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In this innovative and insightful book, Elizabeth Engelhardt argues that modern American food, business, caretaking, politics, sex, travel, writing, and restaurants all owe a debt to boardinghouse women in the South. From the eighteenth century well into the twentieth, entrepreneurial women ran boardinghouses throughout the South; some also carried the institution to far-flung places like California, New York, and London. Owned and operated by Black, Jewish, Native American, and white women, rich and poor, immigrant and native-born, these lodgings were often hubs of business innovation and engines of financial independence for their owners. Within their walls, boardinghouse residents and owners developed the region's earliest printed cookbooks, created space for making music and writing literary works, formed ad hoc communities of support, tested boundaries of race and sexuality, and more. Engelhardt draws on a vast archive to recover boardinghouse women's stories, revealing what happened in the kitchens, bedrooms, hallways, back stairs, and front porches as well as behind closed doors—legacies still with us today.
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In this innovative and insightful book, Elizabeth Engelhardt argues that modern American food, business, caretaking, politics, sex, travel, writing, and restaurants all owe a debt to boardinghouse women in the South. From the eighteenth century well into the twentieth, entrepreneurial women ran boardinghouses throughout the South; some also carried the institution to far-flung places like California, New York, and London. Owned and operated by Black, Jewish, Native American, and white women, rich and poor, immigrant and native-born, these lodgings were often hubs of business innovation and engines of financial independence for their owners. Within their walls, boardinghouse residents and owners developed the region's earliest printed cookbooks, created space for making music and writing literary works, formed ad hoc communities of support, tested boundaries of race and sexuality, and more. Engelhardt draws on a vast archive to recover boardinghouse women's stories, revealing what happened in the kitchens, bedrooms, hallways, back stairs, and front porches as well as behind closed doors—legacies still with us today.
Publisher description
Driven by intensive industrialization and urbanization, the nineteenth century saw radical transformations in every facet of life in the United States. Immigrants and rural Americans poured into the nation’s cities, often ahead of or without their families. As city dwellers adapted to the new metropolis, boarding out became, for a few short decades, the most popular form of urban domesticity in the United States.While boarding’s historical importance is indisputable, its role in the period’s literary production has been overlooked. In Boarding Out, David Faflik argues that the urban American boardinghouse exerted a decisive shaping power on the period’s writers and writings. Addressing the works of canonical authors such as Henry David Thoreau, Nathaniel Hawthorne, and Oliver Wendell Holmes, as well as neglected popular writers of the era such as Fanny Fern and George Lippard, Faflik demonstrates that boarding was at once psychically, artistically, and materially central in the making of our shared American culture.
Embraced for the dramatic opportunities afforded by a house full of strangers, the British boarding house emerged as a setting for novels published during the interwar period by a diverse range of women writers from Stella Gibbons to Virginia Woolf. To use the single room in the boarding house or bedsit, Terri Mullholland argues, is to foreground a particular experience. While the single room represents the freedoms of independent living available to women in the early twentieth century, it also marks the precariousness of unmarried women’s lives. By placing their characters in this transient space, women writers could explore women's changing social roles and complex experiences – amateur prostitution, lesbian relationships, extra-marital affairs, and abortion – outside traditional domestic narrative concerns. Mullholland presents new readings of works by canonical and non-canonical writers, including Stella Gibbons, Winifred Holtby, Storm Jameson, Rosamond Lehmann, Dorothy Richardson, Jean Rhys, and Virginia Woolf. A hybrid of the modernist and realist domestic fiction written and read by women, the literature of the single room merges modernism's interest in interior psychological states with the realism of precisely documented exterior spaces, offering a new mode of engagement with the two forms of interiority.
Standing together In the fifth installment of the Mountain Women Series, May Rose discovers that managing the boardinghouse and doing her best for loved ones make challenging days and anxious nights. Now she faces triple threats: her husband has been struck by paralysis, someone from the past is trying to find her, and malicious guests are poised to ruin her reputation. But she's not alone. As she does her duty and stands up for herself, she's strengthened by the love and support of family and friends. Don't miss The Boardinghouse, a powerful story of love, resilience, and standing together in the face of adversity. ----------------------------------------------------------------- READERS ARE ENJOYING THE MOUNTAIN WOMEN SERIES: FIVE STARS: "The more of this series I read, the more I want to read! This one REALLY resonated... Every book includes adversity to overcome and I've learned that the main character, May Rose, is our influencer as a reader and also in her community as a character. Another installment from the mining town of Winkler where life is a daily struggle. If you enjoy historic novels set in the early 1900s, this is for you! Light reading? Yes, but also interesting and enjoyable from cover to cover." -Goodreads Reviewer FIVE STARS: "History meets local color in early 20th century West Virginia, and comes alive through well wrought characters in a gripping narrative. Carol Ervin is a story teller par excellence. I loved The Waltons, but this is closer to the real thing. Sorry, John Boy." -Goodreads Reviewer FIVE STARS: "I am hooked! I have enjoyed these first 5 books so much. They're addictive!...I can't wait to see what happens next to the characters, and I enjoy reading about daily life in that time period." -Goodreads Reviewer FIVE STARS: "I really can't get enough of the Mountain Women series... If you are looking for a great series of books, this is one to put on your list." -Goodreads Reviewer
Ellie Wayne doesn't just live. She survives. New York Times bestselling author Sharon Sala brings emotional intensity to an unforgettable story of survival, empowerment and raw courage. Ellie Wayne has grown up in frightening circumstances, damaged by a sexually abusive father and mentally fragile mother. Scarred and still threatened by a father she hates and fears, Ellie believes her future holds nothing more than danger, shame and secrets . . . until the unspeakable happens, and Ellie is forced to choose. She can claim her life or continue to hide in the shadows. One amazing man might be the miracle worker who can help Ellie see that she has the power to move on with her life, to hope for something more. If she can trust him. Readers will cheer for this amazing woman as she struggles to leave victimhood behind. Sharon Sala is a long time member of Romance Writers of America writing as Sharon Sala and Dinah McCall. She writes romantic suspense, Young Adult, and Women's Fiction. First published in 1991, she's a seven-time RITA finalist, winner of the Janet Dailey Award, four-time winner of the Career Achievement award from RT Magazine, five time winner of the National Reader's Choice Award and five time winner of the Colorado Romance Writers Award of Excellence as well as the Bookseller Best Award. Her books are New York Times, USA Today, Publisher's Weekly mass market best-sellers. Writing changed her life, her world, and her fate. This summer look for the third book in her Young Adult paranormal mysteries, the Lunatic Ghosts series (My Lunatic Life, The Lunatic Detective,) from Bell Bridge Books. Visit Sharon at www.sharonsalabooks.com.