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Body of Render explores the internal and external impacts of societal and national decisions that strip away our basic human rights through a collection of poems that carve at the physical, the political, the intimate, and the structural, where poems simultaneously create and encourage voice to seek a path toward collective mending.
Session Initiation Protocol (SIP), standardized by the Internet Engineering Task Force (IETF), has emulated the simplicity of the protocol architecture of hypertext transfer protocol (HTTP) and is being popularized for VoIP over the Internet because of the ease with which it can be meshed with web services. However, it is difficult to know exactly how many requests for comments (RFCs) have been published over the last two decades in regards to SIP or how those RFCs are interrelated. Handbook on Session Initiation Protocol: Networked Multimedia Communications for IP Telephony solves that problem. It is the first book to put together all SIP-related RFCs, with their mandatory and optional texts, in a chronological and systematic way so that it can be used as a single super-SIP RFC with an almost one-to-one integrity from beginning to end, allowing you to see the big picture of SIP for the basic SIP functionalities. It is a book that network designers, software developers, product manufacturers, implementers, interoperability testers, professionals, professors, and researchers will find to be very useful. The text of each RFC from the IETF has been reviewed by all members of a given working group made up of world-renowned experts, and a rough consensus made on which parts of the drafts need to be mandatory and optional, including whether an RFC needs to be Standards Track, Informational, or Experimental. Texts, ABNF syntaxes, figures, tables, and references are included in their original form. All RFCs, along with their authors, are provided as references. The book is organized into twenty chapters based on the major functionalities, features, and capabilities of SIP.
This introduction to cybercultures provides a cutting-edge and much needed guide to the rapidly changing world of new media and communication. Considers cyberculture and new media through contemporary race, gender and sexuality studies and postcolonial theory Offers a clear analysis of some of the most complex issues in cybercultures, including identity, network societies, new geographies, and connectivity Includes discussions of gaming, social networking, geography, net-democracy, aesthetics, popular internet culture, the body, sexuality and politics Examines key questions in the political economy, racialization, gendering and governance of cyberculture
W. G. Sebald meets Maggie Nelson in an autobiographical narrative of embodiment, visual art, history, and loss. How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzáles-Torres’s artworks—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.
Poetry. "To enter into these poems one must be fully committed, as the poet is, to seeing this world as it is, to staying with it, moment by moment, day by day. Yet these poems hold a dark promise: this is how you can do it, but you must be fully engaged, which means you must be fully awake, you must wake up inside it. As we proceed, the how-to of the beginning poems subtly transform, as the animals (or, more specifically, the livestock) we are engaging begin to, more and more, become part of us, literally and figuratively we enter inside of that which we devour."--Nick Flynn "This is the book you want with you in the cellar when the tornado is upstairs taking your house and your farm. It's the book you want in the bomb shelter, and in the stalled car, in the kitchen waiting for the kids to come home, in the library when the library books are burned. Its instructions are clear and urgent. Rebecca Gayle Howell has pressed her face to the face of the actual animal world. She remembers everything we have forgotten. Read this! It's not too late. We can start over from right here and right now."--Marie Howe "In every one of these haunting and hungry poems, Howell draws a map for how to enter the heat and dew of the human being, naked and facing the natural world, desperate to feel. I did not realize while reading RENDER how deeply I was handing everything over."--Nikky Finney
Connects theories of sexual difference to race and queer theories through a focus on “in-between” bodies.
"The Eucharist remains a parable by means of which bodiliness in a variety of forms may be recognized and appreciated. Jesus' purpose at the Last Supper, the author contends, was to transmit his entire identity, flesh and spirit alike, to the community he thereby recreated. The recognition of this offers a fresh opportunity to appreciate other kinds of bodiliness: natural, erotic, symbolic and cosmic, as well as communal. This book, in a perceptive and enlightening manner, celebrates that opportunity." [Publisher].