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The dynamic, collaborative management model that saved a U.S. manufacturing city When car-making giant General Motors decided to close its plant in Lansing, Michigan, in 1996, one person—the city’s newly elected mayor—stood up and said “no.” Initially, it was the cry of a man in the wilderness. Not once in its century-long history had GM reversed a decision to close a plant. But Mayor David Hollister quietly went to work building the Lansing Works! Keep GM! movement and succeeded in defying all the odds. Lansing remains GM’s Oldsmobile headquarters. Hollister’s collaborative problem-solving approach—the Second Shift model—succeeded in bringing together state and regional politicians, economic developers, private sector firms, labor unions, educators, and residents of the region. Powerful, persuasive, and well-organized, this coalition implemented a strategic, six-dimensional framework to achieve the seemingly impossible: • Identifying: Name the challenge and its impact • Partnering: Develop meaningful relationships • Building: Construct your strategy as you go • Solving: Engage in constant problem solving • Celebrating: Mark successful milestones • Persevering: Adapt and endure The Lansing Works! Keep GM! movement was a victory of people over bureaucracy, of a can-do attitude over cynicism—a story rarely told in today’s complex, technological, and often dehumanizing world of large business and out-of-control government. And the best part was that, in the end, both sides came away winners. It’s proof positive that when the public and private sectors work together as equal partners, amazing things can happen. One of the great business sagas of modern times, Second Shift provides a proven, practical design for problem solving that anyone can apply in any business, large or small.
An instant New York Times bestseller! The definitive biography of guitar legend Stevie Ray Vaughan, with an epilogue by Jimmie Vaughan, and foreword and afterword by Double Trouble’s Chris Layton and Tommy Shannon. Just a few years after he almost died from a severe addiction to cocaine and alcohol, a clean and sober Stevie Ray Vaughan was riding high. His last album was his most critically lauded and commercially successful. He had fulfilled a lifelong dream by collaborating with his first and greatest musical hero, his brother Jimmie. His tumultuous marriage was over and he was in a new and healthy romantic relationship. Vaughan seemed poised for a new, limitless chapter of his life and career. Instead, it all came to a shocking and sudden end on August 27, 1990, when he was killed in a helicopter crash following a dynamic performance with Eric Clapton. Just 35 years old, he left behind a powerful musical legacy and an endless stream of What Ifs. In the ensuing 29 years, Vaughan’s legend and acclaim have only grown and he is now an undisputed international musical icon. Despite the cinematic scope of Vaughan’s life and death, there has never been a truly proper accounting of his story. Until now. Texas Flood provides the unadulterated truth about Stevie Ray Vaughan from those who knew him best: his brother Jimmie, his Double Trouble bandmates Tommy Shannon, Chris Layton and Reese Wynans, and many other close friends, family members, girlfriends, fellow musicians, managers and crew members.
A hilarious send-up of writing workshops, for-profit education, and the gulf between believers and nonbelievers Marianne is in a slump: barely able to support herself by teaching, not making progress on her poetry, about to lose her Brooklyn apartment. When her novelist ex-fiancé, Eric, and his venture capitalist brother, Mark, offer her a job directing a low-residency school for Christian writers at a motel they’ve inherited on Florida’s Gulf Coast, she can’t come up with a reason to say no. The Genesis Inspirational Writing Ranch is born, and liberal, atheist Marianne is soon knee-deep in applications from writers whose political and religious beliefs she has always opposed but whose money she’s glad to take. Janine is a schoolteacher whose heartfelt poems explore the final days of Terri Schiavo’s life. Davonte is a former R&B superstar who hopes to reboot his career with a bestselling tale of excess and redemption. Lorraine and Tom, eccentric writers in need of paying jobs, join the Ranch as instructors. Mark finds an investor in God’s Word God’s World, a business that develops for-profit schools for the Christian market, but the conditions that come along with their support become increasingly problematic, especially as Marianne grows closer to the students. As unsavory allegations mount, a hurricane bears down on the Ranch, and Marianne is faced with the consequences of her decisions. With sharp humor and deep empathy, The Gulf is a memorable debut novel in which Belle Boggs plumbs the troubled waters dividing America.
Al Jazeera is one of the most widely watched news channels in the world--and one of the most controversial. A noted journalist speculates on the potentially dramatic effects of the network's new station on the Western world while uncovering the true story behind one of the most influential media outlets.
