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Exploring Musical Spaces is a comprehensive synthesis of mathematical techniques in music theory, written with the aim of making these techniques accessible to music scholars without extensive prior training in mathematics. The book adopts a visual orientation, introducing from the outset a number of simple geometric models--the first examples of the musical spaces of the book's title--depicting relationships among musical entities of various kinds such as notes, chords, scales, or rhythmic values. These spaces take many forms and become a unifying thread in initiating readers into several areas of active recent scholarship, including transformation theory, neo-Riemannian theory, geometric music theory, diatonic theory, and scale theory. Concepts and techniques from mathematical set theory, graph theory, group theory, geometry, and topology are introduced as needed to address musical questions. Musical examples ranging from Bach to the late twentieth century keep the underlying musical motivations close at hand. The book includes hundreds of figures to aid in visualizing the structure of the spaces, as well as exercises offering readers hands-on practice with a diverse assortment of concepts and techniques.
In this book, Enrico Padoan proposes an original middle-range theory to explain the emergence and the internal organisation of anti-neoliberal populist parties in Latin America and Southern Europe, and the relationships between these parties and the organised working class. Padoan begins by tracing the diverging evolution of the electoral Lefts in Latin America and Southern Europe in the aftermath of economic crises, and during the implementation of austerity measures within many of these nations. A causal typology for interpreting the possible outcomes of the realignments within the electoral Lefts is proposed. Hereafter, the volume features five empirical chapters, four of which focus on the rise of anti-neoliberal populist parties in Bolivia, Argentina, Spain and Italy, while a fifth offers an analysis on four ‘shadow cases’ in Venezuela, Uruguay, Portugal and Greece. Scholars of Latin America and Comparative Politics will find Anti-Neoliberal Populisms in Comparative Perspective a highly valuable resource, offering a distinctive perspective on the impact of different populisms on party systems and on the challenges that such populisms posed to syndicalism and to traditional left-of-centre parties.
Thelonious Monk Quartet with John Coltrane at Carnegie Hall is an historical, cultural, and analytical study of the album by the same name. Recorded in 1957, but lost until 2005, it is a particularly interesting lens through which to view jazz both as a historical tradition and as a contemporary cultural form.
Methuselah Flies presents a trailblazing project on the biology of aging. It describes research on the first organisms to have their lifespan increased, and their aging slowed, by hereditary manipulation. These organisms are fruit flies from the species Drosophila melanogaster, the great workhorse of genetics. Michael Rose and his colleagues have been able to double the lifespan of these insects, and improved their health in numerous respects as well. The study of these flies with postponed aging is one of the best means we have of understanding, and ultimately achieving, the postponement of aging in humans. As such, the carefully presented detail of this book will be of value to research devoted to the understanding and control of aging.Methuselah Flies: ? is a tightly edited distillation of twenty years of work by many scientists? contains the original publications regarding the longer-lived fruit flies? offers commentaries on each of the topics covered ? new, short essays that put the individual research papers in a wider context? gives full access to the original data ? captures the scientific significance of postponed aging for a wide academic audienc
Except for the most conservative music departments, most colleges and universities have instituted music major programs to accommodate the contemporary student whose interest lies in current practice, e.g., popular music, music business and/or industry and music production. Those involved in the creation of popular music are usually more aurally oriented, and create music based on what sounds as that which is accepted as popular music. These students typically attempt song writing, and perform either as soloists or with bands. Music business and industry majors demonstrate interest in pursuing careers in music production, recording, publishing, management, promotion, and essentially any area that does not involve primarily the creative aspect of composition or performance. However, regardless of a music major’s primary area of interest, he or she is still required to fulfill certain departmental musicianship requirements. While traditional majors in performance, composition or teaching for example, must successfully complete historically established musicianship courses, the current trend in musicianship offerings is an attempt to be more accommodating to various needs and concentrations. Musicianship for the Contemporary Musician, which can be completed in two semesters, will satisfy this alternative approach and still fully prepare the graduate to move freely in other facets of the profession. The author is a classically and formally trained pianist, composer and theorist, who has spent many years as a performer of classical, jazz, popular, rock and liturgical music, touring and studio musician, and professor of music. He is a multiple-charted and award-winning songwriter, commissioned composer, producer, arranger/orchestrator and lyricist (Billboard, et. al.), and a published author, composer and songwriter. His works—popular, piano, choral and instrumental—have been recorded and published by numerous record companies and publishers in the United States and abroad. The author speaks from dozens of years of experience in the music profession.