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Majestic at 2,600 metres above sea level, Bogot shows its best face from the air. The book provides a different perspective to admire the best facet of one of the largest cities in South America and to enjoy it with the dignity that only height can provide. From north to south and from east to west, "Bogot from the Air" is a due homage to the city that is capable of bringing as many emotions as people together. The book is the testimony of an evolutionary model that has turned the city, over the past forty years, into an urban centre in constant growth, improvement and expansion. However, the city's evolution has managed to maintain the individual, the citizen, at the heart of this process. Far from turning the city into a huge stone mass of asphalt and buildings, its development renews it and floods it with vitality, considering the fact that it breathes, feeds and lives. The traditional barrios, parks, historical and cultural centres dress up Bogot in its most splendorous gown to show it from a perspective that its early settlers could have never imagined 500 years ago.
For decades, Colombia was the 'narcostate'. Now travel to Colombia and South America is on the rise, and it's seen as one of the rising stars of the global economy. Where does the truth lie? Writer and journalist Tom Feiling, author of the acclaimed study of cocaine The Candy Machine, has journeyed throughout Colombia, down roads that were until recently too dangerous to travel, to paint a fresh picture of one of the world's most notorious and least-understood countries. He talks to former guerrilla fighters and their ex-captives; women whose sons were 'disappeared' by paramilitaries; the nomadic tribe who once thought they were the only people on earth and now charge $10 for a photo; the Japanese 'emerald cowboy' who made a fortune from mining; and revels in the stories that countless ordinary Colombians tell. How did a land likened to paradise by the first conquistadores become a byword for hell on earth? Why is one of the world's most unequal nations also one of its happiest? How is it rebuilding itself after decades of violence, and how successful has the process been so far? Vital, shocking, often funny and never simplistic, Short Walks from Bogota unpicks the tangled fabric of Colombia, to create a stunning work of reportage, history and travel writing.
To many foreigners, Colombia is a nightmare of drugs and violence. Yet normal life goes on there, and, in Bogotá, it's even possible to forget that war still ravages the countryside. This paradox of perceptions—outsiders' fears versus insiders' realities—drew June Carolyn Erlick back to Bogotá for a year's stay in 2005. She wanted to understand how the city she first came to love in 1975 has made such strides toward building a peaceful civil society in the midst of ongoing violence. The complex reality she found comes to life in this compelling memoir. Erlick creates her portrait of Bogotá through a series of vivid vignettes that cover many aspects of city life. As an experienced journalist, she lets the things she observes lead her to larger conclusions. The courtesy of people on buses, the absence of packs of stray dogs and street trash, and the willingness of strangers to help her cross an overpass when vertigo overwhelms her all become signs of convivencia—the desire of Bogotanos to live together in harmony despite decades of war. But as Erlick settles further into city life, she finds that "war in the city is invisible, but constantly present in subtle ways, almost like the constant mist that used to drip down from the Bogotá skies so many years ago." Shattering stereotypes with its lively reporting, A Gringa in Bogotá is must-reading for going beyond the headlines about the drug war and bloody conflict.
In Bogotá, a taut, moving novel set in present-day Colombia, Wilfredo decides to uproot his family from their small town, where his ferry service on the river subjects him to the gruesome errands demanded by the local paramilitary. Moving in with relatives in a slum in Bogotá, the family tries desperately to achieve the smallest measure of comfort and hope in a world of almost total ruin, wracked by deprivation, fear, and ceaseless violence. Alan Grostephan depicts with startling immediacy an urban landscape of extreme harshness and oppressive instability. The tension between the desperate conditions surrounding his characters and their efforts to hold on to their humanity gives Bogotá a ferocious energy. As Wilfredo and his family fight to stay alive and stay together, their plight emerges as equally enraging and uplifting, constituting a portrait of a society always on the verge of disintegration.
