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Featuring beloved characters such as the Little Mermaid, Thumbelina, and the Snow Queen, a deluxe full-color edition of Hans Christian Andersen’s classic fairytales, illustrated with stunning drawings and interactive artwork from MinaLima, the award-winning design studio behind the graphics for the Harry Potter film franchise—the perfect companion for fans of the Disney live-action film The Little Mermaid which will include a mix of songs from Hamilton‘s Lin-Manuel Miranda and Alan Menken. Nearly two hundred years after its publication in 1837, Hans Christian Andersen’s timeless fairytales continue to inspire young imaginations. This beautiful unabridged edition brings together many of the Danish writer’s favorite stories that have become literary classics, including "The Little Mermaid", "Thumbelina", "The Snow Queen", "The Princess and the Pea", "The Ugly Duckling", "The Emperor’s New Clothes", and more. The thirteen stories in The Little Mermaid and Other Fairy Tales are illustrated with specially commissioned artwork and ten exclusive interactive features including: A dial with six mermaids A Duckling transforming into a swan Mattresses that pull away to reveal a pea The Snow Queen’s palace Gorgeously designed, this keepsake illustrated edition—the fourth book in Harper Design’s series of reimagined children’s classics—will be treasured by readers of all ages for generations to come.
For readers of all ages, two hundred and ten tales of the Brothers Grimm, including "Cinderella," "Sleeping Beauty," "Snow White," and "Hansel and Gretel," translated by Ralph Manheim, the highly acclaimed and prize-winning translator. Manheim has rediscovered in the original German Grimms’ editions of the tales the unadorned, direct rhythm of the oral form in which they were first recorded. He has retained their ageless magic and mythology and restored the extraordinary vitality and wit, the acute perceptions of human strength and facility mirrored in the facets of these small gems. “The best modern translation of the complete Brothers Grimm.”--Choice
The author addresses key scientific questions previously explained by rich mythologies, from the evolution of the first humans and the life cycle of stars to the principles of a rainbow and the origins of the universe.
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
Worlds of enchantment await in this beautiful treasury, which contains the most popular fairy and folk tales from the Brothers Grimm, Hans Christian Andersen, Charles Perrault, and other classic sources. In addition to such well-known stories as "Sleeping Beauty," "Cinderella," and "Little Red Riding-Hood," the book showcases lavish art from the Golden Age of Illustration, including work by Arthur Rackham, Harry Clarke, René Bull, and Eleanor Vere Boyle.
This is a series of books of fairy tales of the famous writer Hans Christian Andersen, consists of 2 books. This is the first book (Part 1. In each book different tale. In this book, such as the fairy tale The Bond of Friendship, The Tinder Box, Little Claus and Big Claus, The Princess on the Pea, Little Ida's Flowers, Thumbelina, The Naughty Boy, The Traveling Companion, This Fable is Intended for You, The Talisman, The Little Mermaid, The Emperor's New Clothes, The Galoshes of Fortune, The Daisy, The Steadfast Tin Soldier, The Wild Swans, Th
First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.
The notion of “happily ever after” has been ingrained in many of us since childhood—meet someone, date, have the big white wedding, and enjoy your well-deserved future. But why do we buy into this idea? Is love really all we need? Author Laurie Essig invites us to flip this concept of romance on its head and see it for what it really is—an ideology that we desperately cling to as a way to cope with the fact that we believe we cannot control or affect the societal, economic, and political structures around us. From climate change to nuclear war, white nationalism to the worship of wealth and conspicuous consumption—as the future becomes seemingly less secure, Americans turn away from the public sphere and find shelter in the private. Essig argues that when we do this, we allow romance to blind us to the real work that needs to be done—building global movements that inspire a change in government policies to address economic and social inequality.
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