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"Despite Johnno's assertion that Brisbane was absolutely the ugliest place in the world, I had the feeling as I walked across deserted intersections, past empty parks with their tropical trees all spiked and sharp-edged in the early sunlight, that it might even be beautiful ... " Johnno is a typical Australian who refuses to be typical. His disorderly presence can disturb the staleness of his home town or destroy the tranquillity of a Greek landscape. An affectionately outrageous portrait, David Malouf's first novel recreates the war-conscious forties, the pubs and brothels of the fifties, and the years away treading water overseas.
For three very different people brought together by their love for birds, life on the Queensland coast in 1914 is the timeless and idyllic world of sandpipers, ibises and kingfishers. In another hemisphere civilization rushes headlong into a brutal conflict. Life there is lived from moment to moment. Inevitably, the two young men - sanctuary owner and employee - are drawn to the war, and into the mud and horror of the trenches of Armentieres. Alone on the beach, their friend Imogen, the middle-aged wildlife photographer, must acknowledge for all three of them that the past cannot be held.
In the first century AD, Publius Ovidius Naso, the most urbane and irreverant poet of imperial Rome, was banished to a remote village on the edge of the Black Sea. From these sparse facts, one of our most distinguished novelists has fashioned an audacious and supremely moving work of fiction. Marooned on the edge of the known world, exiled from his native tongue, Ovid depends on the kindness of barbarians who impate their dead and converse with the spirit world. But then he becomes the guardian of a still more savage creature, a feral child who has grown up among deer. What ensues is a luminous encounter between civilization and nature, as enacted by a poet who once catalogued the treacheries of love and a boy who slowly learns how to give it.
'How do we pierce the skin? Did they teach you that at University?' Clive Broderick, guitar-teacher and occultist - the Doubleman of the title of this acclaimed novel - is speaking of power, and of a realm beyond reality. this is a fable of the sixties, when shared belief-systems crumbled, and the spiritual bazaars of today opened up. Christopher Koch's theme is illusion; and all his characters are bound by it. the Rymers are an electric folk group enjoying mounting success in Sydney. their producer, Richard Miller, came under Broderick's spell during his youth in tasmania; so did the guitarists Brady and Burr. Now, years after his death, Broderick's presence remains with all three. through his disciple, Burr, it will lead to nightmare. tHE DOUBLEMAN was winner of the 1985 Miles Franklin Award. 'Why have I not heard of Koch before, I wonder? He has an extraordinary power of evoking place, and I feel now that tasmania is part of my memory.' - Graham Greene 'As universal in its impact as the myth and music of Orpheus ... a tour-de-force' - David Rowbotham, Brisbane Courier Mail 'A classy writer, deploying a kind of dangerous power with a delicate perception' - Norman Shrapnel, Guardian
Join J. M. Coetzee and Thomas Keneally in rediscovering Nobel Laureate Patrick White In 1973, Australian writer Patrick White was awarded the Nobel Prize in Literature "for an epic and psychological narrative art which has introduced a new continent into literature." Set in nineteenth-century Australia, Voss is White's best-known book, a sweeping novel about a secret passion between the explorer Voss and the young orphan Laura. As Voss is tested by hardship, mutiny, and betrayal during his crossing of the brutal Australian desert, Laura awaits his return in Sydney, where she endures their months of separation as if her life were a dream and Voss the only reality. Marrying a sensitive rendering of hidden love with a stark adventure narrative, Voss is a novel of extraordinary power and virtuosity from a twentieth-century master. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
In an office there is a group of young people who work from morning till night, six days a week. Their way of life during office hours is dedicated and austere. The discipline they follow seems monastic. These people, who see themselves simply as "technologists", are in fact assassins.
Each house, like each place, has its own topography, its own lore. A complex history comes down to us, through household jokes and anecdotes, odd family habits, and irrational superstitions, that forever shapes what we see and the way in which we see it. Beginning with his childhood home, David Malouf moves on to show other landmarks in his life, and the way places and things create our private worlds. Written with humour and uncompromising intelligence, 12 Edmondstone Street is an unforgettable portrait of one man's life.
A fascinating insight into a major Australian novelist's development, this collection of pieces employs the memoir as springboard, presenting us with reflections on literature and an analysis of Australia's changing place in the world over the author's lifetime - a lifetime stretching from the British Empire of his childhood to the post-colonial present. 'Crossing the Gap', the title piece of the collection, has a particular topical interest, dealing as it does with the shift from Empire to a new Asia-Pacific consciousness. 'His essays offer striking expositions of the emotions and ideas which have fuelled his fiction.' the times Literary Supplement 'Reading the ruminations of Christopher Koch ... is a bit like going for a walk in the country at night beneath a full moon. You are absorbed into the atmosphere and afterwards find no clear recollection of the earth having passed beneath your feet.' the Age 'No novelist has done more to capture Asia for the Australian imagination than Koch.' Greg Sheridan, Foreign Editor, the Australian