Download Free Boccaccio Decameron Book in PDF and EPUB Free Download. You can read online Boccaccio Decameron and write the review.

In the time of a devastating pandemic, seven women and three men withdraw to a country estate outside Florence to give themselves a diversion from the death around them. Once there, they decide to spend some time each day telling stories, each of the ten to tell one story each day. They do this for ten days, with a few other days of rest in between, resulting in the 100 stories of the Decameron. The Decameron was written after the Black Plague spread through Italy in 1348. Most of the tales did not originate with Boccaccio; some of them were centuries old already in his time, but Boccaccio imbued them all with his distinctive style. The stories run the gamut from tragedy to comedy, from lewd to inspiring, and sometimes all of those at once. They also provide a detailed picture of daily life in fourteenth-century Italy.
"Previously published as The decameron project."
In Medieval Italy, seven young women and three young men flee plague-ridden Florence for the countryside, where, over the course of ten carefree days, each tells ten stories of intrigue and romance-100 tales in all. First published in the 1300s, these lusty tales are still as entertaining and diverting as they were during the Middle Ages. Here noblemen and ladies, peasants and princesses, cavort together in a magnificent collection of timeless tales brimming with life and love. The Decameron is a big book, and most publishers try to pack it into small newsprint pages with tiny, nearly unreadable type. This edition, on the other hand, has been newly designed and printed on large-format, high-quality paper with easy-to-read type, making it a deluxe volume at a still-reasonable price.
This new translation by Guido Waldman captures the exuberance and variety and tone of Boccaccio's masterpiece.
'Plunge a syringe filled with adrenaline into the heart of Twelve Angry Men and you've got The Holdout: the first legal thriller in thirty years - ever since Presumed Innocent and A Time to Kill electrified readers the world over - to rank alongside those two modern classics.' AJ Finn'The most gripping and satisfying thriller I've read in more than a decade' Sophie Hannah'Quite the tour de force! Twelve Angry Men meets Chinatown and creates something of its own' Sarah Pinborough'This is a tense, emotionally charged, scary-good, stand-out read that hooked me until the last page' Caroline KepnesOne juror changed the verdict. What if she was wrong?'Ten years ago we made a decision together...'Fifteen-year-old Jessica Silver, heiress to a billion-dollar fortune, vanishes on her way home from school. Her teacher, Bobby Nock, is the prime suspect. It's an open and shut case for the prosecution, and a quick conviction seems all but guaranteed. Until Maya Seale, a young woman on the jury, persuades the rest of the jurors to vote not guilty: a controversial decision that will change all of their lives forever.Ten years later, one of the jurors is found dead, and Maya is the prime suspect.The real killer could be any of the other ten jurors. Is Maya being forced to pay the price for her decision all those years ago?
When originally published in 1995, the volume represented a major, new departure from the "normal" sort of scholarship on Boccaccio's masterpiece, and its unique approach and contents are still valid and valuable today. The seventeen original essays in the volume focus on providing a comprehensive view of the Decameron through the analysis of particular aspects, particular problem areas in the reading and interpretation of the work. Each essay offers a critical window on a defined topic (indicated by the headwords), and, when taken together, these individual essays intersect with, supplement, and reinforce one another, thus emphasizing the harmonious nature of the work as a whole and the importance of examining it through a variety of lenses. The newness of the volume also consists in its introduction of innovative exegetical approaches and the identification of previously unidentified sources and influences. While not providing an orderly reading of the Decameron as a more traditional series of day-by-day lecturae would do, the essays examine multiple novelle from various Days and from differing perspectives so as to provide an assemblage of comprehensive views on the text. For the English-language edition two new items have been added: an update to Vittore Branca's essay on the history of the text of the Decameron and a bibliographical overview of North-American studies on the Decameron and, more generally, on Boccaccio's life, works and influence.
00 Singleton preserves the genius of Payne's language and style, but removes the Victorianisms that intrude upon the enjoyment of contemporary readers. He adds essential annotation and original interpretation to round out this unexcelled English edition of Boccaccio's great work. Singleton preserves the genius of Payne's language and style, but removes the Victorianisms that intrude upon the enjoyment of contemporary readers. He adds essential annotation and original interpretation to round out this unexcelled English edition of Boccaccio's great work.
Giuseppe Mazzotta provides both a powerful framework for reading the Decameron and an important contribution to medieval and contemporary debates in esthetics. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
� Gracious Ladies, so often as I consider with my selfe, and observe respectively, how naturally you are enclined to compassion; as many times doe I acknowledge, that this present worke of mine, will (in your judgement) appeare to have but a harsh and offensive beginning, in regard of the mournfull remembrance it beareth at the verie entrance of the last Pestilentiall mortality, universally hurtfull to all that beheld it, or otherwise came to knowledge of it. But for all that, I desire it may not be so dreadfull to you, to hinder your further proceeding in reading, as if none were to looke thereon, but with sighes and teares. For, I could rather wish, that so fearefull a beginning, should seeme but as an high and steepy hil appeares to them, that attempt to travell farre on foote, and ascending the same with some difficulty, come afterward to walk upon a goodly even plaine, which causeth the more contentment in them, because the attayning thereto was hard and painfull. For even as pleasures are cut off by griefe and anguish; so sorrowes cease by joyes most sweete and happie arriving. After this briefe mollestation; briefe I say, because it is contained within small compasse of Writing; immediately followeth the most sweete and pleasant taste of pleasure, whereof (before) I made promise to you. Which (peradventure) could not bee expected by such a beginning, if promise stood not thereunto engaged. And indeed, if I could well have conveyed you to the center of my desire, by any other way, then so rude and rocky a passage as this is, I would gladly have done it. But because without this Narration, we could not demonstrate the occasion how and wherefore the matters hapned, which you shall reade in the ensuing Discourses: I must set them downe (even as constrained thereto by meere necessity) in writing after this manner. The yeare of our blessed Saviours incarnation, 1348, that memorable mortality happened in the excellent City, farre beyond all the rest in Italy; which plague, by operation of the superiour bodies, or rather for our enormous iniquities, by the just anger of God was sent upon us mortals. Some few yeeres before, it tooke beginning in the Easterne partes, sweeping thence an innumerable quantity of living soules: extending it selfe afterward from place to place Westward, until it seized on the said City. Where neither humane skill or providence, could use any prevention, notwithstanding it was cleansed of many annoyances, by diligent Officers thereto deputed: besides prohibition of all sickly persons enterance, and all possible provision dayly used for conservation of such as were in health, with incessant prayers and supplications of devoute people, for the asswaging of so dangerous a sicknesse. About the beginning of the yeare, it also began in very strange manner, as appeared by divers admirable effects; yet not as it had done in the East Countries, where Lord or Lady being touched therewith, manifest signes of inevitable death followed thereon, by bleeding at the nose. But here it began with yong children, male and female, either under the armepits, or in the groine by certaine swellings, in some to the bignesse of an Apple, in others like an Egge, and so in divers greater or lesser, which (in their vulgar Language) they termed to be a Botch or Byle. In very short time after, those two infected parts were growne mortiferous, and would disperse abroad indifferently, to all parts of the body; whereupon, such was the quality of the disease, to shew it selfe by blacke or blew spottes, which would appeare on the armes of many, others on their thighes, and every part else of the body: in some great and few, in others small and thicke.
Providing new ways of reading Boccaccio's masterpiece, Decameron , Ferme analyzes the dynamics between the women who rule the first half of the story. Peeling back the many narrative layers within and outside of the framework, this book unearths the complications and trickery surrounding gender and death in Boccaccio's world and culture.