A brilliant exploration of the natural, medical, psychological, and political facets of fertility When Belle Boggs's "The Art of Waiting" was published in Orion in 2012, it went viral, leading to republication in Harper's Magazine, an interview on NPR's The Diane Rehm Show, and a spot at the intersection of "highbrow" and "brilliant" in New York magazine's "Approval Matrix." In that heartbreaking essay, Boggs eloquently recounts her realization that she might never be able to conceive. She searches the apparently fertile world around her--the emergence of thirteen-year cicadas, the birth of eaglets near her rural home, and an unusual gorilla pregnancy at a local zoo--for signs that she is not alone. Boggs also explores other aspects of fertility and infertility: the way longing for a child plays out in the classic Coen brothers film Raising Arizona; the depiction of childlessness in literature, from Macbeth to Who's Afraid of Virginia Woolf?; the financial and legal complications that accompany alternative means of family making; the private and public expressions of iconic writers grappling with motherhood and fertility. She reports, with great empathy, complex stories of couples who adopted domestically and from overseas, LGBT couples considering assisted reproduction and surrogacy, and women and men reflecting on childless or child-free lives. In The Art of Waiting, Boggs deftly distills her time of waiting into an expansive contemplation of fertility, choice, and the many possible roads to making a life and making a family.
He caressed the part of his jacket where I think he put his pistol.'No problem. I drive fast when I'm scared. I'm ok now.' I looked in the mirror again. 'I'm Randy Warrior. What's your name?'He looked strangely at me, as if afraid to divulge his identity, fearing I might recognize him from America's Most Wanted. So, I asked again, 'What's your name? What do I call you? Hey, man with the gun? Grease top?' As I said it, I knew that last comment was pushing it a bit.'I-I'm Randy Warrior too.' He said, voice cracking. He looked stern and cold.Exerpt from Warrior's Road'Struggling With the Spirit' is a series of short stories set in the lives of ordinary LDS people. Some of the stories revolve around gospel activity while others do not. These stories were written to inspire the human side of our spiritual nature.
Boggs: A Comedy of Values teases out these transactions and their sometimes dramatic legal consequences, following Boggs on a larkish, though at the same time disconcertingly profound, econo-philosophic chase. For in a madcap Socratic fashion, Boggs is raising all sorts of truly fundamental questions - what is it that we value in art, or, for that matter, in money? Indeed, how do we place a value on anything at all? And in particular, why do we, why should we, how can we place such trust in anything as confoundingly insubstantial as paper money?
If baseball is America's national religion, then the Hall of Fame is its High Church. Being named among its 286 inductees makes you the closest thing our country has to an undisputed hero - even a secular saint. But the men in the Hall of Fame are no angels. Among their number are gamblers, drunks, race-baiters, at least one murderer, and perhaps the greatest collection of bona fide characters ever to be dignified by an honor of any kind. This is the book the Hall of Fame deserves. Along with the story of the institution comes a smart, irreverent discussion of some of the great barstool questions of all time (Why did Jim Bunning make the Hall but not Mickey Lolich? How much is it worth to a player's autograph-signing career to get in? Did Ty Cobb really kill somebody?) and a fresh look at some of the Hall's most and least admirable characters. Taken in all, it amounts to a shadow history of America's Game, shown through the prism of its most sacred spot. Written with a deep love of the game and a hardened skeptic's eye, this is a book to incite both passionate conversation and a fresh appreciation of baseball as a mirror and catalyst for our nation's culture.
From "a brilliant spawn of Raymond Carver and Flannery O'Connor" (Elle) comes a novel starring an exhilarating cast of characters that reflects the search, not just for home, but for self. Willie and Liberty are drifters. They break into Florida vacation homes while the owners are away, stay a while, and then move on. They have been lovers since they were teenagers, yet Liberty now senses that Willie is drifting away from her—that their search, so relentless and mysterious, is becoming increasingly dangerous.
Legendary western author Max Evans has spent his entire life working with cows and horses. These rangeland animals, and other creatures both domestic and wild, play pivotal roles in his stories. This magnificent collection, beautifully illustrated by cowboy artist Keith Walters, showcases twenty-six animal tales penned by Evans during his long and celebrated career. Both fiction and nonfiction, the stories in this collection get us inside the heads and hearts of numerous four-legged critters—dogs, horses, burros, goats, cattle, deer, coyotes, and more. “The Old One,” for example, shows us the world through the eyes of a prairie dog as she watches her latest litter of pups rolling and tumbling around the mound and thinks of all the things she will need to teach them. And in “The One-Eyed Sky,” an aging cow with a new calf and an old coyote with a litter to feed circle each other warily, trying to protect their young, until a rancher intervenes. Not one to shy away from difficult subjects, Evans also delves into the “animal nature” of human beings, as in “The Heart of the Matter,” where two Vietnam vets and friends kill a deer and then turn their rifles on each other. These captivating tales display Evans’s trademark mix of raucous humor and vivid, poetic descriptions of the high plains of West Texas and his beloved Hi-Lo Country in northeastern New Mexico. He reminds his readers of simpler times and more honorable people even as he evokes the merciless environment in which his characters, both animal and human, struggle to survive.