make this a rich and practical celebration of papercraft. This publication conforms to the EPUB Accessibility specification at WCAG 2.0 Level AA.
Design Roots provides a comprehensive review of culturally significant designs, products and practices which are rooted to particular communities through making tradition and a sense of place. Many rich traditional practices associated with community, tacit knowledge and culture are being rapidly lost due to globalisation and urbanisation. Yet they have much to offer for the future in terms of sustainability, identity, wellbeing and new opportunities in design. This book considers the creative roots, the place-based ecologies, and deep understandings of cultural significance, not only in terms of history and tradition but also in terms of locale, social interactions, innovation, and change for the sustainment of culturally significant material productions. Importantly, these are not locked in time by sentimentality and nostalgia but are evolving, innovative, and adaptive to new technologies and changing circumstances. Contributing authors explore the historical roots of culturally significant designs, products and practices, emerging directions, amateur endeavours, enterprise models, business opportunities and the changing role and contribution of design in the creation of material cultures of significance, meaning and value. An international perspective is provided through case studies and research from North and South America, Africa, Europe, Asia and Australasia, with examples including Aran jumper production in Northern Ireland, weaving in Thailand, Iranian housing design, Brazilian street design and digital crafting in the United Kingdom.