A firsthand account of Colombia's turmoil by a journalist who was held captive by rebel guerrillasIndependent journalist Garry Leech has spent the last eight years working in the most remote and dangerous regions of Colombia, uncovering the unofficial stories of people living in conflict zones. Unlike other Western journalists, most of whom rarely leave Bogotá, Leech learns the truth about conflicts and the U.S. war on drugs directly from the source: farmers, male and female guerrillas, union organizers, indigenous communities, and many others.Beyond Bogotá is built around the eleven hours that Leech was held captive by the FARC, Colombia's largest leftist guerrilla group, in August of 2006. Drawing on unprecedented access to soldiers, guerrillas, paramilitaries and peasants in conflict zones and cocaine-producing areas, Leech's documentary memoir is an epic tale of a journalist's search for meaning in the midst of violence and poverty. This compelling account provides fresh insights into U.S. foreign policy, the role of the media, and the plight of everyday Colombians caught in the middle of a brutal war."In this remarkable saga, Garry Leech conveys brilliantly and with vivid insight the magical qualities of this rich and tortured land, and the struggles and torment of its people." -Noam Chomsky"An extraordinary portrait of grace under pressure-not only of the author himself, but of ordinary Colombians fighting for social justice." -Forrest Hylton, author of Evil Hour in Colombia
Nestled high in the Andes Mountains, Bogotá stands as a bustling metropolis steeped in culture, history, and natural beauty. As the capital of Colombia, this city offers a unique blend of old-world charm and modern amenities, making it a captivating destination for travelers from around the globe. With its pleasant climate, diverse neighborhoods, and rich cultural heritage, Bogotá beckons visitors to explore its many facets. Whether you're wandering through its historic streets lined with colonial architecture, sampling delicious Colombian cuisine in local markets, or immersing yourself in the vibrant arts scene, Bogotá promises an unforgettable experience. Prepare to be enchanted by the warmth of its people, known for their hospitality and passion for life. From the lively Plaza de Bolívar to the serene Montserrate mountain towering over the city, Bogotá offers something for everyone. Join us on a journey through Bogotá, where every corner reveals a new story and every encounter leaves a lasting impression. Let the charm of Colombia's capital city capture your heart and ignite your sense of adventure.
After completing the shooting of Sleeping by the Mississippi in 2002, Alec Soth traveled to Bogot�, Colombia to adopt a baby girl. While the courts processed paperwork, he and his wife spent two months in the capital city waiting to take their new baby home. "The baby's birth mother gave the new parents a book filled with letters, pictures and poems. I hope that the hardness of the world will not hurt your sensitivity," she wrote, "When I think about you I hope that your life is full of beautiful things." With these words as a mission statement, Soth began making his own book for his daughter. Soth writes, "In photographing the city of her birth, I hope I've described some of the beauty in this hard place." Beauty makes itself known through ramshackle architecture, the companionship of animals, and the perseverance of the human spirit. Yet, in Dog Days, Bogot�, Soth's photographs transcend the simple description of beauty and poetically roam through a cast of strays, tough souls, and hints of hope. Alec Soth, born in 1969, is a photographer born and based in Minneapolis, Minnesota. He is the recipient of several major fellowships from the McKnight and Jerome Foundations and was awarded the 2003 Santa Fe Prize for Photography. His work is represented in major public and private collections, including the San Francisco Museum of Modern Art, the Museum of Fine Arts Houston and the Walker Art Center in Minneapolis. Soth's photographs have been featured in numerous solo and group exhibitions, including the 2004 Whitney and S�o Paulo Biennials. His monographs Sleeping by the Mississippi and NIAGARA were published by Steidl. Soth is an associate photographer with Magnum Photos
Detailed guide to the architecture and public parks that are part of the urban revitalization project of the downtown district of the city of Bogotá. Most of the buildings featured were built during the 20th century.
Once known as a “drug capital” and associated with kidnappings, violence, and excess, Bogotá, Colombia, has undergone a transformation that some have termed “the miracle of Bogotá.” Beginning in the late 1980s, the city emerged from a long period of political and social instability to become an unexpected model of urban development through the redesign and revitalization of the public realm—parks, transportation, and derelict spaces—under the leadership of two “public space mayors,” Antanas Mockus and Enrique Peñalosa (the latter reelected in 2015). In Learning from Bogotá, Rachel Berney analyzes how these mayors worked to reconfigure the troubled city into a pedagogical one whose public spaces and urban policy have helped shape a more tolerant and aware citizenry. Berney examines the contributions of Mockus and Peñalosa through the lenses of both spatial/urban design and the city’s history. She shows how, through the careful intertwining of new public space and transportation projects, the reclamation of privatized public space, and the refurbishment of dilapidated open spaces, the mayors enacted an ambitious urban vision for Bogotá without resorting to the failed method of the top-down city master plan. Illuminating the complex interplay between formal politics, urban planning, and improvised social strategies, as well as the negative consequences that accompanied Bogotá’s metamorphosis, Learning from Bogotá offers significant lessons about the possibility for positive and lasting change in cities around the world.