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I just got traded from Atlanta to the Baltimore Bay Birds. I cannot stress enough how much I. Hate. Baltimore. I grew up in New York, and the Bay Birds are my mortal enemy. Now I have to prove my worth as a pitcher if I can ever hope to play for the New York Kings someday. The sooner I get the hell out of this city, the better. I'm still not over my broken engagement, so being the maid of honor for my best friend is tough. At least I get to sing at the wedding, which reminds me that my Broadway dreams are more important than any stupid man. Besides, I'm happy to support my dearest friend even if she has her Prince Charming and I don't. Prince Charming. That's what the gorgeous maid of honor said she was looking for, and that is definitely not me. And yet, I haven't been able to stop thinking about her since I heard her sing at the wedding. I wanted to get out of Baltimore ASAP, but this woman somehow has me wanting to stay… Topics: baseball romance, sports romance, steamy sports romance, good guy romance, contemporary romance, steamy contemporary romance, hot athletes, love stories, steamy romance, romantic novels, no cliffhangers, HEA, romance series, strong heroine, heartwarming romance, feel good romance, swoonworthy, hot romance, modern romance, low angst romance, protective hero, grumpy sunshine romance Read the entire Boys of Baltimore series: First Pitch Swinging Second Base Second Chance Called Third Strike Batting Fourth Fifth Inning Official
Nearly seven million Muslims live in the United States today, and their relations with non-Muslims are strained. Many Americans associate Islam with figures such as Osama bin Laden, and they worry about “homegrown terrorists.” To shed light on this increasingly important religious group and counter mutual distrust, renowned scholar Akbar Ahmed conducted the most comprehensive study to date of the American Muslim community. Journey into America explores and documents how Muslims are fitting into U.S. society, placing their experience within the larger context of American identity. This eye-opening book also offers a fresh and insightful perspective on American history and society. Following up on his critically acclaimed Journey into Islam: The Crisis of Globalization (Brookings, 2007), Ahmed and his team of young researchers traveled for a year through more than seventyfive cities across the United States—from New York City to Salt Lake City; from Las Vegas to Miami; from the large Muslim enclave in Dearborn, Michigan, to small, predominantly white towns like Arab, Alabama. They visited homes, schools, and over one hundred mosques to discover what Muslims are thinking and how they are living every day in America. In this unprecedented exploration of American Muslim communities, Ahmed asked challenging questions: Can we expect an increase in homegrown terrorism? How do American Muslims ofArab descent differ from those of other origins (for example, Somalia or South Asia)? Why are so many white women converting to Islam? How can a Muslim become accepted fully as an “American,” and what does that mean? He also delves into the potentially sticky area of relations with other religions. For example, is there truly a deep divide between Muslims and Jews in America? And how well do Muslims get along with other religious groups, such as Mormons in Utah? Journey into America is equal parts anthropological research, listening tour, and travelogue. Whereas Ahmed’s previous book took the reader into homes, schools, and mosques in the Muslim world, his new quest takes us into the heart of America and its Muslim communities. It is absolutely essential reading for anyone trying to make sense of America today.
Welcome to the critically acclaimed HBO drama series The Wire, hailed as "the best show on television, period" by the San Francisco Chronicle. The New York Times calls it "a vital part of the television landscape...unvarnished realism." Time declares that The Wire, "like its underfunded, workaday cops, just plugged away until it outshone everything else on TV." The Wire stands not only as riveting drama but also as a sociopolitical treatise with ambitions beyond any television serial. The failure of the drug war, the betrayal of the working class, the bureaucratization of the culture and the cost to individual dignity -- such are the themes of the drama's first two seasons. And with every new episode of season three and beyond, another layer of modern urban life will be revealed. Gritty, densely layered, and realistic, The Wire is series television at its very best, told from the point of view of the Baltimore police, their targets, and many of those caught in the middle. Rafael Alvarez -- a reporter, essayist, and staff writer for the show -- brings the reader inside, detailing many of the real-life incidents and personalities that have inspired the show's storylines and characters, providing the reader with insights into the city of Baltimore -- itself an undeniable character in the series. Packed with photographs and featuring an introduction by series creator and executive producer David Simon, as well as essays by acclaimed authors George Pelecanos, Laura Lippman, and Anthony Walton, here is an invaluable resource for both fans of the show and viewers who have yet to discover The Wire. Hollywood has long used the cop drama to excite and entertain, and Hollywood has always dictated the terms. But The Wire is filmed entirely in Baltimore, conceived by Baltimoreans, and written by rust-belt journalists and novelists intimately familiar with the urban landscape. It's as close as television has yet come to allowing an American city to tell its own tale.
