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"Bluin' The Blues" by Henry Ragas, Arranged for Clarinet Quartet (Early Intermediate Level) by Francesco Leone, is a delightful adaptation of this classic jazz piece, thoughtfully transcribed for clarinet enthusiasts. This arrangement, aimed at early intermediate level clarinetists, offers a great way to explore the jazz genre while catering to developing technical skills. The set includes a comprehensive SCORE and PARTS (6 in total), arranged for 1-3 Bb Clarinets and a Bass Clarinet. This arrangement also offers exceptional versatility with the inclusion of optional parts: an Eb piccolo Clarinet part as an alternative to Bb Clarinet 1, and an Eb Alto Clarinet/Sax part that can replace Bb Clarinet 3. This flexibility allows for customization based on the ensemble's composition and the individual abilities of the players. An audio demo of this arrangement is available at www.glissato.it. This feature is particularly helpful as it provides a practical reference for the tempo, style, and dynamics of the piece, aiding musicians in their practice and preparation for performances. Additionally, the arrangement comes with a wealth of informative resources. These are available in multiple languages including English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese. These resources offer insights into the background of the piece and its composer, Henry Ragas, enriching the players' understanding of the jazz tradition and the context of "Bluin' The Blues." Francesco Leone’s arrangement of "Bluin' The Blues" for clarinet quartet is more than just sheet music; it's a comprehensive package that combines musical enjoyment with educational value. It's an ideal choice for clarinet quartets looking to broaden their repertoire with a piece that is both enjoyable and challenging, perfect for early intermediate players eager to delve into the world of jazz.
"Bluin' The Blues" by Henry Ragas, Arranged for Flute Quartet (Early Intermediate Level) by Francesco Leone, is a captivating adaptation of this beloved jazz classic, expertly transcribed for flute players. This arrangement, designed for early intermediate level flutists, provides an engaging opportunity to explore the nuances of jazz music while being perfectly suited to developing technical skills. This arrangement includes a comprehensive SCORE and a set of PARTS (5 in total), specifically crafted for 1-4 C Flutes. Adding to the versatility of this arrangement, there is an included alternative part for a G Alto Flute, offering a substitution for Flute 4. This option allows flute ensembles to add a richer, deeper timbre to the quartet, enhancing the overall sonic palette. An audio demo of this arrangement is available at www.glissato.it, offering a valuable auditory guide. This demo is a great resource for understanding the rhythm, style, and mood of the piece, aiding musicians in their practice sessions and performance preparations. Furthermore, the arrangement is accompanied by a wealth of informative resources. These resources are available in a diverse range of languages: English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese. This multilingual support not only makes the piece accessible to a global audience but also provides in-depth insights into the jazz genre, the history of the piece, and its composer, Henry Ragas. Francesco Leone’s arrangement of "Bluin' The Blues" for flute quartet is more than just a musical score; it is a comprehensive package that offers musical enjoyment and educational value. It's an excellent choice for flute quartets seeking to expand their repertoire with a piece that is both musically enriching and historically significant, ideal for early intermediate players keen on exploring the vibrant world of jazz.
"Bluin' The Blues" by Henry Ragas, Arranged for Trombone Quartet (Intermediate Level) by Francesco Leone, is a masterful adaptation of this classic jazz number for trombone enthusiasts. This arrangement, tailored for intermediate level players, captures the spirit and rhythm of the original piece while being accessible to a broad range of trombonists. The set includes a comprehensive SCORE and PARTS for a quartet ensemble comprising 3 Tenor Trombones and a Tenor/Bass Trombone. This configuration allows for a rich blend of harmonies and textures, making it an excellent choice for both educational settings and performance ensembles. A significant feature of this arrangement is the inclusion of informative resources. These resources are available in multiple languages: English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese. This multilingual support not only makes the piece accessible to a wider audience but also provides valuable insights into the history and context of the jazz genre and specifically "Bluin' The Blues," enhancing the overall learning and performing experience. Francesco Leone's arrangement of "Bluin' The Blues" offers trombone quartets an opportunity to explore the rich heritage of jazz music. It is an ideal choice for those looking to expand their repertoire with a piece that is both historically significant and musically rewarding. This arrangement is perfect for intermediate-level players seeking to delve deeper into the world of jazz and ensemble playing.
