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First comprehensive consideration of the role, function, social context and significance of pots shaped to mimic the human body or parts thereof among prehistoric communities
Clay body additions can introduce remarkable new forms and textures in ceramic work. With an emphasis on creativity and experimentation, ceramicist Kathleen Standen reveals a range of possible effects, and profiles the extraordinary work of contemporary makers using additions in their practice.Beginning with an introduction to collecting local clay and making your own clay bodies, the book moves on to cover the array of additions being used by artists today, from hard materials like stones, glass and rust, to combustible matter and fibre, metals including wire and mesh, and colour in various forms. The book is lavishly illustrated throughout with both unique making methods and the beautiful finished works of ceramic artists from around the world.Additions to Clay Bodies is an inspiring introduction to the art of using additions and an essential companion for any artist wishing to expand their practice.
"Body of Clay, Soul of Fire" will delight art lovers, potters, and collectors, as well as everyone who is interested in Japanese and Benedictine traditions. Richard Bresnahan is a preeminent American potter and an ambassador for the natural environment. Reared on a farm in North Dakota, he graduated from Saint John's University in Collegeville, Minnesota, and apprenticed as a potter in Japan. Returning to Saint John's, where he is an artist in residence, he built a massive wood-burning kiln, which, with its innovative flame flues and water channels, dwarfs all other North American kilns. By digging his own clay, using local seeds and hulls as glazing materials, and firing with deadfall, Bresnahan also practices a brand of environmentalism worthy of his Benedictine surroundings.
Formulating, mixing, applying and firing clay boolies and glazes.
Clay Work and Body Image in Art Therapy provides an important addition to resources available in the field of clay work and art therapy, highlighting the unique sensory aspects of the medium and its ability to provide a therapeutic resource for women who experience body image issues. Chapters offer a comprehensive distillation of current knowledge in the field of body image, clay work, neuroscience, and art therapy, building a theoretical framework around personal narratives. Case studies examine the benefits of exploring body image through clay work within art therapy practice, providing a positive and contained way to find personal acceptance and featuring photographs of clay body image sculptures created by research participants that highlight their individual stories and experiences. As well as offering both clinical and practical implications, the text provides a full protocol for the research and evaluation methods carried out, enabling further replication of the intervention and research methods by other therapists. This book highlights clay work as a significant resource for art therapists, arts in health practitioners, and counsellors, providing an emotive yet contained approach to the development of personal body image acceptance and self-compassion.
Katherine Dewey's expressive and elegantly detailed sculptures enchant all who see them. With the magical medium of polymer clay and this book, you can follow in her footsteps. Thorough instructions supported by more than 400 step-by-step color photos and 200 detailed drawings cover the entire process of sculpting realistic figures, from selecting clay and gathering essential tools to the basics of modeling the human figure, to incorporating poses, facial expressions, ethnic and gender subtleties, costumes, and painted finishing touches. Easy-to-read maps of the figure illustrate the landmarks of the body, while scale diagrams indicate the simple shapes hidden within the human form, as well as how to combine and model those shapes. For anyone who loves fantasy, romance, nature—or sophisticated crafting—this book is a must-have.
If one seeks to understand Haudenosaunee (Six Nations) history, one must consider the history of Haudenosaunee land. For countless generations prior to European contact, land and territory informed Haudenosaunee thought and philosophy, and was a primary determinant of Haudenosaunee identity. In The Clay We Are Made Of, Susan M. Hill presents a revolutionary retelling of the history of the Grand River Haudenosaunee from their Creation Story through European contact to contemporary land claims negotiations. She incorporates Indigenous theory, fourth world post-colonialism, and Amerindian autohistory, along with Haudenosaunee languages, oral records, and wampum strings to provide the most comprehensive account of the Haudenosaunee’s relationship to their land. Hill outlines the basic principles and historical knowledge contained within four key epics passed down through Haudenosaunee cultural history. She highlights the political role of women in land negotiations and dispels their misrepresentation in the scholarly canon. She guides the reader through treaty relationships with Dutch, French, and British settler nations, including the Kaswentha/Two-Row Wampum (the precursor to all future Haudenosaunee-European treaties), the Covenant Chain, the Nanfan Treaty, and the Haldimand Proclamation, and concludes with a discussion of the current problematic relationships between the Grand River Haudenosaunee, the Crown, and the Canadian government.
A well illustrated guide to finishing ceramic work without using a glaze.
Chinese pottery has long been esteemed not only for its beauty and delicacy but also for the utility and efficiency evident in the potter's skill.
"The vessels in the pages that follow open to us a world flickering with the light of a people's collective character and shared philosophy. These vessels have bodies of clay, but they float before us in the zero gravity of wisdom and belief."-- Edwin L. Wade Canvas of Clay tells the story of Hopi ceramics from the 14th century to recent times, offering a particularly close look at the art and life of the master potter Nampeyo (1860-1942). It analyzes the specific dynamics of nearly 100 jars and bowls, all richly illustrated, weaving in many insights into Hopi history, aesthetics, and symbolism. Included are original schematic drawings that will help readers understand how pottery decoration is built from ingeniously combined design elements. This book is a glorious testament to a brilliant art form and its practitioners, presented with passion, knowledge, and respect.