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Tells how Bob Burns was part of science fiction history for more than 50 years. Befriending movie serial stars and stuntmen while still a child. Burns was on the set during the production of many classic chapter plays, and collected some of the now historic props.
Monster Kid Memories chronicles Bob Burns' role in science fiction and horror film history over the course of more than 65 years. Inside, read all about Bob and his friendships with legendary SF producer-director George Pal (The War of the Worlds, The Time Machine); Glenn Strange, the last of Universal's classic Frankenstein Monsters; William Castle, king of the 'gimmick' horror movies; makeup legend Jack Pierce; the men who made the great Republic serials; Hollywood's greatest "gorilla guy" Charlie Gemora, and many more!
Known to give up precious living space to display a full-size creature from the Black Lagoon or a pair of Frankenstein's clod-hoppers, Bob Burns is the patron saint of special effects for B movies. His storied basement houses the largest private collection of props, models, sketches, storyboards, and other bits of nostalgic debris from a century's worth of films. It Came from Bob's Basement is a colorful journey through the vivid and campy world of fantastic cinema and a true tribute to a man who has dedicated his life to the preservation of incredible movie artifactsfrom the original King Kong's metallic skeleton to the life-size Alien Queen. Including insider stories from the sets of favorites like The She Creature, It Conquered the World, and Plan Nine from Outer Space, Bob Burns brings fellow fantasy buffs up close with props and artwork from the greatest (and most outrageous) sci-fi films of all time. A story told with genuinely irresistible enthusiasm, Bob's Basement honors the beloved cult classics that have shaped movie history.
Paul Blaisdell was the man behind the monsters in such movies as The She Creature, Invasion of the Saucer Men, Not of This Earth, It! Terror from Beyond Space and many others. Working in primarily low-budget films, Blaisdell was forced to rely on greasepaint, guts and, most importantly, an unbounded imagination for his creations. From his inauspicious beginning through The Ghost of Dragstrip Hollow (1959), the construction of Blaisdell's monsters and the making of the movies in which they appeared are fully detailed here. Blaisdell's work in the early monster magazines of the 1960s is also covered.
From Vampira to Elvira, Mistress of the Dark, female horror movie hosts have long been a staple of late-night television. Broadcast on local stations and cable access channels, characters such as Moona Lisa, Stella, Crematia Mortem and Tarantula Ghoul brought an entertaining blend of macabre camp and after-prime-time sexuality to American living rooms in the 1950s through 1990s. Despite a near total lack of local programming today, the tradition continues on the Internet and Roku and other modern media. Featuring exclusive interviews and rare photographs, this book covers dozens of "dream ghouls" with alphabetical entries, from Aunt Gertie to Veronique Von Venom.
From the author of the definitive heavy metal history, Bang Your Head, a behind-the-scenes look a century of horror films Reel Terror is a love letter to the wildly popular yet still misunderstood genre that churns out blockbusters and cult classics year after year. From The Cabinet of Dr. Caligari to Paranormal Activity, Konow explores its all-time highs and lows, why the genre has been overlooked, and how horror films just might help us overcome fear. His on-set stories and insights delve into each movie and its effect on American culture. For novices to all out film buffs, this is the perfection companion to this Halloween's movie marathons.
He was the final addition to Universal's "royal family" of movie monsters: the Creature from the Black Lagoon. With his scaly armor, razor claws and a face only a mother octopus could love, this Amazon denizen was perhaps the most fearsome beast in the history of Hollywood's Studio of Horrors. But he also possessed a sympathetic quality which elevated him fathoms above the many aquatic monsters who swam in his wake. Everything you ever wanted to know about the Gill Man and his mid-1950s film career (Creature from the Black Lagoon, Revenge of the Creature, The Creature Walks Among Us) is collected in this book, packed to the gills with hour-by-hour production histories, cast bios, analyses, explorations of the music, script-to-screen comparisons, in-depth interviews and an ocean of fin-tastic photos.
In Confessions of a Scream Queen, writer Matt Beckoff interviews fifteen legendary 'Ladies of Horror.' Spanning over nine decades of cinema, Confessions is filled with entertaining and informative recollections and personal insights about Hollywood's best-loved horror films. Included are some rare and never before seen pictures.
A comprehensive filmography, this book is composed of lengthy entries on about 75 films depicting legendary New Mexico outlaw Billy the Kid--from the lost Billy the Kid (1911) to the blockbuster Young Guns (1988) to the direct-to-video 1313: Billy the Kid(2012) and everything in between. Each entry gives a synopsis, cast and credits, critical reception, and a discussion of the events of the films compared to the historical record. Among the entries are made-for-TV and direct-to-video films, foreign movies, and continuing television series in which Billy the Kid made an appearance.
This is a critical overview of monster magazines from the 1950s through the 1970s. "Monster magazine" is a blanket term to describe both magazines that focus primarily on popular horror movies and magazines that contain stories featuring monsters, both of which are illustrated in comic book style and printed in black and white. The book describes the rise and fall of these magazines, examining the contributions of Marvel Comics and several other well-known companies, as well as evaluating the effect of the Comics Code Authority on both present and future efforts in the field. It identifies several sub-genres, including monster movies, zombies, vampires, sword-and-sorcery, and pulp-style fiction. The work includes several indexes and technical credits.