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The philosophy of the blues From B.B. King to Billie Holiday, Blues music not only sounds good, but has an almost universal appeal in its reflection of the trials and tribulations of everyday life. Its ability to powerfully touch on a range of social and emotional issues is philosophically inspiring, and here, a diverse range of thinkers and musicians offer illuminating essays that make important connections between the human condition and the Blues that will appeal to music lovers and philosophers alike.
The philosophy of the blues From B.B. King to Billie Holiday, Blues music not only sounds good, but has an almost universal appeal in its reflection of the trials and tribulations of everyday life. Its ability to powerfully touch on a range of social and emotional issues is philosophically inspiring, and here, a diverse range of thinkers and musicians offer illuminating essays that make important connections between the human condition and the Blues that will appeal to music lovers and philosophers alike.
FATHERHOOD PHILOSOPHY FOR EVERYONE FATHERHOOD PHILOSOPHY FOR EVERYONE It has been said that being a father is what finally gives a man his meaning in life. And a father’s role has never been so involved – or expectations so high. There’s a lot for dads to discover, and as Socrates demonstrated, learning really begins when we as fathers realize how little we know. But, no fear, help is at hand as Fatherhood – Philosophy for Everyone offers wisdom and practical advice drawn from the annals of philosophy, exploring paternal concerns such as: Fatherhood and the meaning of life The impact of change in men who become fathers How to raise well-adjusted children and have a more fulfilling and enjoyable experience of fatherhood Do real fathers bake cookies? Both thought-provoking and practical, Fatherhood – Philosophy for Everyone provides a valuable starting and ending point for reflecting on this crucial role.
Hunting - Philosophy for Everyone presents a collection of readings from academics and non-academics alike that move beyond the ethical justification of hunting to investigate less traditional topics and offer fresh perspectives on why we hunt. The only recent book to explicitly examine the philosophical issues surrounding hunting Shatters many of the stereotypes about hunting, forcing us to rethink the topic Features contributions from a wide range of academic and non-academic sources, including both hunters and non-hunters
The book is the fruit of Douglas Mark Ponton’s and co-editor Uwe Zagratzki’s enduring interest in the Blues as a musical and cultural phenomenon and source of personal inspiration. Continuing in the tradition of Blues studies established by the likes of Samuel Charters and Paul Oliver, the authors hope to contribute to the revitalisation of the field through a multi-disciplinary approach designed to explore this constantly evolving social phenomenon in all its heterogeneity. Focusing either on particular artists (Lightnin’ Hopkins, Robert Johnson), or specific texts (Langston Hughes’ Weary Blues and Backlash Blues, Jimi Hendrix’s Machine Gun), the book tackles issues ranging from authenticity and musicology in Blues performance to the Blues in diaspora, while also applying techniques of linguistic analysis to the corpora of Blues texts. While some chapters focus on the Blues as a quintessentially American phenomenon, linked to a specific social context, others see it in its current evolutions, as the bearer of vital cultural attitudes into the digital age. This multidisciplinary volume will appeal to a broad range of scholars operating in a number of different academic disciplines, including Musicology, Linguistics, Sociology, History, Ethnomusicology, Literature, Economics and Cultural Studies. It will also interest educators across the Humanities, and could be used to exemplify the application to data of specific analytical methodologies, and as a general introduction to the field of Blues studies.
Daniel Pennac has never forgotten what it was like to be a very unsatisfactory student, nor the day one of his teachers saved his life by assigning him the task of writing a novel. This was the moment Pennac realized that no-one has to be a failure for ever. In School Blues, Pennac explores the many facets of schooling: how fear makes children reject education; how children can be captivated by inventive thinking; how consumerism has altered attitudes to learning. Haunted by memories of his own turbulent time in the classroom, Pennac enacts dialogues with his teachers, his parents and his own students, and serves up much more than a bald analysis of how young people are consistently failed by a faltering system. School Blues is not only universally applicable, but it is unquestionably a work of literature in its own right, driven by subtlety, sensitivity and a passion for pedagogy, while embracing the realities of contemporary culture.
