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Blues and Rock Improvising Made Easy explodes the myth that one has to be an experienced player to improvise music. Improvisation is part technique and part psychology, both parts eminently teachable. But it's never been taught to beginning players until now. This is the first book ever written that teaches players of any level, and of any instrument, to create their own personal "improv" style. Through a progressive series of exercises appropriate for any instrument, author David Harp enables musicians of all levels to improvise without learning standard music notation.
(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.
David Harp unlocks the mystery of improvisation, through a progressive series of exercises. Even beginners will experience instant gratification while experimenting with the most popular musical styles. David Harp has taught close to half a million people how to make their own music, in person and through his dozens of instructional books, tapes, and videos.
Jazz Improvisation Using Simple Melodic Embellishment teaches fundamental concepts of jazz improvisation, highlighting the development of performance skills through embellishment techniques. Written with the college-level course in mind, this introductory textbook is both practical and comprehensive, ideal for the aspiring improviser, focused not on scales and chords but melodic embellishment. It assumes some basic theoretical knowledge and level of musicianship while introducing multiple techniques, mindful that improvisation is a learned skill as dependent on hard work and organized practice as it is on innate talent. This jargon-free textbook can be used in both self-guided study and as a course book, fortified by an array of interactive exercises and activities: musical examples performance exercises written assignments practice grids resources for advanced study and more! Nearly all musical exercises--presented throughout the text in concert pitch and transposed in the appendices for E-flat, B-flat, and bass clef instruments--are accompanied by backing audio tracks, available for download via the Routledge catalog page along with supplemental instructor resources such as a sample syllabus, PDFs of common transpositions, and tutorials for gear set-ups. With music-making at its core, Jazz Improvisation Using Simple Melodic Embellishment implores readers to grab their instruments and play, providing musicians with the simple melodic tools they need to "jazz it up."
A guitar player's guide to music theory. This book is a complete theory course with recorded examples that put everything in an applicable, musical context. The recording includes all the musical examples and play-along tracks.
(Guitar). This hefty book/CD pack gives an in-depth insight into blues guitar, from early Chicago blues through Memphis and Detroit blues, the British blues boom, jazz blues, and many other blues genres, right up to the blues styles of today's hottest guitarists.
This is a soloing system I came up with for intermediate guitarists based on exploring the sounds of blues-rock improvisation which involves minimal theory, while focusing on concepts you can apply to your playing right away. Here we dispense with scales, arpeggios and whatnot in favor of just 3 positions on the fretboard that will allow you to get a wide variety of blues-rock sounds under your fingers in no time at all. This is accomplished by focusing on a handful of intervals rather than endless scales, arpeggios and permutations; in other words, we’re going straight to the good stuff! This book is aimed at intermediate guitarists looking for a practical yet musical approach to blues-rock soloing with concepts and ideas you can get up and running on the fretboard without having to wade through a ton of theory and scale patterns. What’s more, there’s very little to remember as we learn how to connect sounds by starting off with a handful of notes and then navigating the rest of the fretboard with ease by connecting intervals. If you’re a high beginner-intermediate guitarist, I think you’ll like this approach, especially if you’ve gotten stuck in scale patterns/pentatonics and find yourself playing the same things over and over.
Everything you need to know about improvising in any style, composing your own songs, and jamming. For all instruments including voice, and for beginners or experienced players, this easy theory book covers scales and chord structures for folk, blues, rock, country and jazz.
Frank Gambale's new improvisation book is a twelve-chapter course, with seven lessons per chapter, that covers the twelve most important scales and modes. Each lesson explores the chords, voicings and licks that are derived from each scale. The two enclosed CDs contain 119 recorded music examples (over 50 CD tracks), and the clearly presented text is written in standard notation and tablature.
3NPS (three-note-per-string) scales, as used by legions of guitarists but popularized mainly by Joe Satriani, are one of the most efficient ways to navigate the fretboard and get your scales down IF you follow the guidelines in this book. As the name suggests, a 3NPS scale is any scale that contains three notes on each string, and as you'll see in this eBook, this makes for a very consistent way to map out scales on the guitar fretboard. What we’ve done here is revamped the 3NPS scale system and turned it into an incredibly effective means to learn a wide variety of scales all over the fretboard by streamlining the number of patterns, as well as the picking system. This is not a scale theory book, and contains no pentatonic scales. This is a quick and dirty (and very effective) method for learning 3NPS scales all over the fretboard; something to work on in the woodshed. It will improve your picking technique and speed. It does not require a great amount of thinking as you only need to learn two picking patterns, which is really one in two directions, and only three scale patterns instead of the usual seven per scale.