"Bluin' The Blues" by Henry Ragas - Brass Quintet / Ensemble Arrangement (Intermediate Level) - SET OF PARTS (10). This exclusive edition offers music enthusiasts the opportunity to explore Henry Ragas' masterpiece, "Bluin' The Blues," through a flawless arrangement for a brass quintet. This set of parts contains all the necessary sheet music to perform this captivating composition, ideal for intermediate-level musicians. The set of parts includes: 2 Bb Trumpets Horn in F Trombone Tuba Optional parts included: Eb Horn Bb Tenor Horn (III T.C.) Bb Trombone (IV T.C.) Bb Tuba (T.C.) Eb Tuba (T.C.) Furthermore, the score volume is available separately within the same series, allowing performers to carefully follow every detail of the composition and ensure a flawless performance. For a better understanding of the music, multilingual cards are included, providing instructions in English, French, German, Italian, Portuguese, Spanish, Korean, Japanese, and Chinese. This enables musicians from around the world to fully immerse themselves in the interpretation of "Bluin' The Blues" by Henry Ragas, creating a truly universal and engaging musical experience. - partitions pour quintette de cuivres, Noten für Blechbläserquintett, spartiti per quintetto di ottoni, partituras para quinteto de metales, partituras para quinteto de metais, noder til messingkvintet, noter for messingkvintett, noter för mässingskvintett -
"Bluin' The Blues" by Henry Ragas - Brass Quintet Arrangement (Intermediate Level) - SCORE. This exclusive edition offers music enthusiasts the opportunity to explore Henry Ragas' masterpiece, "Bluin' The Blues," through a flawless arrangement for a brass quintet. This set of parts contains all the necessary sheet music to perform this captivating composition, ideal for intermediate-level musicians. Furthermore, the set of parts volume is available separately within the same series. The set of parts includes: 2 Bb Trumpets Horn in F Trombone Tuba Optional parts included: Eb Horn Bb Tenor Horn (III T.C.) Bb Trombone (IV T.C.) Bb Tuba (T.C.) Eb Tuba (T.C.) For a better understanding of the music, multilingual cards are included, providing instructions in English, French, German, Italian, Portuguese, Spanish, Korean, Japanese, and Chinese. This enables musicians from around the world to fully immerse themselves in the interpretation of "Bluin' The Blues" by Henry Ragas, creating a truly universal and engaging musical experience. - partitions pour quintette de cuivres, Noten für Blechbläserquintett, spartiti per quintetto di ottoni, partituras para quinteto de metales, partituras para quinteto de metais, noder til messingkvintet, noter for messingkvintett, noter för mässingskvintett, rézfúvós ötös kotta, nuty na kwintet dęty blaszany, partituri pentru cvintet de alamă, noty pro kvintet dechových nástrojů -
First published in 1984 and reissued to coincide withthe publication of the second volume, this selection of the 250 best jazz records traces the earliest roots of the music to the beginnings of the modern jazz era. Volume One's focus is on LP collections of 78 rpm originals and nearly every significant musician--both familiar and obscure--of early 20th-century jazz is listed. For each record listed, full details of personnel, recording dates and locations are provided.
Step into the soulful world of jazz with "New Orleans Blues" by the legendary Ferdinand "Jelly Roll" Morton, now beautifully arranged for Clarinet Quartet by Francesco Leone. This piece captures the essence of New Orleans jazz, making it accessible for intermediate to easy-level clarinetists who wish to explore the rich heritage of American music. This exclusive arrangement includes a full score and parts for 1-3 B♭ Clarinets and Bass Clarinet, complemented by an optional drum part to add that authentic jazz vibe to your performance. Whether you're playing in a formal concert setting or a casual gathering, this arrangement brings the heart of New Orleans jazz to your audience with its engaging rhythms and melodies. To support musicians around the globe, we offer informative pages in an array of languages including English, French, German, Spanish, Italian, Portuguese, Korean, Japanese, and Chinese. This multilingual feature ensures that you have all the details you need to fully understand and appreciate the music, regardless of your native language. For those eager to hear "New Orleans Blues" in action, an audio demo is readily available at www.glissato.it. This demo serves as a fantastic resource to familiarize yourself with the arrangement and to aid in your practice sessions. Immerse yourself in the vibrant culture of New Orleans with this exquisite arrangement of "New Orleans Blues." Whether you're a musician looking to expand your repertoire or an educator seeking engaging material for your students, this piece offers a unique opportunity to experience and share the joy of jazz music.
"When bebop was new," writes Thomas Owens, "many jazz musicians and most of the jazz audience heard it as radical, chaotic, bewildering music." For a nation swinging to the smoothly orchestrated sounds of the big bands, this revolutionary movement of the 1940s must have seemed destined for a short life on the musical fringe. But today, Owens writes, bebop is nothing less than "the lingua franca of jazz, serving as the principal musical language of thousands of jazz musicians." In Bebop, Owens conducts us on an insightful, loving tour through the music, players, and recordings that changed American culture. Combining vivid portraits of bebop's gigantic personalities with deft musical analysis, he ranges from the early classics of modern jazz (starting with the 1943 Onyx Club performances of Dizzy Gillespie, Max Roach, Oscar Pettiford, Don Byas, and George Wallington) through the central role of Charlie Parker, to an instrument-by-instrument look at the key players and their innovations. Illustrating his discussion with numerous musical excerpts, Owens skillfully demonstrates why bebop was so revolutionary, with fascinating glimpses of the tempestuous jazz world: Thelonious Monk, for example, did "everything 'wrong' in the sense of traditional piano technique....Because his right elbow fanned outward away from his body, he often hit the keys at an angle rather than in parallel. Sometimes he hit a single key with more than one finger, and divided single-line melodies between two hands." In addition to his discussions of individual instruments and players, Owens examines ensembles, with their sometimes volatile collaborations: in the Jazz Messengers, Benny Golson told of how his own mellow saxophone playing would get lost under Art Blakey's furious drumming: "He would do one of those famous four-bar drum rolls going into the next chorus, and I would completely disappear. He would holler over at me, 'Get up out of that hole!'" In this marvelous account, Owens comes right to the present day, with accounts of new musicians ranging from the Marsalis brothers to lesser-known masters like pianist Michel Petrucciani. Bebop is a jazz-lover's dream--a serious yet highly personal look at America's most distinctive music.