Growing up on his family's orchards in Appleton, Michigan, in the 1950s, Martin Dijksterhuis finds everything he needs in his extended family and in the land itself -- in the reassuring routines of growing and harvesting, spraying and pruning. Although his mother wants him to get out of Appleton, which she finds impossibly provincial, and attend a great university -- the University of Chicago, her alma mater -- he has no desire to leave. In the autumn of his junior year of high school, however, in the camp of the migrant workers who come north every year to pick the Dijksterhuis peaches and apples, Martin discovers his vocation, the country blues -- unsettling melodies that cry out from a place in the soul he never knew existed. He also falls in love with Corinna Williams, the strong-willed daughter of the black foreman who runs the Dijksterhuis orchards. His blues vocation and his love for Corinna are the two stories of his life. His struggle to combine them into a single story takes him a long way from home and from the life he had always envisioned for himself, and then it brings him back again in a way he could never have imagined. In this beautifully rendered novel, Robert Hellenga, author of The Sixteen Pleasures and The Fall of a Sparrow, explores the fragility of happiness, the difficulties of following one's calling in life, and the sorrows and satisfactions of being a parent.
Incorporating the Hugo & Nebula award–nominated novella “Identity Theft” The name’s Lomax—Alex Lomax. I’m the one and only private eye working the mean streets of New Klondike, the Martian frontier town that sprang up forty years ago after Simon Weingarten and Denny O’Reilly discovered fossils on the Red Planet. Back on Earth, where anything can be synthesized, the remains of alien life are the most valuable of all collectibles, so shiploads of desperate treasure hunters stampeded here in the Great Martian Fossil Rush. I’m trying to make an honest buck in a dishonest world, tracking down killers and kidnappers among the failed prospectors, the corrupt cops, and a growing population of transfers—lucky stiffs who, after striking paleontological gold, upload their minds into immortal android bodies. But when I uncover clues to solving the decades-old murders of Weingarten and O’Reilly, along with a journal that may lead to their legendary mother lode of Martian fossils, God only knows what I’ll dig up...
Dave Brubeck's Time Out ranks among the most popular, successful, and influential jazz albums of all time. Released by Columbia in 1959, alongside such other landmark albums as Miles Davis's Kind of Blue and Charles Mingus's Mingus Ah Um, Time Out became one of the first jazz albums to be certified platinum, while its featured track, "Take Five," became the best-selling jazz single of the twentieth century, surpassing one million copies. In addition to its commercial successes, the album is widely recognized as a pioneering endeavor into the use of odd meters in jazz. With its opening track "Blue Rondo à la Turk" written in 9/8, its hit single "Take Five" in 5/4, and equally innovative uses of the more common 3/4 and 4/4 meters on other tracks, Time Out has played an important role in the development of modern jazz. In this book, author Stephen A. Crist draws on nearly fifteen years of archival research to offer the most thorough examination to date of this seminal jazz album. Supplementing his research with interviews with key individuals, including Brubeck's widow Iola and daughter Catherine, as well as interviews conducted with Brubeck himself prior to his passing in 2012, Crist paints a complete picture of the album's origins, creation, and legacy. Couching careful analysis of each of the album's seven tracks within historical and cultural contexts, he offers fascinating insights into the composition and development of some of the album's best-known tunes. From Brubeck's 1958 State Department-sponsored tour, during which he first encountered the Turkish aksak rhythms that would form the basis of "Blue Rondo à la Turk," to the backstage jam session that planted the seeds for "Take Five," Crist sheds an exciting new light on one of the most significant albums in jazz history.
One of the greats of blues music, Willie Dixon was a recording artist whose abilities extended beyond that of bass player. A singer, songwriter, arranger, and producer, Dixon's work influenced countless artists across the music spectrum. In Willie Dixon: Preacher of the Blues, Mitsutoshi Inaba examines Dixon's career, from his earliest recordings with the Five Breezes through his major work with Chess Records and Cobra Records. Focusing on Dixon's work on the Chicago blues from the 1940s to the early 1970s, this book details the development of Dixon's songwriting techniques from his early professional career to his mature period and compares the compositions he provided for different artists. This volume also explores Dixon's philosophy of songwriting and its social, historical, and cultural background. This is the first study to discuss his compositions in an African American cultural context, drawing upon interviews with his family and former band members. This volume also includes a detailed list of Dixon's session work, in which his compositions are chronologically organized.