The first collection of critical essays on HBO's The Wire - the most brilliant and socially relevant television series in years The Wire is about survival, about the strategies adopted by those living and working in the inner cities of America. It presents a world where for many even hope isn't an option, where life operates as day-to-day existence without education, without job security, and without social structures. This is a world that is only grey, an exacting autopsy of a side of American life that has never seen the inside of a Starbucks. Over its five season, sixty-episode run (2002-2008), The Wire presented several overlapping narrative threads, all set in the city of Baltimore. The series consistently deconstructed the conventional narratives of law, order, and disorder, offering a view of America that has never before been admitted to the public discourse of the televisual. It was bleak and at times excruciating. Even when the show made metatextual reference to its own world as Dickensian, it was too gentle by half. By focusing on four main topics (Crime, Law Enforcement, America, and Television), The Wire: Urban Decay and American Television examines the series' place within popular culture and its representation of the realities of inner city life, social institutions, and politics in contemporary American society. This is a brilliant collection of essays on a show that has taken the art of television drama to new heights.
My book is about non-fictional reality in its truest form, slowly based on and about the world as we know it today. However it's a depiction of what I see, through my eyes as well.
From the time we are young, we fear the monster under the bed or in the closet, making it impossible to sleep without a nightlight. Then, we hear stories of Bigfoot, and maybe even the Mothman around campfires. When we are adults, we wonder if there might actually be supernatural creatures lurking in the shadows. Are these tall tales and urban legends only metaphors for what horrific things humanity is capable of-or do monsters exist? Go to some terrifying places with this cast of authors. You will be dragged into mystifying realities where demonic fairies hide, where devil monkeys lure carnival-goers to their demise, where Goatmen seek to destroy their prey, and where the goddess of death puts out a hit on victims of her choice. These shocking tales will have you biting your nails and locating that childhood nightlight. Because, in the end, we all know monsters do exist.
A trail of suspicion and terror tolls in the wake of the brutal murder of undercover Baltimore Police Detective Frank Dixon. John Larkin, the victims friend and fellow Special Investigations Section officer, gets involved in an investigation that leads him to a hell hole of crime and debauchery known as Pigtown, dominated by its kingpin, Ernest Broadway, and his army of assassins. What Larkin discovers in his investigation places his own life in jeopardy and entangles him in the underbelly of a vast deception in the rank of those who both control the law and the lawless. Larkin can only extricate himself from this dangerous bondage by putting his badge and duty to uphold the law aside.
A New York Times Best Seller! To many, the past 8 years under President Obama were meant to usher in a new post-racial American political era, dissolving the divisions of the past. However, when seventeen-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then Ferguson, Missouri, happened; and then South Carolina hit the headlines; and then Baltimore blew up, it was hard to find any evidence of a new post-racial order. Suddenly the entire country seemed to be awakened to a stark fact: African American men are in danger in America. This has only become clearer as groups like Black Lives Matter continue to draw attention to this reality daily not only online but also in the streets of our nation’s embattled cities. Now one of our country’s quintessential urban war zones is brought powerfully to life by a rising young literary talent, D. Watkins. The author fought his way up on the eastside (the “beastside”) of Baltimore, Maryland—or “Bodymore, Murderland,” as his friends call it. He writes openly and unapologetically about what it took to survive life on the streets while the casualties piled up around him, including his own brother. Watkins pushed drugs to pay his way through school, staying one step ahead of murderous business rivals and equally predatory lawmen. When black residents of Baltimore finally decided they had had enough—after the brutal killing of twenty-five-year-old Freddie Gray while in police custody—Watkins was on the streets as the city erupted. He writes about his bleeding city with the razor-sharp insights of someone who bleeds along with it. Here are true dispatches from the other side of America. In this new paperback edition, the author has also added new material responding to the rising tide of racial resentment and hate embodied by political figures like Donald Trump and Ted Cruz, and the impact this has had on issues of race in America. This book is essential reading for anyone trying to make sense of the chaos of our current political moment.
From the Vault is a book of poetry consisting of some of my earliest and best work yet. I reached deep into my thoughts and pulled out some of my best writings for your enjoyment. Please sit back and enjoy one poem at a time.
In City on the Line, former Baltimore budget director Andrew Kleine asks why the way government does its most important job – deciding how to spend taxpayer dollars – hasn’t changed in hundreds of years. Parts memoir, manifesto, and manual, this book tells the story of Baltimore’s radical departure from traditional line item budgeting to a focus on outcomes like better schools, safer streets, and stronger neighborhoods—during one of the most tumultuous decades in the city’s history. Elected officials, executives, and citizens alike will be equipped to transform budgets in their city, state, or any other mission-driven organization.