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Exotic and yet familiar, rife with passion, immorality, hunger, and freedom, Bohemia was an object of both worry and fascination to workaday Parisians in the nineteenth century. No mere revolt against middle-class society, the Bohemia Seigel discovers was richer and more complex, the stage on which modern bourgeois acted out the conflicts of their social identities, testing the liberation promised by post-revolutionary society against the barriers set up to contain it. Turning life into art, Bohemia became a space where many innovative and original figures—some famous, some obscure—found a home.
“[An] epic account of life and loves among artists and writers in Paris from belle époque to world slump.” —William Feaver, The Spectator A legendary capital of the arts, Paris hosted some of the most legendary developments in world culture—particularly at the beginning of the twentieth century, with the flowering of fauvism, cubism, dadaism, and surrealism. In Bohemian Paris, Dan Franck leads us on a vivid and magical tour of the Paris of 1900–1930, a hotbed of artistic creation where we encounter Apollinaire, Modigliani, Cocteau, Matisse, Picasso, Hemingway, and Fitzgerald, working, loving, and struggling to stay afloat. Sixteen pages of black-and-white illustrations are featured. “Franck spins lavish historical, biographical, artistic, and even scandalous details into a narrative that will captivate both serious and casual readers . . . Marvelous and informative.” —Carol J. Binkowski, Library Journal
Explores how the atmosphere and people of Paris lead to the development of modern art at the beginning of the twentieth century and profiles influential artists and writers of the era.
They ate garlic and didn't always bathe; they listened to Wagner and worshiped Diaghilev; they sent their children to coeducational schools, explored homosexuality and free love, vegetarianism and Post-impressionism. They were often drunk and broke, sometimes hungry, but they were of a rebellious spirit. Inhabiting the same England with Philistines and Puritans, this parallel minority of moral pioneers lived in a world of faulty fireplaces, bounced checks, blocked drains, whooping cough, and incontinent cats. They were the bohemians. Virginia Nicholson -- the granddaughter of painter Vanessa Bell and the great-niece of Virginia Woolf -- explores the subversive, eccentric, and flamboyant artistic community of the early twentieth century in this "wonderfully researched and colorful composite portrait of an enigmatic world whose members, because they lived by no rules, are difficult to characterize" (San Francisco Chronicle).
"A vivid investigation into the seamy underside of nineteenth and twentieth century Paris"--
From roaring nightlife to peaceful yoga retreats, Ibiza’s hippie-chic atmosphere is its hallmark. This quintessential Mediterranean hot spot has served as an escape for artists, creatives, and musicians alike for decades. It is a place to reinvent oneself, to walk the fine line between civilization and wilderness, and to discover bliss. Ibiza Bohemia explores the island’s scenic Balearic cliffs, its legendary cast of characters, and the archetypal interiors that define its signature style.
Featuring a broad selection of paintings, sculptures and photographs coming mainly from the Centre Pompidou collections, Louvre Abu Dhabi’s exhibition catalogue “Rendezvous in Paris: Picasso, Chagall, Modigliani & Co.” focuses on this highly distinctive period in French art when young painters, sculptors and photographers flocked to early-20th-century Paris from all over the world to make a decisive contribution to the city’s art scene. Most notably from Germany, Spain, Italy, the Netherlands, Russia and even Japan, these formally inventive artists – Constantin Brancusi, Marc Chagall, Kees van Dongen, Tsuguharu Foujita, Amedeo Modigliani and Pablo Picasso among them – who would later become known as the “School of Paris”, rivalled the greatest French artists of the time.
In 'Bohemian Paris of To-day', editors W.C. Morrow and Edward Cucuel present a vivid mosaic of essays, narratives, and illustrations that plunge the reader into the heart of late 19th-century Parisian bohemia. This collection is distinguished not only by its rich thematic diversityencompassing art, literature, and the uniquely liberated lifestyle of the Parisian bohemianbut also by its commitment to showcasing a range of literary and artistic styles. Through its pages, the anthology captures the essence of a period marked by radical artistic innovation and intense cultural dynamism, offering readers an intimate glimpse into the lives of those who defined the boundaries of creative freedom and expression. The work stands as a testament to the enduring allure and complexity of bohemian Paris, inviting readers to explore this vibrant world through a blend of narrative vignettes and artistic representations. The contributors, W.C. Morrow and Edward Cucuel, themselves embody the spirit of the collection, having navigated the artistic and literary circles of their time. Their firsthand experiences and observations lend authenticity and depth to the anthology, bridging the gap between observer and participant. The collection aligns with the broader cultural and artistic movements of the erasuch as Symbolism and Decadencecapturing the zeitgeist of a period characterized by a fervent quest for aesthetic and philosophical liberation. The fusion of Morrow's narrative prowess with Cucuel's artistic vision creates a holistic portrayal of bohemian Paris, emphasizing the collective's contribution to the rich tapestry of cultural and artistic history. 'Bohemian Paris of To-day' is an essential read for anyone intrigued by the allure of bohemian culture, the evolution of modern art, and the literary movements of the late 19th century. Through its diverse array of perspectives and styles, the collection offers a unique opportunity to dive deep into the lifeblood of Parisian bohemia, enriching the reader's understanding and appreciation of this pivotal era in artistic and cultural history. This anthology is not merely a collection of works; it is an invitation to explore the intersection of art, life, and liberty as experienced by the bohemians of Paris, making it a valuable addition to the libraries of scholars, enthusiasts, and anyone fascinated by the confluence of creativity and rebellion.
A radical reconceptualization of modernism, this book traces the appearance of the modern artist to the Paris of the 1830s and links the emergence of an enduring modernist aesthetic to the fleeting forms of popular culture. Contrary to conventional views of a private self retreating from history and modernity, Popular Bohemia shows us the modernist as a public persona parodying the stereotypes of commercial mass culture. Here we see how the modern artist—alternately assuming the roles of the melodramatic hero, the urban flâneur, the female hysteric, the tribal primitive—created his own version of an expressive, public modernity in opposition to an increasingly repressive and conformist bourgeois culture. And here we see how a specifically modern aesthetic culture in nineteenth-century Paris came about, not in opposition to commercial popular culture, but in close alliance with it. Popular Bohemia revises dominant historical narratives about modernism from the perspective of a theoretically informed cultural history that spans the period between 1830 and 1914. In doing so, it reconnects the intellectual history of avant-garde art with the cultural history of bohemia and the social history of the urban experience to reveal the circumstances in which a truly modernist culture emerged.
Who, exactly, is a haute bohemian? Leave it to the discriminating, gimlet eye of photographer Miguel Flores-Vianna, who enjoys an international, cult-like following. He has journeyed through four continents to capture an extraordinary group of fashion designers, landscape architects, artists and art historians, potters, and interior designers, where they live--country cottages, beach bungalows, canal-side lofts, and East Village apartments, as well as assorted estancias, ch teaux, and palazzi. Some of these spaces are grand, others are modest, but all are original, stylish, charming, and above all authentic, in the sense that they reflect their owners' care and taste. His work is introduced by Amy Astley, editor of AD.