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From a New York Times–bestselling author, Charlotte and Thomas Pitt must solve the case of a young gentleman’s sordid murder—before an innocent man hangs. The naked body of an aristocratic youth turns up in the sewers beneath Bluegate Fields, one of London’s most notorious slums. But Arthur Waybourne had been drowned in his bath, not in the Thames. More shocking still was that the boy had been sexually violated and infected with syphilis before he was murdered. Despite Inspector Thomas Pitt’s efforts to fully investigate the crime, the family closes ranks, stonewalling Pitt, leaving him to wonder what they are hiding. All evidence points to Arthur’s tutor, Jerome, as the murderer. The courts agree and Jerome is sentenced to hang. Pitt and his wife, Charlotte, don’t believe the answer is so simple. But if not Jerome, then who molested and infected the boy? To learn the truth, Charlotte uses her familiarity with the upper classes to draw aside the curtain of lies, while Pitt defies his superior and the boy’s family to follow a trail that leads him into the foulest streets of London through a web of deceit involving male prostitution and pedophilia. In a race against time, Thomas and Charlotte must find the real killer to save Jerome from the hangman’s noose.
A mystery set in Victorian England by the New York Times–bestselling author whose “novels attain the societal sweep of Trollope or Thackeray” (Booklist, starred review). When her mother asks her help in finding a lost locket with a compromising picture, neither Charlotte Pitt, nor her mother, has any idea that the locket may be at the center of a bizarre chain of events leading to murder. Arriving at her mother’s home at Rutland Place, Charlotte discovers that other residents of the exclusive neighborhood have also suffered similar small thefts. It all appears quite mild as crimes go—a light-fingered servant, perhaps. That is, until Mina Spencer-Brown, a woman known for her prying, is poisoned and dies. Inspector Thomas Pitt quickly surmises that Mina’s snooping might have led to her murder, but what secrets had she stumbled upon? And whose? As Pitt patiently struggles to break down the protective silence of high-born neighbors, Charlotte works behind the closed doors of society’s drawing rooms to help unravel a mystery that reveals sordid secrets and the chilling, dark corners of human behavior.
Clemency Shaw, the wife of a prominent doctor, has died in a tragic fire in the peaceful suburb of Highgate. But the blaze was set by an arsonist, and it is unclear whether she or Dr. Shaw was the intended victim—or did the doctor himself set the blaze in order to inherit his wife’s large fortune? Baffled by the scarcity of clues in this terrible crime, Inspector Thomas Pitt turns to the people who had been closest to the couple—Clemency’s stuffy but distinguished relatives. Meanwhile, Pitt’s wellborn wife, Charlotte, retraces the dangerous path that Clemency walked in the last months of her life, finding herself enmeshed in a sinister web that stretches from the lowest slums to the loftiest centers of power.
This collection captures key themes and issues in the broad history of addiction and vice in the Anglo-American world. Focusing on the long nineteenth-century, the volumes consider how scientific, social, and cultural experiences with drugs, alcohol, addiction, gambling, and prostitution varied around the world. What might be considered vice, or addiction could be interpreted in various ways, through various lenses, and such activities were interpreted differently depending upon the observer: the medical practitioner; the evangelical missionary; the thrill seeking bon-vivant, and the concerned government commissioner, to name but a few. For example, opium addiction in middle class households resulting from medical treatment was judged much differently than Chinese opium smoking by those in poverty or poor living conditions in North American work camps on the west coast, or on the streets of East London. This collection will assemble key documents representing both the official and general view of these various activities, providing readers with a cross section of interpretations and a solid grounding in the material that shaped policy change, cultural interpretation, and social action.
London in the middle of the 1800s was a subject endlessly sketched by artists, studied by social reformers, and discussed by writers. This comprehensive collection of drawings by Gustave Dor,̌ France's most celebrated graphic artist of the period, presents a panoramic portrait of that engrossing city - from fashionable ladies riding in a sunlit park to ragged wretches in a shadowy side street. Here are amazingly perceptive sketches of workaday London, busy market places, the Christy Minstrels, a waterman's family, thieves gambling, the Devils' Acre in Westminster, flower girls, waifs and strays, a wedding at the Abbey, provincials in search of lodgings, a garden party, prisoners in the Newgate exercise yard, stalls at Covent Garden Opera House, and many other scenes that capture the London of a bygone era.
Uncovers the link between Ruskin and the tradition of the aesthetics of spaceDiscusses a hitherto under-researched tradition of city-writing, linking Ruskin to modernismReads comparatively five important mid to late nineteenth-century writersMarries close textual analysis with historically and geographically informed contextFills a gap in the critical literature on city-writing between realism and early modernismCharting an 'aesthetic', post-realist tradition of writing, this book considers the significant role played by John Ruskin's art criticism in later writing which dealt with the new kinds of spaces encountered in the nineteenth-century. With chapters devoted to the ways in which aesthetic and decadent writers such as Walter Pater and Oscar Wilde built upon and challenged Ruskin's ideas, the book links the late Dickens to the early modernism of Henry James. The Aesthetics of Space in Nineteenth-Century British Literature gives a vibrant vision of what an aesthetically sensitive treatment of these spaces looked like during the period.
This volume argues that we must examine the boundaries in fiction and non-fiction crime writing with an awareness of and turn toward the unseen structures and spatial uncertainties that so often lead to and reflect collective fears and anxieties. Drawing upon the insights and expertise of an international array of scholars, the chapters within explore the interplay of the literary, historical, social, and cultural in various modes of crime writing from the 1890s to as recent as 2017. They examine unseen structures and uncertain spaces, and simultaneously provide new insights into the works of iconic authors, such as Christie, and iconic fictional figures, like Holmes, as well as underexplored subjects, including Ukrainian detective fiction of the Soviet period and crime writing by a Bengali police detective at the turn of the twentieth century. The breadth of coverage—of both time and place—is an indicator of a text in which seasoned readers, advanced students, and academics will find new perspectives on crime writing employing theories of cultural memory and deep mapping.