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On June 17, 1966, the author's high school classmate, M. J. Savoy, was killed in a military plane crash into the South China Sea off the coast of Vietnam. The search for M. J. and his crewmates was unsuccessful, and each has since been listed as Killed in Action/Body Not Recovered. But what if M. J. did not really die in that crash? What if it were staged for some reason? Body Not Recovered is inspired by and dedicated to M. J. Savoy. When 1964 University City graduate and teenage loner, JR Spears, enlists to fight in Vietnam for the noblest of reasons, he begins a journey that takes him from committed warrior to reluctant soldier to underground antiwar leader. Confronted by a conflict they increasingly find abhorrent and unjust, Spears and a small cadre of comrades conspire, with both commitment and foreboding, to stage a helicopter crash, fake their deaths, and surreptitiously return to the states to join the protest movement. These deserters are not the only ones who risk their lives and personal freedom or whose families are ravaged by the war. When Maggie Blessing's brother is killed in action, she runs away from home to join the antiwar movement, leaving her mourning parents. John Muccelli, Spears's high school classmate, fulfills his lifelong dream of becoming an FBI agent, only to be conflicted by the illegal tactics he is ordered to use to hunt down protest instigators. Bernice Williams, Maggie's mentor and lover, turns from influential antiwar leader to zealous bomber to victim of her own fanaticism. The war, the protests, these characters, and the soul of a nation converge in the supercharged 1960s and 1970s environment of the Bay Area.
The protest movement in opposition to the Vietnam War was a complex amalgam of political, social, economic, and cultural motivations, factors, and events. Against the Vietnam War brings together the different facets of that movement and its various shades of opinion. Here the participants themselves offer statements and reflections on their activism, the era, and the consequences of a war that spanned three decades and changed the United States of America. The keynote is on individual experience in a time when almost every event had national and international significance.
"Nine U.S. activists discuss the parts they played in opposing the war at home and their risky travels to Vietnam in the midst of the conflict to engage in people-to-people diplomacy. In 2013, the 'Hanoi 9' activists revisited Vietnam together; this book presents their thoughtful reflections on those experiences, as well as the stories of five U.S. veterans who returned to make reparations. Their successes in antiwar organizing will challenge the myths that still linger from that era, and inspire a new generation seeking peaceful solutions to war and conflict today"--
How the startling image of an anti-war protested spitting on a uniformed veteran misrepresented the narrative of Vietnam War political debate One of the most resilient images of the Vietnam era is that of the anti-war protester — often a woman — spitting on the uniformed veteran just off the plane. The lingering potency of this icon was evident during the Gulf War, when war supporters invoked it to discredit their opposition. In this startling book, Jerry Lembcke demonstrates that not a single incident of this sort has been convincingly documented. Rather, the anti-war Left saw in veterans a natural ally, and the relationship between anti-war forces and most veterans was defined by mutual support. Indeed one soldier wrote angrily to Vice President Spiro Agnew that the only Americans who seemed concerned about the soldier's welfare were the anti-war activists. While the veterans were sometimes made to feel uncomfortable about their service, this sense of unease was, Lembcke argues, more often rooted in the political practices of the Right. Tracing a range of conflicts in the twentieth century, the book illustrates how regimes engaged in unpopular conflicts often vilify their domestic opponents for "stabbing the boys in the back." Concluding with an account of the powerful role played by Hollywood in cementing the myth of the betrayed veteran through such films as Coming Home, Taxi Driver, and Rambo, Jerry Lembcke's book stands as one of the most important, original, and controversial works of cultural history in recent years.
David Harris was the most famous draft resister of the Vietnam War. A former student body president of Stanford University, he refused to accept induction and be sent to Vietnam. As a consequence, he spent nearly two years in a federal prison. With his marriage to Joan Baez, he emerged as the leading moral voice of his generation. For the past two decades, he has largely remained silent as the antiwar movement he led stood accused by critics and politicians of everything from cowardice to stab-in-the-back betrayal to frivolity. Now, in Our War, he speaks out in defense of a generation torn by one of the more divisive wars in America's history. Neither a history nor an autobiography, though containing aspects of both. Our War is a compelling, even fevered account of stalking the war's moral shadow through the decades since its ignominious end. It is a powerful rumination on the war, the protest movement, and America's need, even now, so many years later, for a reckoning. Our War is a one-of-a-kind look at who we were, what we did, why we did it, and what those actions made of us, seen through the eyes of a unique and significant American figure and one of our most gifted writers. Part memoir, part polemic, all passion. Our War is a disturbing book, a cry from the heart of an anguished American.
If you’re both overcome and angered by the atrocities of our time, this will inspire a “new generation of activists and ordinary people who search for hope in the darkness” (Keeanga-Yamahtta Taylor). Is change possible? Where will it come from? Can we actually make a difference? How do we remain hopeful? Howard Zinn—activist, historian, and author of A People’s History of the United States—was a participant in and chronicler of some of the landmark struggles for racial and economic justice in US history. In his memoir, You Can’t Be Neutral on a Moving Train, Zinn reflects on more than thirty years of fighting for social change, from his teenage years as a laborer in Brooklyn to teaching at Spelman College, where he emerged in the civil rights movement as a powerful voice for justice. A former bombardier in World War II, he later became an outspoken antiwar activist, spirited protestor, and champion of civil disobedience. Throughout his life, Zinn was unwavering in his belief that “small acts, when multiplied by millions of people, can transform the world.” With a foreword from activist and scholar Keeanga-Yamahtta Taylor, this revised edition will inspire a new generation of readers to believe that change is possible.
No other radical historian has reached so many hearts and minds as Howard Zinn. It is rare that a historian of the Left has managed to retain as much credibility while refusing to let his academic mantle change his beautiful writing style from being anything but direct, forthright, and accessible. Whether his subject is war, race, politics, economic justice, or history itself, each of his works serves as a reminder that to embrace one's subjectivity can mean embracing one's humanity, that heart and mind can speak with one voice. Here, in six sections, is the historian's own choice of his shorter essays on some of the most critical problems facing America throughout its history, and today.
“A terrific book, lively and brisk . . . a must read for anyone who tries to understand the Vietnam War.” —Thomas E. Ricks Is it possible that the riddle of America’s military failure in Vietnam has a one-word, one-man answer? Until we understand Gen. William Westmoreland, we will never know what went wrong in the Vietnam War. An Eagle Scout at fifteen, First Captain of his West Point class, Westmoreland fought in two wars and became Superintendent at West Point. Then he was chosen to lead the war effort in Vietnam for four crucial years. He proved a disaster. Unable to think creatively about unconventional warfare, Westmoreland chose an unavailing strategy, stuck to it in the face of all opposition, and stood accused of fudging the results when it mattered most. In this definitive portrait, prize-winning military historian Lewis Sorley makes a plausible case that the war could have been won were it not for General Westmoreland. An authoritative study offering tragic lessons crucial for the future of American leadership, Westmoreland is essential reading. “Eye-opening and sometimes maddening, Sorley’s Westmoreland is not to be missed.” —John Prados, author of Vietnam: The History of an Unwinnable War, 1945–1975
David Maraniss tells the epic story of Vietnam and the sixties through the events of a few gripping, passionate days of war and peace in October 1967. With meticulous and captivating detail, They Marched Into Sunlight brings that catastrophic time back to life while examining questions about the meaning of dissent and the official manipulation of truth—issues that are as relevant today as they were decades ago. In a seamless narrative, Maraniss weaves together the stories of three very different worlds: the death and heroism of soldiers in Vietnam, the anger and anxiety of antiwar students back home, and the confusion and obfuscating behavior of officials in Washington. To understand what happens to the people in these interconnected stories is to understand America's anguish. Based on thousands of primary documents and 180 on-the-record interviews, the book describes the battles that evoked cultural and political conflicts that still reverberate.
Based on classified documents and interviews, argues that American acts of violence against millions of Vietnamese civilians during the Vietnam War were a pervasive and systematic part of the war.